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Episode 45 – Revival Series 5, Part I – Murray’s Planets of Gold – The Time of Angels and Flesh and Stone with Special Guests Radio Rassilon

Adventures in Time Space and Music

In this episode, guest hosts Harry Medium & Leeson Fischer will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories The Time of Angels and Flesh and Stone. The Time of Angels and Flesh and Stone (Stories 206a & 206b – Production 1.4 & 1.5) originally aired between the 24th of April and the 1st of May, 2010 on BBC One.

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How

ABOUT YOUR GUEST CO-HOSTS – HARRY MEDIUM & LEESON FISCHER:

Radio Rassilon is a British based Doctor Who podcast presented by Leeson Fischer and Harry Medium.

Sardonic and irreverent, Radio Rassilon takes a light hearted and sideways look at all things Who related, and some more besides.

Leeson is a frustrated nerd who wants to share his thoughts with the world, while Harry is a hardline geek who finds imperfection wherever he looks. Not least in his frustrated co-host.

Join the boys as they tumble through the vortex, desperately trying to find something to cling onto.

For more information on Harry & Leeson’s work on the widely popular Radio Rassilon Podcast, visit http://radiorassilon.podbean.com/.

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.

ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.

LINKS OF INTEREST

The Radio Rassilon Podcast – http://radiorassilon.podbean.com/
The Doctor Who Podcast – http://www.thedoctorwhopodcast.com/

Composer – Murray Gold – http://en.wikipedia.org/wiki/Murray _Gold
Orchestrator and Conductor – Benjamin Foster – http://en.wikipedia.org/wiki/Ben_Foster_(orchestrator)

Head Writer and Show-Runner – Steven Moffat – http://en.wikipedia.org/wiki/Steven_Moffat
Producer – Piers Wenger – http://en.wikipedia.org/wiki/Piers_Wenger

Doctor Who – Series 5 – http://en.wikipedia.org/wiki/Doctor_Who_(series_5)
Doctor Who – Series 5 – The Time of Angels – http://en.wikipedia.org/wiki/The_Time_of_Angels
Doctor Who – Series 5 – Flesh and Stone – http://en.wikipedia.org/wiki/Flesh_and_Stone

Podcast Interviews with Murray Gold – Radio Free Skaro (RFS 223 – Murray the Planet of Gold, 5 November, 2010) – http://www.radiofreeskaro.com/2010/11/05/radio-free-skaro-223-murray-the-planet-of-gold
Podcast Interviews with Murray Gold – Doctor Who Podshock (DWP 48, 28 July, 2006) – http://bit.ly/al2Dzw

Articles on Murray Gold – Music from the Movies (May 2008) –
http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=%27%20.%20%282725%29%20.%20%27
Articles on Murray Gold – Music from the Movies – http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=’ . (2822) . ‘Murray gold
Articles on Murray Gold – Sound on Sound (June 2007) – http://www.soundonsound.com/sos/jun07/articles/drwho.htm
Articles on Murray Gold – The Daily Athenaeum – http://www.thedaonline.com/a-e/doctor-who-composer-discusses-sound-of-the-series-1.1493897

LIMITED DISCOGRAPHY

2 CD release of Doctor Who Series 5 on CD by Silva Screen Records
EAN: 0738572134525 Released 8 November 2010 in the UK & 8 February 2011 in North America
Silva Screen Records & Silva Screen America – http://www.silvacreen.com/ & http://www.silvacreenusa.com/

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Episode 44 – Series 2, Part I – Francis Chagrin and the Dalek Invasion of Earth

In this episode we’ll be looking at the singular musical contribution to Doctor Who by composer Francis Chagrin focusing on his work on Serial K – Story 10 – The Dalek Invasion of Earth, a 6-part story comprising of World’s End, The Daleks, Day Of Reckoning, The End Of Tomorrow, The Waking Ally & Flashpoint. The Dalek Invasion of Earth originally aired between the 21st of November and the 26th of December 1964 on BBC One.

NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Thursday, 13 July 2012 – http://hooonwho.libsyn.com/webpage/episode-53-enhanced-the-dalek-invasion-of-earth

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Minisode 8 – Series 20, Part I – Jonathan Gibbs, Peter Howell & Jakob Lindberg Meet Kamelion

In this minisode we’ll be looking at the music of BBC Radiophonic Workshop composers Jonathan Gibbs and Peter Howell and the lutanist Jakob Lindberg. Here we will examine Serial 6J – Story 128 – The Kings Demons, a 2-part serial originally broadcast between the 15th and 16th of March 1983 on BBC One.

NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Wednesday, 17 January 2012 – http://krynoid.blog.co.uk/2012/01/17/klokleda-partha-menin-klatch-haroon-haroon-haroon-klokleda-sheenah-tierra-12473076/

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Episode 43 – Series 8, Part I – Dudley Simpson and Brian Hodgson Join Forces Against the Claws of Axos

In this episode we’ll be looking at the music of Doctor’s composer Dudley Simpson focusing on his work on Serial GGG – Story 57 – The Claws of Axos, a 4-part story which originally aired between the 13th of March and the 3rd of April 1971 on BBC One.

NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 11 June, 2012 – http://hooonwho.libsyn.com/webpage/episode-52-enhanced-the-claws-of-axos

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Episode 42 – Series 3, Part II – Tristram Cary and the Gunfight at the O.K. Corral

In this episode we’ll be looking at the music of the Doctor’s composer Tristram Cary focusing on his work on Serial Z – Story 25 – The Gunfighters. The Gunfighters was a 4-part story comprising of A Holiday for the Doctor, Don’t Shoot the Pianist, Johnny Ringo and The OK Corral which originally aired between the 30th of October and the 20th of November 1976 on BBC One.

NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Wednesday, 21 March, 2012 – http://hooonwho.libsyn.com/webpage/episode-51-enhanced-the-gunfighters

 

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Episode 41 – Series 1, Part III – Richard Rodney Bennett and Marcus Dods Meet the Aztecs

In this episode we’ll be looking at the music of composer Sir Richard Rodney Bennett and ensemble conductor Marcus Dods. Here, we will look at their work on Serial F – Story 6 – The Aztecs, a 4-part serial which originally aired between the 23rd of May and the 13th of June 1964 on BBC One.

NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 4 July, 2011 – http://hooonwho.libsyn.com/episode-42-the-aztecs-enhanced-

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Minisode 7 – Series 1, Part III – Stock Music and John Smith and the Common Men

In this minisode we’ll be looking at a piece of stock music used in the Pilot and Serial A – Story 1 – The Unearthly Child, the first of a four-part story comprising of An Unearthly Child, The Cave of Skulls, The Forest of Fear and the Firemaker which originally aired between the 23rd of November and the 14th of December 1963. The music in question is ‘Three Guitars Mood 2’ by Nelson & Raymond & performed The Arthur Nelson Group – released by Conroy Library Music catalogue BM 303B.

NOTE: This minisode aired as a segment on the THE 20MB DOCTOR WHO PODCAST on ?day, ? February, February 2012 – http://INSERTLINKHERE?

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.

ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Minisode 6 – Series 3, Part I – Tristram Cary and his Missing Master Plan

In this minisode we’ll be looking at the musically groundbreaking work of Doctor Who composer Tristram Cary focusing on his work on Serial V – Story 21 – The Daleks’ Master Plan, Terry Nation and Dennis Spooner‘s epic 12-part  serial which originally aired between the 13th of November  1965 and the 29th of January 1966 on BBC One.

NOTE: This minisode aired as a segment on the THE RADIO RASSILON PODCAST on Wednesday, 21 March 2012 –  http://radiorassilon.podbean.com/2012/03/21/rr-28-the-lost-episodes-special/

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.

ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Episode 40 – Series 22, Part II – The Dueling Guitars of Peter Howell and Les Thatcher in the Two Doctors

In this Episode we’ll be looking at the music of BBC Radiophonic Workshop composer Peter Howell. Here we will examine Serial 6W – Story 140 – The Two Doctors, a 3-part serial originally broadcast between the 16th of February and the 2nd of March 1985 on BBC One.

NOTE: This minisode aired as a segment on the HOO ON WHO on Monday, 19 December, 2011 –  http://hooonwho.libsyn.com/webpage/e-pisode-47-enhanced-the-two-doctors

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.

ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.

_____________________________

If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast

_____________________________

‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Episode 39 – Series 11, Part I – Dudley Simpson Regenerates with Jon Pertwee – Planet of the Spiders

In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson. In this episode we will look at his work on Serial ZZZ – Story 74 – Planet of Spiders, a 6-part story which originally aired between the 4th of May and the 8th of June 1974 on BBC One.

NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Friday, 2 September, 2011 – http://hooonwho.libsyn.com/episode-44-enhanced-planet-of-the-spiders

ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/

ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.

I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.

ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.

On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.

LINKS OF INTEREST:

Restoration Team – Planet of the Spiders – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/PlanetOfTheSpiders.htm
BBC Doctor Who – Planet of the Spiders – http://www.bbc.co.uk/doctorwho/classic/episodeguide/planetofspiders/
Planet of the Spiders – http://en.wikipedia.org/wiki/Planet_of_the_Spiders

Composers Mentioned – Dudley Simpson – http://en.wikipedia.org/wiki/Dudley_Simpson

Purchase the Doctor Who – Planet of the Spiders – http://www.amazon.com/dp/B004L9GMC6/ref=cm_sw_r_tw_dp_fwxopb04749V5 (US) http://www.amazon.co.uk/dp/B004P9MUK0/ref=cm_sw_r_tw_dp_.wxopb1XP53F0 (UK)

People Mentioned – Tom Baker – http://en.wikipedia.org/wiki/Tom_Baker
People Mentioned – Nicholas Courtney – http://en.wikipedia.org/wiki/Nicholas_courtney
People Mentioned – Roger Delgado – http://en.wikipedia.org/wiki/Roger_Delgado
People Mentioned – Terrance Dicks – http://en.wikipedia.org/wiki/Terrance_Dicks
People Mentioned – Richard Franklin – http://en.wikipedia.org/wiki/Richard_Franklin
People Mentioned – Mark Gatiss – http://en.wikipedia.org/wiki/Mark_Gatiss
People Mentioned – Matt Irvine – http://en.wikipedia.org/wiki/Matt_Irvine
People Mentioned – Barry Letts – http://en.wikipedia.org/wiki/Barry_Letts
People Mentioned – John Levene – http://en.wikipedia.org/wiki/John_Levene
People Mentioned – John Nathan-Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
People Mentioned – Jon Pertwee – http://en.wikipedia.org/wiki/Jon_Pertwee
People Mentioned – Elisabeth Sladen – http://en.wikipedia.org/wiki/Elisabeth_Sladen
People Mentioned – Robert Sloman – http://en.wikipedia.org/wiki/Robert_Sloman

Concepts Mentioned – Brass Instruments – http://en.wikipedia.org/wiki/Brass_Instruments
Concepts Mentioned – String Instruments – http://en.wikipedia.org/wiki/Strings_(music)
Concepts Mentioned – Woodwind Instruments – http://en.wikipedia.org/wiki/Woodwind

Instrument Mentioned – Bass Clarinet – http://en.wikipedia.org/wiki/Bass_Clarinet

Instrument Mentioned – Clarinet – http://en.wikipedia.org/wiki/Clarinet

Instrument Mentioned – Drum – http://en.wikipedia.org/wiki/Drum
Instrument Mentioned – Horn – http://en.wikipedia.org/wiki/French_horn
Instrument Mentioned – Percussion – http://en.wikipedia.org/wiki/Percussion
Instrument Mentioned – Trumpet – http://en.wikipedia.org/wiki/Trumpet
Instrument Mentioned – Violoncello – http://en.wikipedia.org/wiki/Cello

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If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.

Podcast site is located at http://atsm.phillipwserna.com/
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‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.

The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.

Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012

Adventures in Time, Space and Music is a Proud Member of the Doctor Who Podcast Alliance - http://www.doctorwhopodcastalliance.org/. Adventures in Time, Space and Music is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended. The Official Doctor Who Site can be found at http://bbc.co.uk/doctorwho. Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.

All website content copyright © 2017 Dr. Phillip W. Serna. All rights reserved. Web design by Phillip W. Serna.