Episode 39 - Series 11, Part I - Dudley Simpson Regenerates with Jon Pertwee - Planet of the Spiders[ 25:42 | 35.65 MB ]Play Now | Play in Popup | Download
Episode 39 - Series 11, Part I - Dudley Simpson Regenerates with Jon Pertwee - Planet of the Spiders[ 25:42 | 23.56 MB ]Download
In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson. In this episode we will look at his work on Serial ZZZ – Story 74 – Planet of Spiders, a 6-part story which originally aired between the 4th of May and the 8th of June 1974 on BBC One.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
2011 Chicago TARDIS Special - Part II - Tunes of the Time Lord[ 57:31 | 79.36 MB ]Play Now | Play in Popup | Download
2011 Chicago TARDIS Special - Part II - Tunes of the Time Lord[ 57:31 | 50.33 MB ]Download
This is part II of coverage from the Chicago TARDIS having taken place November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, IL
ABOUT THE PANELISTS: NICK SEIDLER – Nick Seidler regular job is as a staff member at the Milwaukee School of Engineering, and Engineering university in the state of Wisconsin. In Doctor Who circles he is the founder of the Earthbound TimeLords Doctor Who academic website and also a staff member of the Chicago TARDIS convention. With Rob Warnock, and John Curtis, he has helped write the Doctor Who theme and inspired music for the past Chicago TARDIS conventions, and in currently involved in the music group UNIT (which takes its name from a Doctor Who reference).
ABOUT THE PANELISTS: DAVID WARNOCK – I started out as a music major in college for the first two years until I changed majors ( I started out playing French Horn). I originally started writing scores for DW fanvids back in the mid-80′s with the Federation. A lot of the people who were involved in the group now work as staff for Chicago TARDIS. Later on I started contributing music to various projects for BTR, who are a group from Australia who produce audio dramas, and some video projects also. I also composed the score for “Unknown” which was an independent film shot in the Chicago area. I’m currently working on “Thriller Theater” which is another independent film involving a number of people who worked on “Unknown”.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Minisode 1 - Series 12, Part I - Dudley Simpson and the Giant Robot[ 12:02 | 16.54 MB ]Play Now | Play in Popup | Download
Minisode 1 - Series 12, Part I - Dudley Simpson and the Giant Robot[ 12:02 | 11.05 MB ]Download
In this minisode we will look at his work on Serial 4A – Story 75 – Robot which originally aired between the 7th and the 28th of December, 1974 and 18th of January, 1975 on BBC One.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
2010 Chicago TARDIS Special - Part II - The Music of the Spheres[ 1:05:58 | 90.6 MB ]Play Now | Play in Popup | Download
2010 Chicago TARDIS Special - Part II - The Music of the Spheres[ 1:05:58 | 90.6 MB ]Download
This is part II of coverage from the Chicago TARDIS having taken place November 26-28, 2010 at the Westin Lombard Hotel at Yorktown Center in Lombard, IL
Featuring Nick Seidler, Phillip W. Serna & David Warnock
MUSIC DISCUSSED
Doctor Who (Ron Grainer/ Delia Derbyshire – New Opening Theme, 1967) – Doctor Who at the BBC Radiophonic Workshop – Volume 1 – The Early Years (1963-1969)
Chromophone Band (Delia Derbyshire – The Macra Terror) – Doctor Who at the BBC Radiophonic Workshop – Volume 1 – The Early Years (1963-1969)
Kroton Theme (Brian Hodgson – The Krotons) – Doctor Who at the BBC Radiophonic Workshop – Volume 1 – The Early Years (1963-1969)
The Delian Mode (Delia Derbyshire – Inferno) – Doctor Who at the BBC Radiophonic Workshop – Volume 2: New Beginnings (1970-1980)
The Prison (Malcolm Clarke – The Sea Devils) – Doctor Who at the BBC Radiophonic Workshop – Volume 2: New Beginnings (1970-1980)
Doctor Who (Brian Hodgson/ Paddy Kingsland – Delaware Version, 1972) – Doctor Who at the BBC Radiophonic Workshop – Volume 2: New Beginnings (1970-1980)
The Master’s Theme (Dudley Simpson – The Mind of Evil) – Doctor Who at the BBC Radiophonic Workshop – Volume 2: New Beginnings (1970-1980)
The Leisure Hive (Peter Howell – The Leisure Hive) – Doctor Who – The Music & Doctor Who at the BBC Radiophonic Workshop – Volume 3: The Leisure Hive
Doctor Who (Peter Howell – New Theme, 1980) – Doctor Who at the BBC Radiophonic Workshop – Volume 2: New Beginnings (1970-1980)
Meglos (Peter Howell – Meglos) – Doctor Who at the BBC Radiophonic Workshop – Volume 4: Meglos & Full Circle
Martha’s Theme (Murray Gold – Smith and Jones) – Doctor Who – Original Television Soundtrack – Series 3
The Master Vainglorious (Murray Gold – Utopia) – Doctor Who – Original Television Soundtrack – Series 3
ERRATA – Many thanks to BBC Radiophonic Workshop composer and archivist Mark Ayres for pointing out factual errors in this panel:
Rights to the Doctor Who theme – Ron Grainer assigned his publishing to a small company called Erle Music, which was administered, and later purchased, by Warner/ Chappell Music, who continues to administer publishing on Grainer’s behalf.
Commision of Incidental Music in 1960s UK television – The BBC were (and possibly still are) by far the biggest commissioner of new music in the UK. All but one of the 8 stories making up the first series of Doctor Who have original, commissioned music.
BONUS MUSIC
Osiris (Nicholas Seidler & Robert Warnock) Music from the Chicago TARDIS 2010
DISCLAIMER: The audio quality varies in the last 10 min. during the brief question & answer portion of the panel.
ABOUT THE PANELISTS: NICK SEIDLER – Nick Seidler regular job is as a staff member at the Milwaukee School of Engineering, and Engineering university in the state of Wisconsin. In Doctor Who circles he is the founder of the Earthbound TimeLords Doctor Who academic website and also a staff member of the Chicago TARDIS convention. With Rob Warnock, and John Curtis, he has helped write the Doctor Who theme and inspired music for the past Chicago TARDIS conventions, and in currently involved in the music group UNIT (which takes its name from a Doctor Who reference).
ABOUT THE PANELISTS: DAVID WARNOCK – I started out as a music major in college for the first two years until I changed majors ( I started out playing French Horn). I originally started writing scores for DW fanvids back in the mid-80′s with the Federation. A lot of the people who were involved in the group now work as staff for Chicago TARDIS. Later on I started contributing music to various projects for BTR, who are a group from Australia who produce audio dramas, and some video projects also. I also composed the score for “Unknown” which was an independent film shot in the Chicago area. I’m currently working on “Thriller Theater” which is another independent film involving a number of people who worked on “Unknown”.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
"...I've been listening to all the podcasts, and just wanted to say what a fantastic series of shows. Thoroughly enjoyed them all, and learnt a lot of stuff I didn't know about my fellow Who composers! Nice work!"
ATSM is a Proud Contributor to These Fine Podcasts is a Member of the Doctor Who Podcast Alliance, Appearing on the Who News Application & is a Member of the Doctor Who Bar Twitter Fan Community
Adventures in Time Space and Music is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Recent Comments