Episode 39 - Series 22, Part II - The Dueling Guitars of Peter Howell and Les Thatcher in the Two Doctors[ 32:57 | 45.62 MB ]Play Now | Play in Popup | Download
Episode 39 - Series 22, Part II - The Dueling Guitars of Peter Howell and Les Thatcher in the Two Doctors[ 32:57 | 30.87 MB ]Download
In this Episode we’ll be looking at the music of BBC Radiophonic Workshop composer Peter Howell. Here we will examine Serial 6W – Story 140 – The Two Doctors, a 3-part serial originally broadcast between the 16th of February and the 2nd of March 1985 on BBC One.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 36 - Series 14, Part I - The Many Masques [of Mandragora] of Dudley Simpson[ 34:58 | 48.39 MB ]Play Now | Play in Popup | Download
Episode 36 - Series 14, Part I - The Many Masques [of Mandragora] of Dudley Simpson[ 34:58 | 32.1 MB ]Download
In this episode we’ll be looking at the music of Doctor’s composer Dudley Simpson, as well as the use of period stock music in Doctor Who. Here we will examine Serial 4M – Story 86 – The Masque of Mandragora, a 4-part serial originally broadcast between the 4th and 25th of September 1976 on BBC One.
DEDICATION – Dr. Phill – I would like to dedicate this episode to my brother Fred “Count Federico” Serna, in honour of his birthday, to whom I really owe a great deal for introducing me to Doctor Who as a youth in the late 1980s. Being a great influence on my career in Early Music, this particular story always had a special place in our household as one that was equally enjoyed by myself and both of my brothers. This is why I found this particular episode was a labour of love, and a joy to research. Cheers to you on your birthday, and may you always enjoy this unorthodox love-letter to our youths each and every year on your birthday.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 34 - Series 16, Part V - Dudley Simpson and the Power of Kroll[ 14:07 | 19.5 MB ]Play Now | Play in Popup | Download
Episode 34 - Series 16, Part V - Dudley Simpson and the Power of Kroll[ 14:07 | 19.5 MB ]Download
In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson focusing on his work on Series 16, the Key to Time. In this episode we will look at his work on Serial 5E – Story 102 – The Power of Kroll, a 4-part story which originally aired between the 23rd of December, 1978 and the 13th of Jannuary, 1979 on BBC One.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 30 - Series 16, Part I - Dudley Simpson and the Ribos Operation[ 19:52 | 27.64 MB ]Play Now | Play in Popup | Download
Episode 30 - Series 16, Part I - Dudley Simpson and the Ribos Operation[ 19:52 | 18.51 MB ]Download
In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson focusing on his work on Series 16, the Key to Time. We will examine his work on Serial 5A – Story 98 – The Ribos Operation, a 4-part story which originally aired between the 2nd of September and the 23rd of September 1978 on BBC One.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 28 - Series 21, Part I - Revelations of Roger Limb's Androzani - Part II - Roger Limb Interview[ 51:06 | 70.55 MB ]Play Now | Play in Popup | Download
Episode 28 - Series 21, Part I - Revelations of Roger Limb's Androzani - Part II - Roger Limb Interview[ 51:06 | 46.94 MB ]Download
In this episode we’ll be looking at the music of BBC Radiophonic Workshop composer Roger Limb focusing on his work on Doctor Who. This interview with Roger Limb was recorded on the 9th of May, 2011.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
ABOUT OUR SERIES GUEST: Roger Limb is a British composer, specialising in electronic music. He is best known for his work on the television series Doctor Who whilst at the BBC Radiophonic Workshop. He joined the BBC as a studio manager, before going on to become a television announcer. In 1972 he left this position to join the Radiophonic Workshop, where he remained until 1995. Although he had received formal music training, he also spent much time in pop and jazz bands, the influence of which can be heard in much of his music. Limb is best known for his work on Doctor Who, for which, between 1981 and 1985, he composed the music for the serials The Keeper of Traken, Four to Doomsday, Black Orchid, Time-Flight, Arc of Infinity, Terminus, The Caves of Androzani and Revelation of the Daleks.
Limb also contributed music to the television series The Justice Game, Aliens in the Family, The December Rose, Thinkabout, The Box of Delights, Kevin and Co, Martin Luther: Heretic, Storytime and the Look and Read serials “Fair Ground!”, “Dark Towers”, “Sky Hunter”, “The King’s Dragon”, “Cloud Burst”, “Geordie Racer”, “Through The Dragon’s Eye” and “Earth Warp”. For the latter programme he also composed the cult favourite “Magic E” song as well as the popular education songs “Bill the Brickie”, “Dog Detective” and “The Punctuation Song”.
He also composed and played “Swirley”, a cheerful piece of electronic music that was used as the theme to the BBC’s Service Information news bulletins in the late 70s/early 80s, and arranged the songs for several series of the BBC Schools programme You and Me, featuring Cosmo and Dibs. His recording “Passing Clouds” was included on the 1976 LP Out of This World, a compilation of sound effects. This track was used by Prince (musician) at the beginning of “Eye No”, the opening track of 1988′s “Lovesexy”. Out of This World was reissued in 1991 on CD as the “Essential Science Fiction Sound Effects, Volume 2″
Since leaving the BBC during the purges of the 1990s, he has been regularly in demand as a jazz musician and accompanist playing at Ronnie Scott’s, the Jazz Café and the Isle of Wight Jazz Festival. He recently performed at a concert featuring the Radiophonic repertoire at a sell-out concert at London’s Roundhouse. And he continues to write; a musical ‘The Bonnie Prince’ was written and performed in 1999 and he has written several songs for his regular ensemble ‘Jazz Culture’. Working with Aydenne Simone for some 14 years both as a permanent member and Musical Director of Jazz Culture, Roger Limb is one half of the perfect Jazz Duo for many delighted audiences including Queen Elizabeth II.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 27 - Series 21, Part I - Revelations of Roger Limb's Androzani - Part I - The UNIT Files[ 1:08:35 | 94.98 MB ]Play Now | Play in Popup | Download
Episode 27 - Series 21, Part I - Revelations of Roger Limb's Androzani - Part I - The UNIT Files[ 1:08:35 | 34.93 MB ]Download
In this episode we’ll be looking at the music of Roger Limb focusing on his work on Serial 6R- Story 135 – The Caves of Androzani. This discussion with the Doctor Who Podcast co-host Trevor Gensch, the Minute Doctor Who Podcast host Luke Harrison and Radio Free Skaro co-host Steven Schapansky was recorded on the 21st of June, 2011.
ABOUT YOUR GUEST CO-HOSTS – TREVOR GENSCH: Trevor has been a fan of Doctor Who since the guy with the scarf and the tin dog was about. As a youngster, he fashioned a replica K9 out of boxes and cardboard tubing. An attempt to fashion a K9 Mk II went disastrously wrong so Trevor retired from the world of Doctor Who modelling. Trevor’s late teens and early twenties were involved in setting up a local Doctor Who Fan Club in Brisbane, writing for fanzines, trying to organize a convention and spending far too much money on Star Trek VHS tapes. Fast forward to 2005 and a morbid fear of public speaking led him to start up MMM Commentaries and Fantragic podcasts. In 2008 he added the DWO WhoCast to his roster of speaking engagements. Trevor cites his favorite Doctor as Peter Davison, more as a reaction to the norm than out of any valid reason for favoritism. His favorite companion is Sarah Jane Smith. For more information on Trevor’s work on the widely popular The Doctor Who Podcast, visit http://www.thedoctorwhopodcast.com/.
ABOUT YOUR GUEST CO-HOSTS – LUKE HARRISON: Born and raised in Sheffield, Luke went to uni in Sunderland before joining Agapé UK. Luke spent 3 years in Russia working for them before returning to England in the summer of 2008. He continued with his job for a couple more years, this time in Bristol. He’s now studying film making in Oxford. Luke started reading the Target books from our local library as a kid and then my brother and I started getting the videos for presents. Luke began the podcast in 2008 and episodes have appeared sporadically since then as and when he has had the time and inspiration for the next one. For more information on Luke’s work on the Minute Doctor Who Podcast, visit http://www.tmdwp.co.uk/.
ABOUT YOUR GUEST CO-HOSTS – STEVEN SCHAPANSKY: Steven Schapansky is one of the hosts of Radio Free Skaro, one of the most popular and longest running Doctor Who podcasts around. As co-host, he has interviewed many luminaries from Doctor Who’s past an present, including Murray Gold, Graeme Harper, Phil Ford, Tracie Simpson, Gary Russell, and many others. He has also memorized every Doctor Who production code from the classic series and can point out on a map and name all 195 countries of the world. And he does it all without eating meat. For more information on Steven’s work on the widely popular Radio Free Skaro, released every Sunday, visit http://www.radiofreeskaro.com/.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
ABOUT OUR SERIES GUEST: Roger Limb is a British composer, specialising in electronic music. He is best known for his work on the television series Doctor Who whilst at the BBC Radiophonic Workshop. He joined the BBC as a studio manager, before going on to become a television announcer. In 1972 he left this position to join the Radiophonic Workshop, where he remained until 1995. Although he had received formal music training, he also spent much time in pop and jazz bands, the influence of which can be heard in much of his music. Limb is best known for his work on Doctor Who, for which, between 1981 and 1985, he composed the music for the serials The Keeper of Traken, Four to Doomsday, Black Orchid, Time-Flight, Arc of Infinity, Terminus, The Caves of Androzani and Revelation of the Daleks.
Limb also contributed music to the television series The Justice Game, Aliens in the Family, The December Rose, Thinkabout, The Box of Delights, Kevin and Co, Martin Luther: Heretic, Storytime and the Look and Read serials “Fair Ground!”, “Dark Towers”, “Sky Hunter”, “The King’s Dragon”, “Cloud Burst”, “Geordie Racer”, “Through The Dragon’s Eye” and “Earth Warp”. For the latter programme he also composed the cult favourite “Magic E” song as well as the popular education songs “Bill the Brickie”, “Dog Detective” and “The Punctuation Song”.
He also composed and played “Swirley”, a cheerful piece of electronic music that was used as the theme to the BBC’s Service Information news bulletins in the late 70s/early 80s, and arranged the songs for several series of the BBC Schools programme You and Me, featuring Cosmo and Dibs. His recording “Passing Clouds” was included on the 1976 LP Out of This World, a compilation of sound effects. This track was used by Prince (musician) at the beginning of “Eye No”, the opening track of 1988′s “Lovesexy”. Out of This World was reissued in 1991 on CD as the “Essential Science Fiction Sound Effects, Volume 2″
Since leaving the BBC during the purges of the 1990s, he has been regularly in demand as a jazz musician and accompanist playing at Ronnie Scott’s, the Jazz Café and the Isle of Wight Jazz Festival. He recently performed at a concert featuring the Radiophonic repertoire at a sell-out concert at London’s Roundhouse. And he continues to write; a musical ‘The Bonnie Prince’ was written and performed in 1999 and he has written several songs for his regular ensemble ‘Jazz Culture’. Working with Aydenne Simone for some 14 years both as a permanent member and Musical Director of Jazz Culture, Roger Limb is one half of the perfect Jazz Duo for many delighted audiences including Queen Elizabeth II.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 25 - Series 7, Part II - The Two Doctors - The Two Doctors Discuss Dudley Simpson's Spearhead from Space and the Ambassadors of Death[ 40:49 | 57 MB ]Play Now | Play in Popup | Download
Episode 25 - Series 7, Part II - The Two Doctors - The Two Doctors Discuss Dudley Simpson's Spearhead from Space and the Ambassadors of Death[ 40:49 | 57 MB ]Download
In this episode we’ll be looking at the music of Dudley Simpson focusing on his music from Series 7 of Doctor Who. In this episode we will look at his work on Serial AAA – Story 51 – Spearhead from Space and Serial CCC – Story 53 – The Ambassadors of Death. This discussion was recorded on the 16th of May, 2011.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 15 - Series 23, Part I - The Mysterious Planets of Dominic Glynn - Part II - Dominic Glynn Interview[ 51:51 | 71.32 MB ]Play Now | Play in Popup | Download
Episode 15 - Series 23, Part I - The Mysterious Planets of Dominic Glynn - Part II - Dominic Glynn Interview[ 51:51 | 71.32 MB ]Download
In this episode we’ll be looking at the music of Doctor Who composer Dominic Glynn focusing on his work on Series 23, the Trial of a Time Lord. In this episode we’ll be featuring the second part in a series focusing on the work of Doctor Who composer Dominic Glynn, with an interview recorded the 6th of December, 2010.
ABOUT YOUR HOST: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
ABOUT OUR SERIES GUEST: Dominic Glynn is one of the world’s most prolific composers of production music. His work has featured worldwide in hit TV shows including ‘The Simpsons’, ‘Red Dwarf’ and ‘Dead Like Me’ and in movies like ‘Kevin & Perry Go Large’ and Eddie Murphy/Jeff Goldblum comedy ‘Holy Man’.
Dominic began his career writing incidental music for BBC TV’s “Doctor Who” in the late 1980s, and is one of a select number of composers to have re-arranged the show’s iconic theme tune. In the 90s he continued to compose for a number of BBC shows, and after a series of leftfield underground dance record releases, he formed his own independent record label. Today he can often be seen DJing for ‘The Big Chill’. Live work has included performing at London’s Festival Hall with pedal-steel guitar legend BJ Cole, and the electronica/jazz hybrid project ‘Cybajaz’.
Dominic has composed the score for a series of short supernatural film dramas, screened at London’s Frightfest horror film festival, as well as music for two contemporary dance films. More recently, he has composed the score to upcoming British feature film ‘Bad Day’ starring Claire Goose and Donna Air, as well as a new radio revival of sci-fi classic ‘Blake’s 7′.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
DEDICATION: This series of episodes are dedicated to all of the composers who have worked on Doctor Who for nearly 50 years – we thank you for the terror, the magic, and the joy you have brought generations of young people around the world. Cheers to all of you: Mark Ayres, Richard Rodney Bennett, Carey Blyton, Geoffrey Burgon, Tristram Cary, Malcolm Clarke, John Debney, Delia Derbyshire, Marcus Dods, Louis Febre, Jonathan Gibbs, Dominic Glynn, Murray Gold, Ron Grainer, Don Harper, Richard Hartley, Brian Hodgson, Peter Howell, Raymond Jones, Norman Kay, Paddy Kingsland, John Lewis, Roger Limb, Malcolm Lockyer, Keff McCulloch, Bill McGuffie, Stanley Myers, Elizabeth Parker, Humphrey Searle, Dudley Simpson & John Sponsler.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
Episode 14 - Series 23, Part I - The Mysterious Planets of Dominic Glynn - Part I - The Mysterious Planet and the Ultimate Foe[ 28:06 | 38.71 MB ]Play Now | Play in Popup | Download
Episode 14 - Series 23, Part I - The Mysterious Planets of Dominic Glynn - Part I - The Mysterious Planet and the Ultimate Foe[ 28:06 | 38.71 MB ]Download
In this episode we’ll be looking at the music of Doctor Who composer Dominic Glynn focusing on his work on Series 23, the Trial of a Time Lord. In this episode we will look at his work on Story 143, Serial 7A – The Mysterious Planet & serial 7C The Ultimate Foe.
The Mysterious Planet, penned by Doctor Who veteran writer Robert Holmes, was a 4-part story which originally aired between the 6th of September and the 27the of September 1986 on BBC One. This was the first of 4 stories in a 14 episode, series long arc culminating in the Ultimate Foe, a 2-part story which originally aired between the 29th of November and the 6th of December 1986 on BBC One.
ABOUT YOUR HOST: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
ABOUT OUR SERIES GUEST: Dominic Glynn is one of the world’s most prolific composers of production music. His work has featured worldwide in hit TV shows including ‘The Simpsons’, ‘Red Dwarf’ and ‘Dead Like Me’ and in movies like ‘Kevin & Perry Go Large’ and Eddie Murphy/Jeff Goldblum comedy ‘Holy Man’.
Dominic began his career writing incidental music for BBC TV’s “Doctor Who” in the late 1980s, and is one of a select number of composers to have re-arranged the show’s iconic theme tune. In the 90s he continued to compose for a number of BBC shows, and after a series of leftfield underground dance record releases, he formed his own independent record label. Today he can often be seen DJing for ‘The Big Chill’. Live work has included performing at London’s Festival Hall with pedal-steel guitar legend BJ Cole, and the electronica/jazz hybrid project ‘Cybajaz’.
Dominic has composed the score for a series of short supernatural film dramas, screened at London’s Frightfest horror film festival, as well as music for two contemporary dance films. More recently, he has composed the score to upcoming British feature film ‘Bad Day’ starring Claire Goose and Donna Air, as well as a new radio revival of sci-fi classic ‘Blake’s 7′.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
DEDICATION: This series of episodes are dedicated to all of the composers who have worked on Doctor Who for nearly 50 years – we thank you for the terror, the magic, and the joy you have brought generations of young people around the world. Cheers to all of you: Mark Ayres, Richard Rodney Bennett, Carey Blyton, Geoffrey Burgon, Tristram Cary, Malcolm Clarke, John Debney, Delia Derbyshire, Marcus Dods, Louis Febre, Jonathan Gibbs, Dominic Glynn, Murray Gold, Ron Grainer, Don Harper, Richard Hartley, Brian Hodgson, Peter Howell, Raymond Jones, Norman Kay, Paddy Kingsland, John Lewis, Roger Limb, Malcolm Lockyer, Keff McCulloch, Bill McGuffie, Stanley Myers, Elizabeth Parker, Humphrey Searle, Dudley Simpson & John Sponsler.
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
"...I've been listening to all the podcasts, and just wanted to say what a fantastic series of shows. Thoroughly enjoyed them all, and learnt a lot of stuff I didn't know about my fellow Who composers! Nice work!"
ATSM is a Proud Contributor to These Fine Podcasts is a Member of the Doctor Who Podcast Alliance, Appearing on the Who News Application & is a Member of the Doctor Who Bar Twitter Fan Community
Adventures in Time Space and Music is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
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