Delia Derbyshire Day, Saturday, January 12, 2013 – Tim’s Take On, Episode 156
Doctor Who Podcaster Tim Drury of ‘Tim’s take On…’ was in attendance at Delia Derbyshire Day on Saturday, January 12th, 2013 in Manchester, UK. This is a shortened and revised version of his coverage, with the panel segment shortened to a segment featuring Doctor Who composer and BBC Radiophonic Workshop archivist Mark Ayres.
Tim Drury’s coverage of Delia Derbyshire Day appears on Adventures in Time, Space and Music by kind permission. To follow Tim Drury’s ‘Tim’s Take On…’, please visit http://tto.libsyn.com/.
TIM’S TAKE ON… IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
To view a video of Mark Ayres at Delia Derbyshire Day, please visit http://www.youtube.com/watch?v=CJWjoQtzWCk
You can listen to the original post of this story at http://tto.libsyn.com/tim-s-take-on-episode-156-delia-derbyshire-day-revised-version
If you want to send me comments or feedback to Tim Drury, you can email Tim at tdrury2003 AT yahoo DOT co DOT uk or contact Tim on Twitter where he’s @tdrury or send a friend request and your comments to Facebook.
_____________________________
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Tim’s Take On…’ and Adventures in Time Space and Music are not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of Tim Drury – unless otherwise indicated. © Copyright 2013
Episode 47 – Revival Series 5, Part III – Murray’s Planets of Gold – The Hungry Earth and Cold Blood with Special Guests Traveling the Vortex
In this episode, guest hosts Keith Miles, Glenn Bartlett & Shaun Collins will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories The Hungry Earth and Cold Blood. The Hungry Earth and Cold Blood (Stories 209a & 209b – Production 1.8 & 1.9) originally aired between the 22nd and the 29th of May, 2010 on BBC One.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
ABOUT YOUR GUEST CO-HOSTS – KEITH MILES, GLENN BARTLETT & SHAUN COLLINS:
Traveling The Vortex is a weekly podcast that started kind of as an experiment to expose a complete newbie to Doctor Who. It worked out well, and the show continues with Shaun and Glenn introducing Keith (and sometimes themselves) to Classic Who, and New Who as it airs. After 90 plus episodes the show now has a vocal listening base, who often provide discussions and tangents, not that the Vortex Boys need any help with that.
For more information on Keith, Glenn & Shaun’s work on the widely popular Traveling the Vortex, visit http://www.travelingthevortex.com/.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST
Traveling the Vortex Podcast – http://www.travelingthevortex.com/
Composer – Murray Gold - http://en.wikipedia.org/wiki/Murray _Gold
Orchestrator and Conductor – Benjamin Foster - http://en.wikipedia.org/wiki/Ben_Foster_(orchestrator)
Head Writer and Show-Runner – Steven Moffat - http://en.wikipedia.org/wiki/Steven_Moffat
Producer – Piers Wenger - http://en.wikipedia.org/wiki/Piers_Wenger
Doctor Who – Series 5 - http://en.wikipedia.org/wiki/Doctor_Who_(series_5)
Doctor Who – Series 5 – The Hungry Earth - http://en.wikipedia.org/wiki/The_Hungry_Earth
Doctor Who – Series 5 – Cold Blood - http://en.wikipedia.org/wiki/Cold_Blood_(Doctor_Who)
Podcast Interviews with Murray Gold – Radio Free Skaro (RFS 223 – Murray the Planet of Gold, 5 November, 2010) - http://www.radiofreeskaro.com/2010/11/05/radio-free-skaro-223-murray-the-planet-of-gold
Podcast Interviews with Murray Gold – Doctor Who Podshock (DWP 48, 28 July, 2006) - http://bit.ly/al2Dzw
Articles on Murray Gold – Music from the Movies (May 2008) -
http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=%27%20.%20%282725%29%20.%20%27
Articles on Murray Gold – Music from the Movies – http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=’ . (2822) . ‘Murray gold
Articles on Murray Gold – Sound on Sound (June 2007) - http://www.soundonsound.com/sos/jun07/articles/drwho.htm
Articles on Murray Gold – The Daily Athenaeum - http://www.thedaonline.com/a-e/doctor-who-composer-discusses-sound-of-the-series-1.1493897
LIMITED DISCOGRAPHY
2 CD release of Doctor Who Series 5 on CD by Silva Screen Records
EAN: 0738572134525 Released 8 November 2010 in the UK & 8 February 2011 in North America
Silva Screen Records & Silva Screen America - http://www.silvacreen.com/ & http://www.silvacreenusa.com/
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 46 – Revival Series 5, Part II – Murray’s Planets of Gold – The Two Doctors Discuss the Regeneration of Murray Gold
In this episode, the Two Doctors, Dr. Lou and Dr. Phill, will take a look at Murray Gold’s scores for Revival Series 5 which originally aired between the 3rd of April, 2010 and the 26th of June, 2010 on BBC One.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST
Composer – Murray Gold - http://en.wikipedia.org/wiki/Murray _Gold
Orchestrator and Conductor – Benjamin Foster - http://en.wikipedia.org/wiki/Ben_Foster_(orchestrator)
Head Writer and Show-Runner – Steven Moffat - http://en.wikipedia.org/wiki/Steven_Moffat
Producer – Piers Wenger - http://en.wikipedia.org/wiki/Piers_Wenger
Doctor Who – Series 5 – http://en.wikipedia.org/wiki/Doctor_Who_(series_5)
Doctor Who – Series 5 – The Eleventh Hour – http://en.wikipedia.org/wiki/The_Eleventh_Hour_(Doctor_Who)
Doctor Who – Series 5 – The Beast Below – http://en.wikipedia.org/wiki/The_Beast_Below
Doctor Who – Series 5 – Victory of the Daleks – http://en.wikipedia.org/wiki/Victory_of_the_Daleks
Doctor Who – Series 5 – The Time of Angels – http://en.wikipedia.org/wiki/The_Time_of_Angels
Doctor Who – Series 5 – Flesh and Stone – http://en.wikipedia.org/wiki/Flesh_and_Stone
Doctor Who – Series 5 – Vampires of Venice – http://en.wikipedia.org/wiki/The_Vampires_of_Venice
Doctor Who – Series 5 – Amy’s Choice – http://en.wikipedia.org/wiki/Amy%27s_Choice_(Doctor_Who)
Doctor Who – Series 5 – The Hungry Earth – http://en.wikipedia.org/wiki/The_Hungry_Earth
Doctor Who – Series 5 – Cold Blood – http://en.wikipedia.org/wiki/Cold_Blood_(Doctor_Who)
Doctor Who – Series 5 – Vincent and the Doctor – http://en.wikipedia.org/wiki/Vincent_and_the_Doctor
Doctor Who – Series 5 – The Lodger – http://en.wikipedia.org/wiki/The_Lodger_(Doctor_Who)
Doctor Who – Series 5 – The Pandorica Opens – http://en.wikipedia.org/wiki/The_Pandorica_Opens
Doctor Who – Series 5 – The Big Bang – http://en.wikipedia.org/wiki/The_Big_Bang_(Doctor_Who)
Podcast Interviews with Murray Gold – Radio Free Skaro (RFS 223 – Murray the Planet of Gold, 5 November, 2010) - http://www.radiofreeskaro.com/2010/11/05/radio-free-skaro-223-murray-the-planet-of-gold
Podcast Interviews with Murray Gold – Doctor Who Podshock (DWP 48, 28 July, 2006) - http://bit.ly/al2Dzw
Articles on Murray Gold – Music from the Movies (May 2008) -
http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=%27%20.%20%282725%29%20.%20%27
Articles on Murray Gold – Music from the Movies – http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=’ . (2822) . ‘Murray gold
Articles on Murray Gold – Sound on Sound (June 2007) - http://www.soundonsound.com/sos/jun07/articles/drwho.htm
Articles on Murray Gold – The Daily Athenaeum - http://www.thedaonline.com/a-e/doctor-who-composer-discusses-sound-of-the-series-1.1493897
LIMITED DISCOGRAPHY
2 CD release of Doctor Who Series 5 on CD by Silva Screen Records
EAN: 0738572134525 Released 8 November 2010 in the UK & 8 February 2011 in North America
Silva Screen Records & Silva Screen America - http://www.silvacreen.com/ & http://www.silvacreenusa.com/
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 45 – Revival Series 5, Part I – Murray’s Planets of Gold – The Time of Angels and Flesh and Stone with Special Guests Radio Rassilon
In this episode, guest hosts Harry Medium & Leeson Fischer will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories The Time of Angels and Flesh and Stone. The Time of Angels and Flesh and Stone (Stories 206a & 206b – Production 1.4 & 1.5) originally aired between the 24th of April and the 1st of May, 2010 on BBC One.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
ABOUT YOUR GUEST CO-HOSTS – HARRY MEDIUM & LEESON FISCHER:
Radio Rassilon is a British based Doctor Who podcast presented by Leeson Fischer and Harry Medium.
Sardonic and irreverent, Radio Rassilon takes a light hearted and sideways look at all things Who related, and some more besides.
Leeson is a frustrated nerd who wants to share his thoughts with the world, while Harry is a hardline geek who finds imperfection wherever he looks. Not least in his frustrated co-host.
Join the boys as they tumble through the vortex, desperately trying to find something to cling onto.
For more information on Harry & Leeson’s work on the widely popular Radio Rassilon Podcast, visit http://radiorassilon.podbean.com/.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST
The Radio Rassilon Podcast - http://radiorassilon.podbean.com/
The Doctor Who Podcast – http://www.thedoctorwhopodcast.com/
Composer – Murray Gold – http://en.wikipedia.org/wiki/Murray _Gold
Orchestrator and Conductor – Benjamin Foster – http://en.wikipedia.org/wiki/Ben_Foster_(orchestrator)
Head Writer and Show-Runner – Steven Moffat – http://en.wikipedia.org/wiki/Steven_Moffat
Producer – Piers Wenger – http://en.wikipedia.org/wiki/Piers_Wenger
Doctor Who – Series 5 – http://en.wikipedia.org/wiki/Doctor_Who_(series_5)
Doctor Who – Series 5 – The Time of Angels – http://en.wikipedia.org/wiki/The_Time_of_Angels
Doctor Who – Series 5 – Flesh and Stone – http://en.wikipedia.org/wiki/Flesh_and_Stone
Podcast Interviews with Murray Gold – Radio Free Skaro (RFS 223 – Murray the Planet of Gold, 5 November, 2010) – http://www.radiofreeskaro.com/2010/11/05/radio-free-skaro-223-murray-the-planet-of-gold
Podcast Interviews with Murray Gold – Doctor Who Podshock (DWP 48, 28 July, 2006) – http://bit.ly/al2Dzw
Articles on Murray Gold – Music from the Movies (May 2008) -
http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=%27%20.%20%282725%29%20.%20%27
Articles on Murray Gold – Music from the Movies – http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=’ . (2822) . ‘Murray gold
Articles on Murray Gold – Sound on Sound (June 2007) – http://www.soundonsound.com/sos/jun07/articles/drwho.htm
Articles on Murray Gold – The Daily Athenaeum – http://www.thedaonline.com/a-e/doctor-who-composer-discusses-sound-of-the-series-1.1493897
LIMITED DISCOGRAPHY
2 CD release of Doctor Who Series 5 on CD by Silva Screen Records
EAN: 0738572134525 Released 8 November 2010 in the UK & 8 February 2011 in North America
Silva Screen Records & Silva Screen America – http://www.silvacreen.com/ & http://www.silvacreenusa.com/
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 44 – Series 2, Part I – Francis Chagrin and the Dalek Invasion of Earth
In this episode we’ll be looking at the singular musical contribution to Doctor Who by composer Francis Chagrin focusing on his work on Serial K – Story 10 – The Dalek Invasion of Earth, a 6-part story comprising of World’s End, The Daleks, Day Of Reckoning, The End Of Tomorrow, The Waking Ally & Flashpoint. The Dalek Invasion of Earth originally aired between the 21st of November and the 26th of December 1964 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Thursday, 13 July 2012 – http://hooonwho.libsyn.com/webpage/episode-53-enhanced-the-dalek-invasion-of-earth
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 8 – Series 20, Part I – Jonathan Gibbs, Peter Howell & Jakob Lindberg Meet Kamelion
In this minisode we’ll be looking at the music of BBC Radiophonic Workshop composers Jonathan Gibbs and Peter Howell and the lutanist Jakob Lindberg. Here we will examine Serial 6J – Story 128 – The Kings Demons, a 2-part serial originally broadcast between the 15th and 16th of March 1983 on BBC One.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Wednesday, 17 January 2012 – http://krynoid.blog.co.uk/2012/01/17/klokleda-partha-menin-klatch-haroon-haroon-haroon-klokleda-sheenah-tierra-12473076/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 43 – Series 8, Part I – Dudley Simpson and Brian Hodgson Join Forces Against the Claws of Axos
In this episode we’ll be looking at the music of Doctor’s composer Dudley Simpson focusing on his work on Serial GGG – Story 57 – The Claws of Axos, a 4-part story which originally aired between the 13th of March and the 3rd of April 1971 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 11 June, 2012 – http://hooonwho.libsyn.com/webpage/episode-52-enhanced-the-claws-of-axos
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 42 – Series 3, Part II – Tristram Cary and the Gunfight at the O.K. Corral
In this episode we’ll be looking at the music of the Doctor’s composer Tristram Cary focusing on his work on Serial Z – Story 25 – The Gunfighters. The Gunfighters was a 4-part story comprising of A Holiday for the Doctor, Don’t Shoot the Pianist, Johnny Ringo and The OK Corral which originally aired between the 30th of October and the 20th of November 1976 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Wednesday, 21 March, 2012 – http://hooonwho.libsyn.com/webpage/episode-51-enhanced-the-gunfighters
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 41 – Series 1, Part III – Richard Rodney Bennett and Marcus Dods Meet the Aztecs
In this episode we’ll be looking at the music of composer Sir Richard Rodney Bennett and ensemble conductor Marcus Dods. Here, we will look at their work on Serial F – Story 6 – The Aztecs, a 4-part serial which originally aired between the 23rd of May and the 13th of June 1964 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 4 July, 2011 – http://hooonwho.libsyn.com/episode-42-the-aztecs-enhanced-
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 7 – Series 1, Part III – Stock Music and John Smith and the Common Men
In this minisode we’ll be looking at a piece of stock music used in the Pilot and Serial A – Story 1 – The Unearthly Child, the first of a four-part story comprising of An Unearthly Child, The Cave of Skulls, The Forest of Fear and the Firemaker which originally aired between the 23rd of November and the 14th of December 1963. The music in question is ‘Three Guitars Mood 2’ by Nelson & Raymond & performed The Arthur Nelson Group – released by Conroy Library Music catalogue BM 303B.
NOTE: This minisode aired as a segment on the THE 20MB DOCTOR WHO PODCAST on ?day, ? February, February 2012 – http://INSERTLINKHERE?
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 6 – Series 3, Part I – Tristram Cary and his Missing Master Plan
In this minisode we’ll be looking at the musically groundbreaking work of Doctor Who composer Tristram Cary focusing on his work on Serial V – Story 21 – The Daleks’ Master Plan, Terry Nation and Dennis Spooner‘s epic 12-part serial which originally aired between the 13th of November 1965 and the 29th of January 1966 on BBC One.
NOTE: This minisode aired as a segment on the THE RADIO RASSILON PODCAST on Wednesday, 21 March 2012 – http://radiorassilon.podbean.com/2012/03/21/rr-28-the-lost-episodes-special/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 39 – Series 11, Part I – Dudley Simpson Regenerates with Jon Pertwee – Planet of the Spiders
In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson. In this episode we will look at his work on Serial ZZZ – Story 74 – Planet of Spiders, a 6-part story which originally aired between the 4th of May and the 8th of June 1974 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Friday, 2 September, 2011 – http://hooonwho.libsyn.com/episode-44-enhanced-planet-of-the-spiders
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
LINKS OF INTEREST:
Restoration Team – Planet of the Spiders – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/PlanetOfTheSpiders.htm
BBC Doctor Who – Planet of the Spiders – http://www.bbc.co.uk/doctorwho/classic/episodeguide/planetofspiders/
Planet of the Spiders – http://en.wikipedia.org/wiki/Planet_of_the_Spiders
Composers Mentioned – Dudley Simpson – http://en.wikipedia.org/wiki/Dudley_Simpson
Purchase the Doctor Who – Planet of the Spiders – http://www.amazon.com/dp/B004L9GMC6/ref=cm_sw_r_tw_dp_fwxopb04749V5 (US) http://www.amazon.co.uk/dp/B004P9MUK0/ref=cm_sw_r_tw_dp_.wxopb1XP53F0 (UK)
People Mentioned – Tom Baker – http://en.wikipedia.org/wiki/Tom_Baker
People Mentioned – Nicholas Courtney – http://en.wikipedia.org/wiki/Nicholas_courtney
People Mentioned – Roger Delgado – http://en.wikipedia.org/wiki/Roger_Delgado
People Mentioned – Terrance Dicks – http://en.wikipedia.org/wiki/Terrance_Dicks
People Mentioned – Richard Franklin – http://en.wikipedia.org/wiki/Richard_Franklin
People Mentioned – Mark Gatiss – http://en.wikipedia.org/wiki/Mark_Gatiss
People Mentioned – Matt Irvine – http://en.wikipedia.org/wiki/Matt_Irvine
People Mentioned – Barry Letts – http://en.wikipedia.org/wiki/Barry_Letts
People Mentioned – John Levene – http://en.wikipedia.org/wiki/John_Levene
People Mentioned – John Nathan-Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
People Mentioned – Jon Pertwee – http://en.wikipedia.org/wiki/Jon_Pertwee
People Mentioned – Elisabeth Sladen – http://en.wikipedia.org/wiki/Elisabeth_Sladen
People Mentioned – Robert Sloman – http://en.wikipedia.org/wiki/Robert_Sloman
Concepts Mentioned – Brass Instruments – http://en.wikipedia.org/wiki/Brass_Instruments
Concepts Mentioned – String Instruments – http://en.wikipedia.org/wiki/Strings_(music)
Concepts Mentioned – Woodwind Instruments – http://en.wikipedia.org/wiki/Woodwind
Instrument Mentioned – Bass Clarinet – http://en.wikipedia.org/wiki/Bass_Clarinet
Instrument Mentioned – Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instrument Mentioned – Drum – http://en.wikipedia.org/wiki/Drum
Instrument Mentioned – Horn – http://en.wikipedia.org/wiki/French_horn
Instrument Mentioned – Percussion – http://en.wikipedia.org/wiki/Percussion
Instrument Mentioned – Trumpet – http://en.wikipedia.org/wiki/Trumpet
Instrument Mentioned – Violoncello – http://en.wikipedia.org/wiki/Cello
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 5 – Series 21, Part III – The Resurrection of Malcolm Clarke
In this minisode we’ll be looking at the controversial music of Malcolm Clarke. In this episode we will look at his work on Doctor Who Serial 6P – Story 133 – Resurrection of the Daleks. Ressurection was originally aired between the 8th and 15th of February 1984 on BBC One as two 45-minute episodes although it had been filmed as a 4-part story.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Wednesday, 28 September, 2011 – http://krynoid.blog.co.uk/2011/09/28/024-resurrection-of-the-daleks-11933411/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 38 – The Two Doctors – The Two Doctors Discuss Kay, Cary, Derbyshire and More
In this impromptu episode we’ll be discussing early Doctor Who pioneers such as Norman Kay and Tristram Cary, while discussing Radiophonic Workshop composers Elizabeth Parker & Delia Derbyshire. This discussion was recorded on the 7th of June, 2011 with Dr. Phillip Serna & Dr. Louis Niebur.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 37 – Series 6, Part I – Brian Hodgson, Anton Bruckner and the Mind Robber
In this episode we’ll be looking at the music of two very different composers – Radiophonic workshop composer Brian Hodgson and 19th-century Austrian composer Anton Bruckner. Here we will examine this combination regarding Doctor Who Serial UU – Story 45 – The Mind Robber, a 5-part story which originally aired between the 14th of September and the 12th of October 1968 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Sunday, 14 August, 2011 – http://hooonwho.libsyn.com/episode-43-enhanced-the-mind-robber
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST:
Restoration Team – The Mind Robber – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/mind_robber.htm
BBC Doctor Who – The Mind Robber – http://www.bbc.co.uk/doctorwho/classic/episodeguide/mindrobber/
The Mind Robber – http://en.wikipedia.org/wiki/The_Mind_Robber
Processes Mentioned – VidFIRE – http://en.wikipedia.org/wiki/VidFIRE
Composers Mentioned – Anton Bruckner – http://en.wikipedia.org/wiki/Anton_Bruckner
Composers Mentioned – Brian Hodgson – http://en.wikipedia.org/wiki/Brian_Hodgson
Purchase the Doctor Who – Mind Robber – http://www.amazon.com/dp/B0009PVZG4/ref=cm_sw_r_tw_dp_re5cpb0HBGS59 (US) http://www.amazon.co.uk/dp/B0006PTYOM/ref=cm_sw_r_tw_dp_ve5cpb1V2EJRK (UK)
Brian Hodgson’s Musical Contributions to The Mind Robber can be found on Doctor Who at the BBC Radiophonic Workshop – Volume 1 – The Early Years (1963-1969) – http://en.wikipedia.org/wiki/Doctor_Who_at_the_BBC_Radiophonic_Workshop_Volume_1:_The_Early_Years_1963%E2%80%931969
Purchase Doctor Who at the BBC Radiophonic Workshop – Volume 1 – The Early Years (1963-1969) – http://www.amazon.com/dp/B0009JOPHQ/ref=cm_sw_r_tw_dp_0H0cpb1TEZ5NF (US) http://www.amazon.co.uk/dp/B0009JOPHQ/ref=cm_sw_r_tw_dp_zI0cpb17BWCJ5 (UK)
Deutsche Gramophon Recording of Bruckner’s 7th Symphony – Catologue Number LPM 18113
Films Mentioned – The Legend of Hell House – http://en.wikipedia.org/wiki/The_Legend_of_Hell_House
Films Mentioned – The Shining – http://en.wikipedia.org/wiki/The_Shining_(film)
Programmes Mentioned – Doctor Who – http://en.wikipedia.org/wiki/Doctor_Who
Programmes Mentioned – The Tomorrow People – http://en.wikipedia.org/wiki/The_Tomorrow_People
Programmes Mentioned – Timeslip – http://en.wikipedia.org/wiki/Timeslip
Serials Mentioned – Enemy of the World – http://en.wikipedia.org/wiki/The_Enemy_of_the_World
Serials Mentioned – Mark of the Rani – http://en.wikipedia.org/wiki/Mark_of_the_Rani
Serials Mentioned – The Robots of Death – http://en.wikipedia.org/wiki/The_Robots_of_Death
Serials Mentioned – The Sea Devils – http://en.wikipedia.org/wiki/The_Sea_Devils
Serials Mentioned – Terror of the Vervoids – http://en.wikipedia.org/wiki/Terror_of_the_Vervoids
Serials Mentioned – Tomb of the Cybermen – http://en.wikipedia.org/wiki/The_Tomb_of_the_Cybermen
Serials Mentioned – Web of Fear – http://en.wikipedia.org/wiki/Web_of_Fear
Locations Mentioned – Camden Town – http://en.wikipedia.org/wiki/Camden_Town
Locations Mentioned – Electronic Music Studios – http://en.wikipedia.org/wiki/Electronic_Music_Studios
Locations Mentioned – Chalk Farm Road Roundhouse Theatre – http://en.wikipedia.org/wiki/The_Roundhouse
Historical Figures Mentioned – Ludwig II of Bavaria – http://en.wikipedia.org/wiki/Ludwig_II_of_Bavaria
People Mentioned – Colin Baker – http://en.wikipedia.org/wiki/Colin_Baker
People Mentioned – Tom Baker – http://en.wikipedia.org/wiki/Tom_Baker
People Mentioned – Frazer Hines – http://en.wikipedia.org/wiki/Frazer_Hines
People Mentioned – Steven King – http://en.wikipedia.org/wiki/Stephen_King
People Mentioned – Stanley Kubrick – http://en.wikipedia.org/wiki/Stanley_Kubrick
People Mentioned – Peter Ling – http://en.wikipedia.org/wiki/Peter_Ling
People Mentioned – David Maloney – http://en.wikipedia.org/wiki/David_Maloney
People Mentioned – Wendy Padbury – http://en.wikipedia.org/wiki/Wendy_Padbury
People Mentioned – Christopher Robbie – http://en.wikipedia.org/wiki/Christopher_Robbie
People Mentioned – Derrick Sherwin – http://en.wikipedia.org/wiki/Derrick_Sherwin
People Mentioned – Patrick Torughton – http://en.wikipedia.org/wiki/Patrick_Troughton
People Mentioned – John Nathan-Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
People Mentioned – Hamish Wilson – http://en.wikipedia.org/wiki/Hamish_Wilson
People Mentioned – Jonathan Wood – http://en.wikipedia.org/wiki/John_Wood_(English_actor)
Recordings Mentioned – Carnival of Light – http://en.wikipedia.org/wiki/Carnival_of_Light
Recordings Mentioned – An Electric Storm – http://en.wikipedia.org/wiki/An_Electric_Storm
Ensembles Mentioned – BBC Radiophonic Workshop – http://en.wikipedia.org/wiki/BBC_Radiophonic_Workshop
Ensembles Mentioned – The Beatles – http://en.wikipedia.org/wiki/The_Beatles
Ensembles Mentioned – Electrophon – http://en.wikipedia.org/wiki/Delia_Derbyshire#Electrophon
Ensembles Mentioned – Kaleidophon – http://en.wikipedia.org/wiki/Delia_Derbyshire#Kaleidophon
Ensembles Mentioned – Leipzig Gewandhaus Orchester – http://en.wikipedia.org/wiki/Gewandhaus_Orchestra
Ensembles Mentioned – Staatskapelle of Dresden – http://en.wikipedia.org/wiki/Staatskapelle_Dresden
Ensembles Mentioned – Unit Delta Plus – http://en.wikipedia.org/wiki/Delia_Derbyshire#Unit_Delta_Plus
Ensembles Mentioned – White Noise – http://en.wikipedia.org/wiki/White_Noise_(band)
Composers Mentioned – Mark Ayres – http://en.wikipedia.org/wiki/Mark_Ayres
Composers Mentioned – Béla Bartók – http://en.wikipedia.org/wiki/B%C3%A9la_Bart%C3%B3k
Composers Mentioned – Ludwig van Beethoven – http://en.wikipedia.org/wiki/Ludwig_van_Beethoven
Composers Mentioned – Johannes Brahms – http://en.wikipedia.org/wiki/Johannes_Brahms
Composers Mentioned – Desmond Briscoe – http://en.wikipedia.org/wiki/Desmond_Briscoe
Composers Mentioned – Malcolm Clarke – http://en.wikipedia.org/wiki/Malcolm_Clarke
Composers Mentioned – Delia Derbyshire – http://en.wikipedia.org/wiki/Delia_Derbyshire
Composers Mentioned – Jonathan Gibbs – http://en.wikipedia.org/wiki/Jonathan_Gibbs_(composer)
Composers Mentioned – Edvard Grieg – http://en.wikipedia.org/wiki/Edvard_Grieg
Composers Mentioned – George Frideric Handel – http://en.wikipedia.org/wiki/George_Frideric_Handel
Composers Mentioned – Peter Howell – http://en.wikipedia.org/wiki/Peter_Howell
Composers Mentioned – Wilfred Joseph – http://en.wikipedia.org/wiki/Wilfred_Josephs
Composers Mentioned – Aram Katschaturian – http://en.wikipedia.org/wiki/Aram_Khachaturian
Composers Mentioned – Paddy Kingsland – http://en.wikipedia.org/wiki/Paddy_Kingsland
Composers Mentioned – Roger Limb – http://en.wikipedia.org/wiki/Roger_Limb
Composers Mentioned – Franz Liszt – http://en.wikipedia.org/wiki/Franz_Liszt
Composers Mentioned – Nikki St George – http://en.wikipedia.org/wiki/Nikki_St_George
Composers Mentioned – Elizabeth Parker – http://en.wikipedia.org/wiki/Elizabeth_Parker_(composer)
Composers Mentioned – Nikolai Rimsky-Korsakoff – http://en.wikipedia.org/wiki/Nikolai_Rimsky-Korsakov
Composers Mentioned – Arnold Schoenberg – http://en.wikipedia.org/wiki/Arnold_Schoenberg
Composers Mentioned – Franz Schubert – http://en.wikipedia.org/wiki/Franz_Schubert
Composers Mentioned – John Scott – http://en.wikipedia.org/wiki/John_Scott_(composer)
Composers Mentioned – Dudley Simpson – http://en.wikipedia.org/wiki/Dudley_Simpson
Composers Mentioned – Martin Slavin – http://en.wikipedia.org/wiki/Martin_Slavin
Composers Mentioned – David Vorhaus – http://en.wikipedia.org/wiki/David_Vorhaus
Composers Mentioned – Richard Wagner – http://en.wikipedia.org/wiki/Richard_Wagner
Composers Mentioned – Peter Zinovieff – http://en.wikipedia.org/wiki/Peter_Zinovieff
Pieces Mentioned – Béla Bartók – The Miraculous Mandarin – http://en.wikipedia.org/wiki/The_Miraculous_Mandarin
Pieces Mentioned – Béla Bartók – Music for Strings, Percussion and Celesta – http://en.wikipedia.org/wiki/Music_for_Strings,_Percussion_and_Celesta
Pieces Mentioned – Ludwig van Beethoven – Ninth Symphony – http://en.wikipedia.org/wiki/Ninth_Symphony_(Beethoven)
Pieces Mentioned – Anton Bruckner – Seventh Symphony – http://en.wikipedia.org/wiki/Symphony_No._7_(Bruckner)
Pieces Mentioned – Greensleeves – http://en.wikipedia.org/wiki/Greensleeves
Pieces Mentioned – Edvard Grieg – In the Hall of the Mountain King – http://en.wikipedia.org/wiki/In_the_Hall_of_the_Mountain_King
Pieces Mentioned – Claude Debussey – La fille aux cheveux de lin – http://en.wikipedia.org/wiki/Preludes_(Debussy)
Pieces Mentioned – George Frideric Handel – Arrival of the Queen of Sheba – http://en.wikipedia.org/wiki/Arrival_of_the_Queen_of_Sheba
Pieces Mentioned – Wilfred Joseph – Pieces Mentioned – Space Time Music (Parts 1-4) – http://en.wikipedia.org/wiki/Wilfred_Josephs
Pieces Mentioned – Aram Katschaturian – Sabre Dance – http://en.wikipedia.org/wiki/Sabre_Dance
Pieces Mentioned – Nikolai Rimsky-Korsakoff – Flight of the Bumblebee – http://en.wikipedia.org/wiki/Flight_of_the_Bumblebee
Pieces Mentioned – John Scott – Palpitations – http://en.wikipedia.org/wiki/John_Scott_(composer)
Pieces Mentioned – Martin Slavin – Space Adventures Parts 1-3 – http://en.wikipedia.org/wiki/Martin_Slavin
Concepts Mentioned – Brass Instruments – http://en.wikipedia.org/wiki/Brass_instrument
Concepts Mentioned – Development – http://en.wikipedia.org/wiki/Musical_development
Concepts Mentioned – Harmony – http://en.wikipedia.org/wiki/Harmony
Concepts Mentioned – Melody – http://en.wikipedia.org/wiki/Melody
Concepts Mentioned – Musique concrète – http://en.wikipedia.org/wiki/Musique_concr%C3%A8te
Concepts Mentioned – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Concepts Mentioned – Percussion Instruments – http://en.wikipedia.org/wiki/Percussion_instrument
Concepts Mentioned – Scherzo – http://en.wikipedia.org/wiki/Scherzo
Concepts Mentioned – 17th Century Ballad – http://en.wikipedia.org/wiki/Broadside_(music)
Concepts Mentioned – String Instruments – http://en.wikipedia.org/wiki/String_instruments
Concepts Mentioned – Transformation of Themes – http://en.wikipedia.org/wiki/Thematic_transformation
Concepts Mentioned – Woodwind Instruments – http://en.wikipedia.org/wiki/Woodwind_instrument
Instrument Mentioned – Bassoon – http://en.wikipedia.org/wiki/Bassoon
Instrument Mentioned – Celeste – http://en.wikipedia.org/wiki/Celesta
Instrument Mentioned – Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instrument Mentioned – Double Bass – http://en.wikipedia.org/wiki/Double_Bass
Instrument Mentioned – Flute – http://en.wikipedia.org/wiki/Flute
Instrument Mentioned – Harmonium – http://en.wikipedia.org/wiki/Harmonium
Instrument Mentioned – Horn – http://en.wikipedia.org/wiki/French_horn
Instrument Mentioned – Oboe – http://en.wikipedia.org/wiki/Oboe
Instrument Mentioned – Percussion – http://en.wikipedia.org/wiki/Percussion
Instrument Mentioned – Piano – http://en.wikipedia.org/wiki/Piano
Instrument Mentioned – Timpani – http://en.wikipedia.org/wiki/Timpani
Instrument Mentioned – Trombone – http://en.wikipedia.org/wiki/Trombone
Instrument Mentioned – Trumpet – http://en.wikipedia.org/wiki/Trumpet
Instrument Mentioned – Tuba – http://en.wikipedia.org/wiki/Tuba
Instrument Mentioned – Viola – http://en.wikipedia.org/wiki/Viola
Instrument Mentioned – Violin – http://en.wikipedia.org/wiki/Violin
Instrument Mentioned – Violoncello – http://en.wikipedia.org/wiki/Cello
Instrument Mentioned – Wagner Tuba – http://en.wikipedia.org/wiki/Wagner_tuba
Musical Society Mentioned – Society for Private Musical Performances – http://en.wikipedia.org/wiki/Society_for_Private_Musical_Performances
Musical Text Mentioned – New Grove Dictionary of Music and Musicians (1980) – http://en.wikipedia.org/wiki/Grove_Dictionary_of_Music_and_Musicians
Musicians Mentioned – Robert Haas – http://en.wikipedia.org/wiki/Robert_Haas_(musicologist)
Musicians Mentioned – Eugen Jochum – http://en.wikipedia.org/wiki/Eugen_Jochum
Musicians Mentioned – Herbert Von Karajan – http://en.wikipedia.org/wiki/Herbert_von_Karajan
Musicians Mentioned – Ferdinand Löwe – http://en.wikipedia.org/wiki/Ferdinand_L%C3%B6we
Musicians Mentioned – Arthur Nikisch – http://en.wikipedia.org/wiki/Arthur_Nikisch
Musicians Mentioned – Leopold Nowak – http://en.wikipedia.org/wiki/Leopold_Nowak
Musicians Mentioned – Franz Schalk – http://en.wikipedia.org/wiki/Franz_Schalk
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
2011 Chicago TARDIS Special – Part II – Tunes of the Time Lord
This is part II of coverage from the Chicago TARDIS having taken place November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, IL
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
TUNES OF THE TIME LORD
Featuring Nick Seidler, Phillip W. Serna & David Warnock
MUSIC DISCUSSED
Stock Music from the Tenth Planet (Martin Slavin – Space Adventures 1,2,3, Dennis Farnon – Drama In Miniature Part 2) – Doctor Who – Music from the Tenth Planet
http://www.amazon.com/dp/B000050HII/ref=cm_sw_r_tw_dp_9Jw8ob09QNEGW (CD – US) http://www.amazon.co.uk/dp/B000050HII/ref=cm_sw_r_tw_dp_ODw8ob1Z9VM85 (CD – UK)
Music from the War Games (Dudley Simpson – The War Games) – Does Not Exist Independent of the Episode
http://www.amazon.com/dp/B002IW62FU/ref=cm_sw_r_tw_dp_HNw8ob0BG3R7Q (DVD – US) http://www.amazon.co.uk/dp/B002ATVD8W/ref=cm_sw_r_tw_dp_gOw8ob02GFN9S (DVD – UK)
Music from Spearhead from Space (Dudley Simpson – Music from Spearhead from Space) – Does Not Exist Independent of the Episode
http://www.amazon.com/dp/B00005LMAC/ref=cm_sw_r_tw_dp_UPw8ob0TED7P7 (DVD – US) http://www.amazon.co.uk/dp/B004P9MROY/ref=cm_sw_r_tw_dp_3Ow8ob19T4PV2 (DVD – UK)
U.N.I.T.’s Theme from the Ambassadors of Death (Dudley Simpson – Music from The Ambassadors of Death) – Does Not Exist Independent of the Episode
U.N.I.T.’s Theme from the Mind of Evil (Dudley Simpson – Music from The Mind of Evil) – Does Not Exist Independent of the Episode
Music from Robot (Dudley Simpson – Robot) – Does Not Exist Independent of the Episode
http://www.amazon.com/dp/B000QGE8II/ref=cm_sw_r_tw_dp_vVw8ob0HG57DS (DVD – US) http://www.amazon.co.uk/dp/B000NVI2C4/ref=cm_sw_r_tw_dp_tXw8ob0SHNGM3 (DVD – UK)
Music from Logopolis & Castrovalva (Paddy Kingsland – Logopolis & Castrovalva) – Only Available on the 2|Entertain DVD Isolated Scores
http://www.amazon.com/dp/B000NJXG8G/ref=cm_sw_r_tw_dp_nYw8ob0FGR2R9 (DVD – US) http://www.amazon.co.uk/dp/B000LE1HLQ/ref=cm_sw_r_tw_dp_WYw8ob0970ZPK (DVD – UK)
Music from The Caves of Androzani (Roger Limb – The Caves of Androzani) – Partially Available on Doctor Who: The Music II (and Silva Screen 1992 Re-Release Doctor Who: The Five Doctors) & Complete on the 2|Entertain DVD Isolated Scores
http://www.amazon.com/dp/B000004BP6/ref=cm_sw_r_tw_dp_3Zw8ob074ERDP (CD – US) http://www.amazon.co.uk/dp/B00004TVV6/ref=cm_sw_r_tw_dp_L2w8ob1Y5Q7AH (CD – UK)
http://www.amazon.com/dp/B005SH62X4/ref=cm_sw_r_tw_dp_p4w8ob0VBSAPY (DVD – US) http://www.amazon.co.uk/dp/B003ZUXZAE/ref=cm_sw_r_tw_dp_14w8ob1H0G67Z (DVD – UK)
Music from Time and the Rani (Keff McColluch – Time and the Rani) – Only Available on the 2|Entertain DVD Isolated Scores
http://www.amazon.com/dp/B004MA1JZY/ref=cm_sw_r_tw_dp_bFw8ob1ADBTPX (DVD – US) http://www.amazon.co.uk/dp/B002SZQCDO/ref=cm_sw_r_tw_dp_vGw8ob1MSPC31 (DVD – UK)
Music from Doctor Who: The Movie (John Debney, Louis Febre & John Sponsler – Doctor Who: The Movie) – Available as a Rare CD Release by the Composers or on the 2|Entertain DVD Isolated Score
http://www.amazon.com/dp/B000FCI9F6/ref=cm_sw_r_tw_dp_9gs8ob06RGCPD (CD – US)
http://www.amazon.com/dp/B0049S1NYG/ref=cm_sw_r_tw_dp_S6w8ob0MBCHAZ (DVD – US) http://www.amazon.co.uk/dp/B003ZUXZAE/ref=cm_sw_r_tw_dp_14w8ob1H0G67Z (DVD – UK)
The Doctor’s Theme (Murray Gold – Rose) – Doctor Who – Original Television Soundtrack – Series 1 & 2
http://www.amazon.com/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_29w8ob1T255BD (CD – US) http://www.amazon.co.uk/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_t.w8ob0HJHGCM (CD – UK)
Rose Defeats the Daleks (Murray Gold – The Parting of the Ways) – Doctor Who – Original Television Soundtrack – Series 1 & 2
http://www.amazon.com/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_29w8ob1T255BD (CD – US) http://www.amazon.co.uk/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_t.w8ob0HJHGCM (CD – UK)
Deep Space & Vogon March (Carey Blyton – Revenge of the Cybermen) – Carey Blyton – In Camera
http://www.amazon.com/dp/B002WIGQRE/ref=cm_sw_r_tw_dp_F6r8ob1T0C0MV (CD – US) http://www.amazon.co.uk/dp/B002WIGQRE/ref=cm_sw_r_tw_dp_Hww8ob0YDYS3E (CD – UK)
The Master Vainglorious (Murray Gold – Utopia) – Doctor Who – Original Television Soundtrack – Series 3
http://www.amazon.com/dp/B000WGAQIS/ref=cm_sw_r_tw_dp_Oax8ob1J56R1G (CD – US) http://www.amazon.co.uk/dp/B000WGAQIS/ref=cm_sw_r_tw_dp_gbx8ob13VKVVK (CD – UK)
The Duel (Malcolm Clarke – The Sea Devils) - - Doctor Who at the BBC Radiophonic Workshop – Volume 2: New Beginnings (1970-1980)
http://www.amazon.com/dp/B00004TFML/ref=cm_sw_r_tw_dp_4cx8ob0KZ41SH (CD – US) http://www.amazon.co.uk/dp/B0009JOPI0/ref=cm_sw_r_tw_dp_Udx8ob0VEDPDK (CD – UK)
ABOUT THE PANELISTS: NICK SEIDLER – Nick Seidler regular job is as a staff member at the Milwaukee School of Engineering, and Engineering university in the state of Wisconsin. In Doctor Who circles he is the founder of the Earthbound TimeLords Doctor Who academic website and also a staff member of the Chicago TARDIS convention. With Rob Warnock, and John Curtis, he has helped write the Doctor Who theme and inspired music for the past Chicago TARDIS conventions, and in currently involved in the music group UNIT (which takes its name from a Doctor Who reference).
ABOUT THE PANELISTS: DAVID WARNOCK – I started out as a music major in college for the first two years until I changed majors ( I started out playing French Horn). I originally started writing scores for DW fanvids back in the mid-80′s with the Federation. A lot of the people who were involved in the group now work as staff for Chicago TARDIS. Later on I started contributing music to various projects for BTR, who are a group from Australia who produce audio dramas, and some video projects also. I also composed the score for “Unknown” which was an independent film shot in the Chicago area. I’m currently working on “Thriller Theater” which is another independent film involving a number of people who worked on “Unknown”.
http://www.imdb.com/title/tt1733304/
http://www.facebook.com/home.php#!/pages/Thriller-Theater/134015306612543
EARTHBOUND TIMELORDS - http://homepages.bw.edu/~jcurtis/?UNIT/discography.html
THE CHICAGO TARDIS:
The Chicago TARDIS - http://www.chicagotardis.com/
The Chicago TARDIS on Facebook - http://www.facebook.com/chicagotardis
The Chicago TARDIS on Twitter - http://www.twitter.com/chicagotardis
DALEK VOICES BY TONY GALLICHAN OF THE FLASHING BLADE PODCAST:http://www.flashingblade.org.uk/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Merry Christmas 2011 – The Adventures in Time, Space and Music Holiday Special
Thanks to our friends from sending us some lovely holiday messages which we’d like to share with you. May you all have a lovely holiday, whichever you may celebrate. Many warm wishes from the entire Adventures in Time, Space and Music team to all of you our listeners, guests, colleagues, and friends at home. May your holidays be filled with the warmth of friends, family and fellowship.
PODCASTS FEATURED
The 20MB Doctor Who Podcast – http://the20mbdoctorwhopodcast.podbean.com/
The 2nd Doctor’s Podcast & Professor How! – http://www.jokerfilemedia.de/
Doctor Who Podshock – http://www.podshock.net/
The Flashing Blade Podcast – http://www.flashingblade.org.uk/
Hoo on Who – http://www.hooonwho.com/
The IndyCast – http://www.theindycast.com/
The Krynoid Podcast – http://krynoid.blog.co.uk/
The Minute Doctor Who Podcast – http://www.tmdwp.co.uk/
The Mostly Harmless Cutaway – http://guidetothewhoverse.libsyn.com/
The Omega Podcast – http://www.theomegapodcast.org/
The Ood Cast – http://www.theoodcast.com/
The Pratchett Podcast – http://thepratchettpodcast.wordpress.com/
Professor Dave’s Ark in Space – http://profdave.libsyn.com/
Radio Free Skaro – http://www.radiofreeskaro.com/ Radio Rassilon – http://radiorassilon.podbean.com/
The TARDIS Tavern – http://tardistavern.libsyn.com/
The Tin Dog Podcast – http://tin-dog.co.uk/
Traveling the Vortex – http://travelingthevortex.com/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
K9, CYBERMEN, SUPREME DALEK, ICE WARRIOR AND 10THE DOCTOR GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
ALL VIOL MUSIC PERFORMED BY PHILLIP W. SERNA FROM THE GAMBACAST & THE RADIO RASSILON CHRISTMAS SONG APPEARS COURTESY OF LEESON FISCHER AND HARRY MEDIUM OF THE RADIO RASSILON PODCAST.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 36 – Series 14, Part I – The Many Masques [of Mandragora] of Dudley Simpson
In this episode we’ll be looking at the music of Doctor’s composer Dudley Simpson, as well as the use of period stock music in Doctor Who. Here we will examine Serial 4M – Story 86 – The Masque of Mandragora, a 4-part serial originally broadcast between the 4th and 25th of September 1976 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday 3, October, 2011 – http://hooonwho.libsyn.com/episode-45-enhanced-the-masque-of-mandragora
DEDICATION – Dr. Phill – I would like to dedicate this episode to my brother Fred “Count Federico” Serna, in honour of his birthday, to whom I really owe a great deal for introducing me to Doctor Who as a youth in the late 1980s. Being a great influence on my career in Early Music, this particular story always had a special place in our household as one that was equally enjoyed by myself and both of my brothers. This is why I found this particular episode was a labour of love, and a joy to research. Cheers to you on your birthday, and may you always enjoy this unorthodox love-letter to our youths each and every year on your birthday.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST:
Dudley Simpson – http://en.wikipedia.org/wiki/Dudley_Simpson
The Masque of Mandragora – Wikipedia – http://en.wikipedia.org/wiki/The_Masque_of_Mandragora
The Masque of Mandragora – The BBC Episode Guide – http://www.bbc.co.uk/doctorwho/classic/episodeguide/masquemandragora/
The Masque of Mandragora – The Doctor Who Restoration Team – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/MasqueOfMandragoraDVD.htm
Purchase Doctor Who – The Masque of Mandragora – http://www.amazon.com/dp/B001Q9ECNK/ref=cm_sw_r_tw_dp_z.5cpb048N5JH (US) http://www.amazon.co.uk/dp/B002SZQCB6/ref=cm_sw_r_tw_dp_D-5cpb15NJVYS (UK)
Purchase Musical Resources Mentioned – Terpsichore: Renaissance and Early Baroque Dance Music, Deutsche Grammophon Archiv Records 415 294-2 – http://www.amazon.com/Terpsichore-Renaissance-Early-Baroque-Dance/dp/B0018OZ13S/ref=sr_1_1?ie=UTF8&qid=1323056281&sr=8-1 (US) & http://www.amazon.co.uk/Terpsichore-Renaissance-Early-Baroque-Tanzmusik/dp/B0000057CM/ref=sr_1_1?ie=UTF8&qid=1323056292&sr=8-1 (UK)
Purchase Musical Resources Mentioned – Dances of the Renaissance, Deutsche Grammophon Panorama Records 469244 – http://www.amazon.com/Panorama-Dances-Renaissance-Michael-Praetorius/dp/B00004YMTN/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056400&sr=1-1-catcorr (US) & http://www.amazon.co.uk/Panorama-Dances-Renaissance-Michael-Praetorius/dp/B00004YMTN/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056400&sr=1-1-catcorr (UK)
Written Resources Mentioned – Doctor Who – The Discontinuity Guide – http://en.wikipedia.org/wiki/The_Discontinuity_Guide
Purchase Written Resources Mentioned – Doctor Who – The Discontinuity Guide – http://www.amazon.com/Discontinuity-Guide-Doctor-Who/dp/0426204425/ref=sr_1_cc_3?s=dmusic&ie=UTF8&qid=1323056590&sr=1-3-catcorr (US) & http://www.amazon.co.uk/Discontinuity-Guide-Doctor-Who/dp/0426204425/ref=sr_1_cc_2?s=dmusic&ie=UTF8&qid=1323056562&sr=1-2-catcorr (UK)
Purchase Written Resources Mentioned – Classic Who – The Hinchcliffe Years – http://www.amazon.com/Classic-Who-Hinchcliffe-Years-Rigelsford/dp/0752207490/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056515&sr=1-1-catcorr (US) & http://www.amazon.co.uk/Classic-Who-Hinchcliffe-Years-Philip/dp/0752207490/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056542&sr=1-1-catcorr (UK)
Programs Mentioned – The Prisoner – http://en.wikipedia.org/wiki/The_Prisoner
Historical Periods Mentioned – The Middle Ages – http://en.wikipedia.org/wiki/Middle_Ages
Historical Periods Mentioned – The Renaissance – http://en.wikipedia.org/wiki/Renaissance
Historical Events – Catherine de’ Medici’s Court Festivals – http://en.wikipedia.org/wiki/Catherine_de%27_Medici%27s_court_festivals
Historical Figures Mentioned – Pope Gregory I – http://en.wikipedia.org/wiki/Pope_Gregory_I
Historical Figures Mentioned – Leonardo da Vinci – http://en.wikipedia.org/wiki/Leonardo_da_Vinci
Historical Figures Mentioned – Niccolò Machiavelli – http://en.wikipedia.org/wiki/Niccolò_Machiavelli
Historical Figures Mentioned – Catherine de’ Medici – http://en.wikipedia.org/wiki/Catherine_de’_Medici
Historical Figures Mentioned – Girolamo Hironymous de Savonarola – http://en.wikipedia.org/wiki/Girolamo_Savonarola
Historical Figures Mentioned – William Shakespeare – http://en.wikipedia.org/wiki/Shakespeare
Locations Mentioned – Burgundy – http://en.wikipedia.org/wiki/Burgundy_(region)
Locations Mentioned – Florence – http://en.wikipedia.org/wiki/Florence
Locations Mentioned – Portmeiron – http://en.wikipedia.org/wiki/Portmeiron
Locations Mentioned – Stratford-upon-Avon – http://en.wikipedia.org/wiki/Stratford-upon-Avon
Locations Mentioned – Wales – http://en.wikipedia.org/wiki/Wales
Locations Mentioned – Würzburg Conservatory, Germany – http://en.wikipedia.org/wiki/W%C3%BCrzburg#Conservatory
People Mentioned – Gareth Armstrong – http://en.wikipedia.org/wiki/Gareth_Armstrong
People Mentioned – Tom Baker – http://en.wikipedia.org/wiki/Tom_Baker
People Mentioned – Christopher H. Bidmead – http://en.wikipedia.org/wiki/Christopher_H._Bidmead
People Mentioned – Clayton Hickman – http://en.wikipedia.org/wiki/Clayton_Hickman
People Mentioned – Philip Hinchcliffe – http://en.wikipedia.org/wiki/Philip_Hinchcliffe
People Mentioned – Jon Laurimore – http://en.wikipedia.org/wiki/Jon_Laurimore
People Mentioned – Norman Jones – http://en.wikipedia.org/wiki/Norman_Jones_(actor)
People Mentioned – Louis Marks – http://en.wikipedia.org/wiki/Louis_Marks
People Mentioned – John Nathan-Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
People Mentioned – Tim Pigott-Smith – http://en.wikipedia.org/wiki/Tim_Pigott-Smith
People Mentioned – Adrian Rigelsford – http://en.wikipedia.org/wiki/Adrian_Rigelsford
People Mentioned – Konrad Ragossnig – http://en.wikipedia.org/wiki/Konrad_Ragossnig
People Mentioned – Gareth Roberts – http://en.wikipedia.org/wiki/Gareth_Roberts_(writer)
People Mentioned – Robert Shearman – http://en.wikipedia.org/wiki/Robert_Shearman
People Mentioned – Elisabeth Sladen – http://en.wikipedia.org/wiki/Elisabeth_Sladen
Musical Periods Mentioned – The Middle Ages - http://en.wikipedia.org/wiki/Medieval_Music
Musical Periods Mentioned – The Renaissance -http://en.wikipedia.org/wiki/Renaissance_music
Concepts Mentioned – Brass Instruments – http://en.wikipedia.org/wiki/Brass_Instruments
Concepts Mentioned – Cantus Firmus – http://en.wikipedia.org/wiki/Cantus_firmusConcepts Mentioned – Chant – http://en.wikipedia.org/wiki/Chant
Concepts Mentioned – Chords – http://en.wikipedia.org/wiki/Chord_(music)
Concepts Mentioned – Consort – http://en.wikipedia.org/wiki/Consort_of_instruments
Concepts Mentioned – Consonance & Dissoance – http://en.wikipedia.org/wiki/Consonance_and_dissonance
Concepts Mentioned – Gregorian Chant – http://en.wikipedia.org/wiki/Gregorian_Chant
Concepts Mentioned – History of Music Publishing – http://en.wikipedia.org/wiki/History_of_music_publishing
Concepts Mentioned – The Historically Informed Performance (HIP) Movement – http://en.wikipedia.org/wiki/Historically_informed_performance
Concepts Mentioned – Homophony – http://en.wikipedia.org/wiki/Homophony
Concepts Mentioned – Keyboard Instruments – http://en.wikipedia.org/wiki/Keyboard_instruments
Concepts Mentioned – Leitmotif – http://en.wikipedia.org/wiki/Leitmotif
Concepts Mentioned – Luthiers – http://en.wikipedia.org/wiki/Luthier
Concepts Mentioned – Mallet Percussion – http://en.wikipedia.org/wiki/Mallet_percussion
Concepts Mentioned – Meter – http://en.wikipedia.org/wiki/Meter_(music)
Concepts Mentioned – Monphony – http://en.wikipedia.org/wiki/Monophony
Concepts Mentioned – Musical Treatise – http://en.wikipedia.org/wiki/Treatise_(music)
Concepts Mentioned – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Concepts Mentioned – Percussion Instruments – http://en.wikipedia.org/wiki/Percussion_instruments
Concepts Mentioned – Polyphony – http://en.wikipedia.org/wiki/Polyphony
Concepts Mentioned – Rhythm – http://en.wikipedia.org/wiki/Rhythm
Concepts Mentioned – Stringed Instruments – http://en.wikipedia.org/wiki/Stringed_instruments
Concepts Mentioned – Texture – http://en.wikipedia.org/wiki/Texture_(music)
Concepts Mentioned – Timbre (pronounced ‘tæmbər’) – http://en.wikipedia.org/wiki/Timbre
Concepts Mentioned – Woodwind Instruments – http://en.wikipedia.org/wiki/Woodwind_instruments
Instruments Mentioned – Bagpipe – http://en.wikipedia.org/wiki/Bagpipe
Instruments Mentioned – Bassoon – http://en.wikipedia.org/wiki/Bassoon
Instruments Mentioned – Bass Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instruments Mentioned – Bass Drum – http://en.wikipedia.org/wiki/Bass_Drum
Instruments Mentioned – Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instruments Mentioned – Crumhorn – http://en.wikipedia.org/wiki/Crumhorn
Instruments Mentioned – Cymbal – http://en.wikipedia.org/wiki/Cymbal
Instruments Mentioned – Dulcian – http://en.wikipedia.org/wiki/Dulcian
Instruments Mentioned – Drum – http://en.wikipedia.org/wiki/Drum
Instruments Mentioned – Electronic Music Studio’s VCS3 Synthesizer – http://en.wikipedia.org/wiki/EMS_VCS_3
Instruments Mentioned – Fiddle – http://en.wikipedia.org/wiki/Fiddle
Instruments Mentioned – Harpsichord – http://en.wikipedia.org/wiki/Harpsichord
Instruments Mentioned – Horn – http://en.wikipedia.org/wiki/French_horn
Instruments Mentioned – Hurdy-Gurdy – http://en.wikipedia.org/wiki/Hurdy-Gurdy
Instruments Mentioned – Lute – http://en.wikipedia.org/wiki/Lute
Instruments Mentioned – Marimba – http://en.wikipedia.org/wiki/Marimba
Instruments Mentioned – Oboe – http://en.wikipedia.org/wiki/Oboe
Instruments Mentioned – Orchestral Bells – http://en.wikipedia.org/wiki/Glockenspiel
Instruments Mentioned – Percussion – http://en.wikipedia.org/wiki/Percussion
Instruments Mentioned – Rackett – http://en.wikipedia.org/wiki/Rackett
Instruments Mentioned – Rauschpfeife – http://en.wikipedia.org/wiki/Rauschpfeife
Instruments Mentioned – Sackbut – http://en.wikipedia.org/wiki/Sackbut
Instruments Mentioned – Shawm – http://en.wikipedia.org/wiki/Shawm
Instruments Mentioned – Snare – http://en.wikipedia.org/wiki/Snare_Drum
Instruments Mentioned – Spinet – http://en.wikipedia.org/wiki/Spinet
Instruments Mentioned – Trumpet – http://en.wikipedia.org/wiki/Trumpet
Instruments Mentioned – Timpani – http://en.wikipedia.org/wiki/Timpani
Instruments Mentioned – Vibraphone – http://en.wikipedia.org/wiki/Vibraphone
Instruments Mentioned – Vielle – http://en.wikipedia.org/wiki/Vielle
Instruments Mentioned – Violin – http://en.wikipedia.org/wiki/Violin
Instruments Mentioned – Viol (Viola da Gamba) – http://en.wikipedia.org/wiki/Viol
Instruments Mentioned – Violoncello – http://en.wikipedia.org/wiki/Cello
Instruments Mentioned – Virginals – http://en.wikipedia.org/wiki/Virginals
Composers Mentioned – Pierre Attaingnant – http://en.wikipedia.org/wiki/Pierre_Attaingnant
Composers Mentioned – Claude Gervaise – http://en.wikipedia.org/wiki/Claude_Gervaise
Compositional Genres Mentioned – Basse Danse – http://en.wikipedia.org/wiki/Basse_danse
Compositional Genres Mentioned – Branle – http://en.wikipedia.org/wiki/Branle
Compositional Genres Mentioned – Estampie – http://en.wikipedia.org/wiki/Estampie
Compositional Genres Mentioned – Galliard – http://en.wikipedia.org/wiki/Galliard
Compositional Genres Mentioned – Intermedio – http://en.wikipedia.org/wiki/Intermedio
Compositional Genres Mentioned – Masque – http://en.wikipedia.org/wiki/Masque
Compositional Genres Mentioned – Medieval Pageant – http://en.wikipedia.org/wiki/Medieval_pageant
Compositional Genres Mentioned – Pavan – http://en.wikipedia.org/wiki/Pavan_(dance)
Compositional Genres Mentioned – Tourdion – http://en.wikipedia.org/wiki/Tourdion
Musical Collections Mentioned – Harmonice Musices Odhecaton – http://en.wikipedia.org/wiki/Odhecaton
Musical Collections Mentioned – Musica enchiriadis – http://en.wikipedia.org/wiki/Musica_enchiriadis
Musical Collections Mentioned – Schola enchiriadis – http://en.wikipedia.org/w/index.php?title=Schola_enchiriadis&action=edit&redlink=1
Musical Collections Mentioned – Terpsichore – http://en.wikipedia.org/wiki/Michael_Praetorius
Musical Collections Mentioned – Winchester Troper – http://en.wikipedia.org/wiki/Winchester_Troper
Musical Figures Mentioned – Ottaviano Petrucci – http://en.wikipedia.org/wiki/Ottaviano_Petrucci
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
No Touch Pod – Let’s Save Confidential
No Touch Pod – Let’s Save Confidential
Let’s Save Confidential (Full Version)
Let’s Save Confidential (Full Version) – Shy Cut
Let’s Save Confidential (Radio Edit)
Let’s Save Confidential (Extended)
No, we can’t go without. We want it back. We want to keep learning. We’ve been addicted since 2005. That’s 7 years addicted to the drug we call Doctor Who Confidential. We want our fix. We want our show. We want, we want, we want!!!
No Touch Pod are: The Minute Doctor Who Podcast, Adventures In Time, Space And Music, The Omega Podcast (With Zander – a Child Of Time), Who’s He? Podcast, Bridging The Rift, The Flashing Blade, Tim’s Take On, the DWO WhoCast, BlogTor Who, & Professor Dave’s Ark In Space – ( who can all be found at www.doctorwhopodcastalliance.org )
Viol Solo by Dr. Phillip Serna
Written by Tony Gallichan & Karen Dunn
Produced & mixed by Chris Adams
Special thanks Nev Fountain, & Bernard Holley as The Voice Of Axos!
From A Nice Cup Of Tea by Dave Keep
Don’t forget to please sign the petition below (thanks to @SaveDWC)
_____________________________
Let’s Save Confidential – No Touch Pod – http://netconjurer.co.uk/confidential/
ABOUT PRODUCER CHRIS ADAMS: Chris Adams is an aspiring composer and musician, originally from Kent, UK and has been writing music of many different genres since leaving school. In the 90′s he performed several gigs around London as Q-States, a two man dance music act, and later alone as One Man Tribe. He is probably best known throughout the Doctor Who music community as HardWire, when in 2005 he produced ‘Good as Gold’, a re-created version of Murray Gold’s theme which included more prominently the Delia Derbyshire elements of the original theme. More remixes and original mixed versions of the theme followed, many of which were collaborations with Danny Stewart, himself a Doctor Who theme expert.
In 2010 HardWire produced and edited the video for a song called FABIO for a popular football website which took the World Cup Song charts by storm. Later that same year he released several dance tracks under the name of ‘Global Domination’. In 2011, also under the different name of ‘Terrestrial Afterglow’ Chris released and album of entirely orchestral compositions entitled ‘Twilight of the Gods’ and soon after once again collaborated with Danny Stewart for a project to re-score the New Who episode ‘The God Complex’ which he completed in 6 days.
Chris now solely resides under the name of HardWire and recently released his latest album, consisting of dance music music written over the last 2 years called ‘Dimensions in Music’, and continues to write music for varying different projects on a freelance basis across the Internet.
_____________________________
‘Let’s Save Confidential’ is not endorsed by the BBC in any way and is intended for entertainment purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
For the DWPA – 2011 Chicago TARDIS Big Finish Companion Interview with Richard Dinnick
A Doctor Who Podcast Alliance interview with Doctor Who writer Richard Dinnick from the 2011 Chicago TARDIS having taken place Thanksgiving weekend in the United States, November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, Illinois.
PRESENTED BY:
Dr. Phillip W. Serna (Adventures in Time Space and Music)
http://atsm.phillipwserna.com/
CHICAGO TARDIS 2011 – November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, Illinois.
DISCLAIMER: Richard Dinnick is a freelance writer who is expressing his personal opinions and that they do not necessarily reflect the opinions of Big Finish Productions or the BBC.
LINKS OF INTEREST:
Richard Dinnick – http://www.richarddinnick.com/
Richard Dinnick on Twitter – http://www.twitter.com/richarddinnick
The Big Finish Companion – http://www.bigfinish.com/The-Big-Finish-Companion-Volume-1
Big Finish Productions – http://www.bigfinish.com/
Doctor Who Podcast Alliance – http://www.doctorwhopodcastalliance.org/
The Chicago TARDIS – http://www.chicagotardis.com/
The Chicago TARDIS on Facebook – http://www.facebook.com/chicagotardis
The Chicago TARDIS on Twitter – http://www.twitter.com/chicagotardis
_____________________________
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
DALEK VOICES BY TONY GALLICHAN OF THE FLASHING BLADE PODCAST:http://www.flashingblade.org.uk/
ABOUT YOUR HOST – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR SERIES GUEST – RICHARD DINNICK: Richard Dinnick is a British writer, who has written for many media including novels, audio dramas, short stories and comic strips. He works in the science-fiction, fantasy and thriller genres. He has written for several science-fiction franchises including Doctor Who, Stargate, Sapphire & Steel and Space 1889. He is also currently developing several TV ideas – one in conjunction with BBC Writers’ Room.
Richard Dinnick started his writing career on the local newspaper, Esher News and Mail in 1986. He then specialised in business journalism, working on publications such as Director (the magazine published by the Institute of Directors) and Real Business as part of their editorial teams. In the late 90s, he moved onto Internet Magazine. During this time he appeared on numerous TV and radio programmes as well as newspapers and industry web sites talking about internet-related matters. He was also shortlisted for the PPA’s PTC New Journalist of the Year Award in 1999. Later, he would go onto work on the City Desk of the Sunday Express and chair the Government Committee on Web Design Best Practice in 2002/3.
Richard’s first fiction was a short story for the production company and publisher, Big Finish Productions – aa Doctor Who anthology called Short Trips: Solar System, for which he contribute the story “Neptune.” In addition to working for Big Finish as a writer, researcher, editor and producer, Richard has just finished his first original, fantasy novel about the world of dreams and nightmares, Dreamstorm, which is with his agents, Blake Friedmann.
For more information on Richard Dinnick and his work, visit http://www.richarddinnick.com/.
Adventures in Time, Space and Music Podcast site is located at http://atsm.phillipwserna.com/
Adventures in Time, Space and Music Podcast on Facebook -http://www.facebook.com/AdventuresinTimeSpaceandMusic
Adventures in Time, Space and Music Podcast on Google+ – http://plus.google.com/106877584462894407680
Adventures in Time, Space and Music Podcast on Twitter - http://twitter.com/ATSMPodcast
_____________________________
The Doctor Who Podcast Alliance
What it is (from the The Doctor Who Podcast Alliance website):http://www.doctorwhopodcastalliance.org/
The DWPA does exist to provide a place where listeners can get an overview of the various Doctor Who podcasts they might be interested in.
The DWPA is intended to be a place where the podcasters can virtually get together, hang out and plan any multi-lateral podcast events.
The DWPA does provide a forum if you want a convenient way to talk with all the podcasts at once but feel free to use alternative means.
The DWPA does exist to help new podcasters – if you are thinking of starting up a new podcast seek out our forum and we’ll be happy to help.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All content of this podcast, is free for the use of any podcasters with due credit given, but not expected. © Copyright 2011
Minisode 4 – Series 21, Part II – The Twin Dilemmas of Malcolm Clarke
In this minisode we’ll be looking at the music of Malcolm Clarke. In this segment we will look at his work on Serial 6S – Story 136 – The Twin Dilemma – which originally aired between the 22nd and the 30th of March, 1984 on BBC One.
NOTE: This minisode aired as a segment on the THE FLASHING BLADE Podcast Episode 1-105 on Saturday, 13 August, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-105-doctor-who-podcast
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Minisode 3 – Series 24, Part I – Keff McCulloch and the Rani
In this minisode we’ll be looking at the music of Keff McColluch. In this segment we will look at his work on Serial 7D – Story 144 – Time and the Rani which originally aired between the 7th and the 28th of September, 1987 on BBC One.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Tuesday, 14 June, 2011 – http://krynoid.blog.co.uk/2011/06/14/021-time-and-the-rani-11316562/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
LINKS OF INTEREST:
Purchase Doctor Who – Time and the Rani – http://www.amazon.com/dp/B004MA1JZY/ref=cm_sw_r_tw_dp_yfddpb1ZK0XJ3 (US) http://www.amazon.co.uk/dp/B002SZQCDO/ref=cm_sw_r_tw_dp_pfddpb0P2TZ9E (UK)
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Minisode 2 – Nicholas Courtney Remembered – 5-Rounds Rapid Salute for Brigadier Sir Alistair Gordon Lethbridge-Stewart
Nicholas Courtney, most known for playing the now retired Brigadier of the United Nations Intelligence Taskforce – Sir Alistair Gordon Lethbridge-Stewart, passed away on the 22nd of February 2011 after a prolonged battle with cancer. Beloved by fans for both his warmth and his advocacy of the show, both during it’s initial run and after the classic series ended in 1989, Courtney appeared in 102 televised episodes of Doctor Who, the 1990s special Dimensions in Time, many Big Finish audio productions, as well as the Brigadier’s final on screen appearance in the 2008 Sarah Jane Adventures story the Enemy of the Bane. As part of the UNIT family in the 1970s,and although he never had the opportunity to travel in the TARDIS onscreen, the legacy that Courtney’s brigadier has on the show can still be felt in the current revival, since Doctor Who returned to our screens in 2005. It had been intended that he would appear alongside David Tennant’s Doctor in the Sarah Jane Adventures 2009 story The Wedding of Sarah Jane Smith, but alas, his ailing health had begun to make future appearances impossible. It is with great sadness we say farewell to Brigadier Alistair Gordon Lethbridge-Stewart and the actor who brought him to life – as the Brigadier has gone to Geneva for the last time.
NOTE: This minisode remembrance of actor Nicholas Courtney originally aired as a segment on the THE KRYNOID PODCAST on Tuesday, 1 March, 2011 – http://krynoid.blog.co.uk/2011/03/01/017-the-three-doctors-10733840/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
Purchase Doctor Who – The Three Doctors – http://www.amazon.com/dp/B005SH664E/ref=cm_sw_r_tw_dp_AEddpb1JQEQGK (US) http://www.amazon.co.uk/dp/B006H4RB6O/ref=cm_sw_r_tw_dp_LEddpb1VPDXR9 (UK)
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Minisode 1 – Series 12, Part I – Dudley Simpson and the Giant Robot
In this minisode we will look at his work on Serial 4A – Story 75 – Robot which originally aired between the 7th and the 28th of December, 1974 and 18th of January, 1975 on BBC One.
NOTE: This minisode aired as a segment on the THE FLASHING BLADE Podcast Episode 1-98 on Saturday, 18 June, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-98
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
Purchase Doctor Who – Robot – http://www.amazon.com/dp/B000QGE8II/ref=cm_sw_r_tw_dp_iqddpb0HVED50 (US) http://www.amazon.co.uk/dp/B000NVI2C4/ref=cm_sw_r_tw_dp_dqddpb0Q6J0X8 (UK)
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Loading ...
Recent Comments