Episode 41 – Series 1, Part III – Richard Rodney Bennett and Marcus Dods Meet the Aztecs
In this episode we’ll be looking at the music of composer Sir Richard Rodney Bennett and ensemble conductor Marcus Dods. Here, we will look at their work on Serial F – Story 6 – The Aztecs, a 4-part serial which originally aired between the 23rd of May and the 13th of June 1964 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 4 July, 2011 – http://hooonwho.libsyn.com/episode-42-the-aztecs-enhanced-
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
ATSM – Minisode 7 – Series 1, Part III – Stock Music and John Smith and the Common Men
In this minisode we’ll be looking at a piece of stock music used in the Pilot and Serial A – Story 1 – The Unearthly Child, the first of a four-part story comprising of An Unearthly Child, The Cave of Skulls, The Forest of Fear and the Firemaker which originally aired between the 23rd of November and the 14th of December 1963. The music in question is ‘Three Guitars Mood 2’ by Nelson & Raymond & performed The Arthur Nelson Group – released by Conroy Library Music catalogue BM 303B.
NOTE: This minisode aired as a segment on the THE 20MB DOCTOR WHO PODCAST on ?day, ? February, February 2012 – http://INSERTLINKHERE?
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
ATSM – Minisode 6 – Series 3, Part I – Tristram Cary and his Missing Master Plan
In this minisode we’ll be looking at the musically groundbreaking work of Doctor Who composer Tristram Cary focusing on his work on Serial V – Story 21 – The Daleks’ Master Plan, Terry Nation and Dennis Spooner‘s epic 12-part serial which originally aired between the 13th of November 1965 and the 29th of January 1966 on BBC One.
NOTE: This minisode aired as a segment on the THE RADIO RASSILON PODCAST on Wednesday, 21 March 2012 – http://radiorassilon.podbean.com/2012/03/21/rr-28-the-lost-episodes-special/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 39 – Series 11, Part I – Dudley Simpson Regenerates with Jon Pertwee – Planet of the Spiders
In this episode we’ll be looking at the music of the Doctor’s composer Dudley Simpson. In this episode we will look at his work on Serial ZZZ – Story 74 – Planet of Spiders, a 6-part story which originally aired between the 4th of May and the 8th of June 1974 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Friday, 2 September, 2011 – http://hooonwho.libsyn.com/episode-44-enhanced-planet-of-the-spiders
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
LINKS OF INTEREST:
Restoration Team – Planet of the Spiders – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/PlanetOfTheSpiders.htm
BBC Doctor Who – Planet of the Spiders – http://www.bbc.co.uk/doctorwho/classic/episodeguide/planetofspiders/
Planet of the Spiders – http://en.wikipedia.org/wiki/Planet_of_the_Spiders
Composers Mentioned – Dudley Simpson – http://en.wikipedia.org/wiki/Dudley_Simpson
Purchase the Doctor Who – Planet of the Spiders – http://www.amazon.com/dp/B004L9GMC6/ref=cm_sw_r_tw_dp_fwxopb04749V5 (US) http://www.amazon.co.uk/dp/B004P9MUK0/ref=cm_sw_r_tw_dp_.wxopb1XP53F0 (UK)
People Mentioned – Tom Baker – http://en.wikipedia.org/wiki/Tom_Baker
People Mentioned – Nicholas Courtney – http://en.wikipedia.org/wiki/Nicholas_courtney
People Mentioned – Roger Delgado – http://en.wikipedia.org/wiki/Roger_Delgado
People Mentioned – Terrance Dicks – http://en.wikipedia.org/wiki/Terrance_Dicks
People Mentioned – Richard Franklin – http://en.wikipedia.org/wiki/Richard_Franklin
People Mentioned – Mark Gatiss – http://en.wikipedia.org/wiki/Mark_Gatiss
People Mentioned – Matt Irvine – http://en.wikipedia.org/wiki/Matt_Irvine
People Mentioned – Barry Letts – http://en.wikipedia.org/wiki/Barry_Letts
People Mentioned – John Levene – http://en.wikipedia.org/wiki/John_Levene
People Mentioned – John Nathan-Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
People Mentioned – Jon Pertwee – http://en.wikipedia.org/wiki/Jon_Pertwee
People Mentioned – Elisabeth Sladen – http://en.wikipedia.org/wiki/Elisabeth_Sladen
People Mentioned – Robert Sloman – http://en.wikipedia.org/wiki/Robert_Sloman
Concepts Mentioned – Brass Instruments – http://en.wikipedia.org/wiki/Brass_Instruments
Concepts Mentioned – String Instruments – http://en.wikipedia.org/wiki/Strings_(music)
Concepts Mentioned – Woodwind Instruments – http://en.wikipedia.org/wiki/Woodwind
Instrument Mentioned – Bass Clarinet – http://en.wikipedia.org/wiki/Bass_Clarinet
Instrument Mentioned – Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instrument Mentioned – Drum – http://en.wikipedia.org/wiki/Drum
Instrument Mentioned – Horn – http://en.wikipedia.org/wiki/French_horn
Instrument Mentioned – Percussion – http://en.wikipedia.org/wiki/Percussion
Instrument Mentioned – Trumpet – http://en.wikipedia.org/wiki/Trumpet
Instrument Mentioned – Violoncello – http://en.wikipedia.org/wiki/Cello
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 5 – Series 21, Part III – The Resurrection of Malcolm Clarke
In this minisode we’ll be looking at the controversial music of Malcolm Clarke. In this episode we will look at his work on Doctor Who Serial 6P – Story 133 – Resurrection of the Daleks. Ressurection was originally aired between the 8th and 15th of February 1984 on BBC One as two 45-minute episodes although it had been filmed as a 4-part story.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Wednesday, 28 September, 2011 – http://krynoid.blog.co.uk/2011/09/28/024-resurrection-of-the-daleks-11933411/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 38 – The Two Doctors – The Two Doctors Discuss Kay, Cary, Derbyshire and More
In this impromptu episode we’ll be discussing early Doctor Who pioneers such as Norman Kay and Tristram Cary, while discussing Radiophonic Workshop composers Elizabeth Parker & Delia Derbyshire. This discussion was recorded on the 7th of June, 2011 with Dr. Phillip Serna & Dr. Louis Niebur.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 37 – Series 6, Part I – Brian Hodgson, Anton Bruckner and the Mind Robber
In this episode we’ll be looking at the music of two very different composers – Radiophonic workshop composer Brian Hodgson and 19th-century Austrian composer Anton Bruckner. Here we will examine this combination regarding Doctor Who Serial UU – Story 45 – The Mind Robber, a 5-part story which originally aired between the 14th of September and the 12th of October 1968 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Sunday, 14 August, 2011 – http://hooonwho.libsyn.com/episode-43-enhanced-the-mind-robber
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST:
Restoration Team – The Mind Robber – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/mind_robber.htm
BBC Doctor Who – The Mind Robber – http://www.bbc.co.uk/doctorwho/classic/episodeguide/mindrobber/
The Mind Robber – http://en.wikipedia.org/wiki/The_Mind_Robber
Processes Mentioned – VidFIRE – http://en.wikipedia.org/wiki/VidFIRE
Composers Mentioned – Anton Bruckner – http://en.wikipedia.org/wiki/Anton_Bruckner
Composers Mentioned – Brian Hodgson – http://en.wikipedia.org/wiki/Brian_Hodgson
Purchase the Doctor Who – Mind Robber – http://www.amazon.com/dp/B0009PVZG4/ref=cm_sw_r_tw_dp_re5cpb0HBGS59 (US) http://www.amazon.co.uk/dp/B0006PTYOM/ref=cm_sw_r_tw_dp_ve5cpb1V2EJRK (UK)
Brian Hodgson’s Musical Contributions to The Mind Robber can be found on Doctor Who at the BBC Radiophonic Workshop – Volume 1 – The Early Years (1963-1969) – http://en.wikipedia.org/wiki/Doctor_Who_at_the_BBC_Radiophonic_Workshop_Volume_1:_The_Early_Years_1963%E2%80%931969
Purchase Doctor Who at the BBC Radiophonic Workshop – Volume 1 – The Early Years (1963-1969) – http://www.amazon.com/dp/B0009JOPHQ/ref=cm_sw_r_tw_dp_0H0cpb1TEZ5NF (US) http://www.amazon.co.uk/dp/B0009JOPHQ/ref=cm_sw_r_tw_dp_zI0cpb17BWCJ5 (UK)
Deutsche Gramophon Recording of Bruckner’s 7th Symphony – Catologue Number LPM 18113
Films Mentioned – The Legend of Hell House – http://en.wikipedia.org/wiki/The_Legend_of_Hell_House
Films Mentioned – The Shining – http://en.wikipedia.org/wiki/The_Shining_(film)
Programmes Mentioned – Doctor Who – http://en.wikipedia.org/wiki/Doctor_Who
Programmes Mentioned – The Tomorrow People – http://en.wikipedia.org/wiki/The_Tomorrow_People
Programmes Mentioned – Timeslip – http://en.wikipedia.org/wiki/Timeslip
Serials Mentioned – Enemy of the World – http://en.wikipedia.org/wiki/The_Enemy_of_the_World
Serials Mentioned – Mark of the Rani – http://en.wikipedia.org/wiki/Mark_of_the_Rani
Serials Mentioned – The Robots of Death – http://en.wikipedia.org/wiki/The_Robots_of_Death
Serials Mentioned – The Sea Devils – http://en.wikipedia.org/wiki/The_Sea_Devils
Serials Mentioned – Terror of the Vervoids – http://en.wikipedia.org/wiki/Terror_of_the_Vervoids
Serials Mentioned – Tomb of the Cybermen – http://en.wikipedia.org/wiki/The_Tomb_of_the_Cybermen
Serials Mentioned – Web of Fear – http://en.wikipedia.org/wiki/Web_of_Fear
Locations Mentioned – Camden Town – http://en.wikipedia.org/wiki/Camden_Town
Locations Mentioned – Electronic Music Studios – http://en.wikipedia.org/wiki/Electronic_Music_Studios
Locations Mentioned – Chalk Farm Road Roundhouse Theatre – http://en.wikipedia.org/wiki/The_Roundhouse
Historical Figures Mentioned – Ludwig II of Bavaria – http://en.wikipedia.org/wiki/Ludwig_II_of_Bavaria
People Mentioned – Colin Baker – http://en.wikipedia.org/wiki/Colin_Baker
People Mentioned – Tom Baker – http://en.wikipedia.org/wiki/Tom_Baker
People Mentioned – Frazer Hines – http://en.wikipedia.org/wiki/Frazer_Hines
People Mentioned – Steven King – http://en.wikipedia.org/wiki/Stephen_King
People Mentioned – Stanley Kubrick – http://en.wikipedia.org/wiki/Stanley_Kubrick
People Mentioned – Peter Ling – http://en.wikipedia.org/wiki/Peter_Ling
People Mentioned – David Maloney – http://en.wikipedia.org/wiki/David_Maloney
People Mentioned – Wendy Padbury – http://en.wikipedia.org/wiki/Wendy_Padbury
People Mentioned – Christopher Robbie – http://en.wikipedia.org/wiki/Christopher_Robbie
People Mentioned – Derrick Sherwin – http://en.wikipedia.org/wiki/Derrick_Sherwin
People Mentioned – Patrick Torughton – http://en.wikipedia.org/wiki/Patrick_Troughton
People Mentioned – John Nathan-Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
People Mentioned – Hamish Wilson – http://en.wikipedia.org/wiki/Hamish_Wilson
People Mentioned – Jonathan Wood – http://en.wikipedia.org/wiki/John_Wood_(English_actor)
Recordings Mentioned – Carnival of Light – http://en.wikipedia.org/wiki/Carnival_of_Light
Recordings Mentioned – An Electric Storm – http://en.wikipedia.org/wiki/An_Electric_Storm
Ensembles Mentioned – BBC Radiophonic Workshop – http://en.wikipedia.org/wiki/BBC_Radiophonic_Workshop
Ensembles Mentioned – The Beatles – http://en.wikipedia.org/wiki/The_Beatles
Ensembles Mentioned – Electrophon – http://en.wikipedia.org/wiki/Delia_Derbyshire#Electrophon
Ensembles Mentioned – Kaleidophon – http://en.wikipedia.org/wiki/Delia_Derbyshire#Kaleidophon
Ensembles Mentioned – Leipzig Gewandhaus Orchester – http://en.wikipedia.org/wiki/Gewandhaus_Orchestra
Ensembles Mentioned – Staatskapelle of Dresden – http://en.wikipedia.org/wiki/Staatskapelle_Dresden
Ensembles Mentioned – Unit Delta Plus – http://en.wikipedia.org/wiki/Delia_Derbyshire#Unit_Delta_Plus
Ensembles Mentioned – White Noise – http://en.wikipedia.org/wiki/White_Noise_(band)
Composers Mentioned – Mark Ayres – http://en.wikipedia.org/wiki/Mark_Ayres
Composers Mentioned – Béla Bartók – http://en.wikipedia.org/wiki/B%C3%A9la_Bart%C3%B3k
Composers Mentioned – Ludwig van Beethoven – http://en.wikipedia.org/wiki/Ludwig_van_Beethoven
Composers Mentioned – Johannes Brahms – http://en.wikipedia.org/wiki/Johannes_Brahms
Composers Mentioned – Desmond Briscoe – http://en.wikipedia.org/wiki/Desmond_Briscoe
Composers Mentioned – Malcolm Clarke – http://en.wikipedia.org/wiki/Malcolm_Clarke
Composers Mentioned – Delia Derbyshire – http://en.wikipedia.org/wiki/Delia_Derbyshire
Composers Mentioned – Jonathan Gibbs – http://en.wikipedia.org/wiki/Jonathan_Gibbs_(composer)
Composers Mentioned – Edvard Grieg – http://en.wikipedia.org/wiki/Edvard_Grieg
Composers Mentioned – George Frideric Handel – http://en.wikipedia.org/wiki/George_Frideric_Handel
Composers Mentioned – Peter Howell – http://en.wikipedia.org/wiki/Peter_Howell
Composers Mentioned – Wilfred Joseph – http://en.wikipedia.org/wiki/Wilfred_Josephs
Composers Mentioned – Aram Katschaturian – http://en.wikipedia.org/wiki/Aram_Khachaturian
Composers Mentioned – Paddy Kingsland – http://en.wikipedia.org/wiki/Paddy_Kingsland
Composers Mentioned – Roger Limb – http://en.wikipedia.org/wiki/Roger_Limb
Composers Mentioned – Franz Liszt – http://en.wikipedia.org/wiki/Franz_Liszt
Composers Mentioned – Nikki St George – http://en.wikipedia.org/wiki/Nikki_St_George
Composers Mentioned – Elizabeth Parker – http://en.wikipedia.org/wiki/Elizabeth_Parker_(composer)
Composers Mentioned – Nikolai Rimsky-Korsakoff – http://en.wikipedia.org/wiki/Nikolai_Rimsky-Korsakov
Composers Mentioned – Arnold Schoenberg – http://en.wikipedia.org/wiki/Arnold_Schoenberg
Composers Mentioned – Franz Schubert – http://en.wikipedia.org/wiki/Franz_Schubert
Composers Mentioned – John Scott – http://en.wikipedia.org/wiki/John_Scott_(composer)
Composers Mentioned – Dudley Simpson – http://en.wikipedia.org/wiki/Dudley_Simpson
Composers Mentioned – Martin Slavin – http://en.wikipedia.org/wiki/Martin_Slavin
Composers Mentioned – David Vorhaus – http://en.wikipedia.org/wiki/David_Vorhaus
Composers Mentioned – Richard Wagner – http://en.wikipedia.org/wiki/Richard_Wagner
Composers Mentioned – Peter Zinovieff – http://en.wikipedia.org/wiki/Peter_Zinovieff
Pieces Mentioned – Béla Bartók – The Miraculous Mandarin – http://en.wikipedia.org/wiki/The_Miraculous_Mandarin
Pieces Mentioned – Béla Bartók – Music for Strings, Percussion and Celesta – http://en.wikipedia.org/wiki/Music_for_Strings,_Percussion_and_Celesta
Pieces Mentioned – Ludwig van Beethoven – Ninth Symphony – http://en.wikipedia.org/wiki/Ninth_Symphony_(Beethoven)
Pieces Mentioned – Anton Bruckner – Seventh Symphony – http://en.wikipedia.org/wiki/Symphony_No._7_(Bruckner)
Pieces Mentioned – Greensleeves – http://en.wikipedia.org/wiki/Greensleeves
Pieces Mentioned – Edvard Grieg – In the Hall of the Mountain King – http://en.wikipedia.org/wiki/In_the_Hall_of_the_Mountain_King
Pieces Mentioned – Claude Debussey – La fille aux cheveux de lin – http://en.wikipedia.org/wiki/Preludes_(Debussy)
Pieces Mentioned – George Frideric Handel – Arrival of the Queen of Sheba – http://en.wikipedia.org/wiki/Arrival_of_the_Queen_of_Sheba
Pieces Mentioned – Wilfred Joseph – Pieces Mentioned – Space Time Music (Parts 1-4) – http://en.wikipedia.org/wiki/Wilfred_Josephs
Pieces Mentioned – Aram Katschaturian – Sabre Dance – http://en.wikipedia.org/wiki/Sabre_Dance
Pieces Mentioned – Nikolai Rimsky-Korsakoff – Flight of the Bumblebee – http://en.wikipedia.org/wiki/Flight_of_the_Bumblebee
Pieces Mentioned – John Scott – Palpitations – http://en.wikipedia.org/wiki/John_Scott_(composer)
Pieces Mentioned – Martin Slavin – Space Adventures Parts 1-3 – http://en.wikipedia.org/wiki/Martin_Slavin
Concepts Mentioned – Brass Instruments – http://en.wikipedia.org/wiki/Brass_instrument
Concepts Mentioned – Development – http://en.wikipedia.org/wiki/Musical_development
Concepts Mentioned – Harmony – http://en.wikipedia.org/wiki/Harmony
Concepts Mentioned – Melody – http://en.wikipedia.org/wiki/Melody
Concepts Mentioned – Musique concrète – http://en.wikipedia.org/wiki/Musique_concr%C3%A8te
Concepts Mentioned – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Concepts Mentioned – Percussion Instruments – http://en.wikipedia.org/wiki/Percussion_instrument
Concepts Mentioned – Scherzo – http://en.wikipedia.org/wiki/Scherzo
Concepts Mentioned – 17th Century Ballad – http://en.wikipedia.org/wiki/Broadside_(music)
Concepts Mentioned – String Instruments – http://en.wikipedia.org/wiki/String_instruments
Concepts Mentioned – Transformation of Themes – http://en.wikipedia.org/wiki/Thematic_transformation
Concepts Mentioned – Woodwind Instruments – http://en.wikipedia.org/wiki/Woodwind_instrument
Instrument Mentioned – Bassoon – http://en.wikipedia.org/wiki/Bassoon
Instrument Mentioned – Celeste – http://en.wikipedia.org/wiki/Celesta
Instrument Mentioned – Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instrument Mentioned – Double Bass – http://en.wikipedia.org/wiki/Double_Bass
Instrument Mentioned – Flute – http://en.wikipedia.org/wiki/Flute
Instrument Mentioned – Harmonium – http://en.wikipedia.org/wiki/Harmonium
Instrument Mentioned – Horn – http://en.wikipedia.org/wiki/French_horn
Instrument Mentioned – Oboe – http://en.wikipedia.org/wiki/Oboe
Instrument Mentioned – Percussion – http://en.wikipedia.org/wiki/Percussion
Instrument Mentioned – Piano – http://en.wikipedia.org/wiki/Piano
Instrument Mentioned – Timpani – http://en.wikipedia.org/wiki/Timpani
Instrument Mentioned – Trombone – http://en.wikipedia.org/wiki/Trombone
Instrument Mentioned – Trumpet – http://en.wikipedia.org/wiki/Trumpet
Instrument Mentioned – Tuba – http://en.wikipedia.org/wiki/Tuba
Instrument Mentioned – Viola – http://en.wikipedia.org/wiki/Viola
Instrument Mentioned – Violin – http://en.wikipedia.org/wiki/Violin
Instrument Mentioned – Violoncello – http://en.wikipedia.org/wiki/Cello
Instrument Mentioned – Wagner Tuba – http://en.wikipedia.org/wiki/Wagner_tuba
Musical Society Mentioned – Society for Private Musical Performances – http://en.wikipedia.org/wiki/Society_for_Private_Musical_Performances
Musical Text Mentioned – New Grove Dictionary of Music and Musicians (1980) – http://en.wikipedia.org/wiki/Grove_Dictionary_of_Music_and_Musicians
Musicians Mentioned – Robert Haas – http://en.wikipedia.org/wiki/Robert_Haas_(musicologist)
Musicians Mentioned – Eugen Jochum – http://en.wikipedia.org/wiki/Eugen_Jochum
Musicians Mentioned – Herbert Von Karajan – http://en.wikipedia.org/wiki/Herbert_von_Karajan
Musicians Mentioned – Ferdinand Löwe – http://en.wikipedia.org/wiki/Ferdinand_L%C3%B6we
Musicians Mentioned – Arthur Nikisch – http://en.wikipedia.org/wiki/Arthur_Nikisch
Musicians Mentioned – Leopold Nowak – http://en.wikipedia.org/wiki/Leopold_Nowak
Musicians Mentioned – Franz Schalk – http://en.wikipedia.org/wiki/Franz_Schalk
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
2011 Chicago TARDIS Special – Part II – Tunes of the Time Lord
This is part II of coverage from the Chicago TARDIS having taken place November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, IL
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
TUNES OF THE TIME LORD
Featuring Nick Seidler, Phillip W. Serna & David Warnock
MUSIC DISCUSSED
Stock Music from the Tenth Planet (Martin Slavin – Space Adventures 1,2,3, Dennis Farnon – Drama In Miniature Part 2) – Doctor Who – Music from the Tenth Planet
http://www.amazon.com/dp/B000050HII/ref=cm_sw_r_tw_dp_9Jw8ob09QNEGW (CD – US) http://www.amazon.co.uk/dp/B000050HII/ref=cm_sw_r_tw_dp_ODw8ob1Z9VM85 (CD – UK)
Music from the War Games (Dudley Simpson – The War Games) – Does Not Exist Independent of the Episode
http://www.amazon.com/dp/B002IW62FU/ref=cm_sw_r_tw_dp_HNw8ob0BG3R7Q (DVD – US) http://www.amazon.co.uk/dp/B002ATVD8W/ref=cm_sw_r_tw_dp_gOw8ob02GFN9S (DVD – UK)
Music from Spearhead from Space (Dudley Simpson – Music from Spearhead from Space) – Does Not Exist Independent of the Episode
http://www.amazon.com/dp/B00005LMAC/ref=cm_sw_r_tw_dp_UPw8ob0TED7P7 (DVD – US) http://www.amazon.co.uk/dp/B004P9MROY/ref=cm_sw_r_tw_dp_3Ow8ob19T4PV2 (DVD – UK)
U.N.I.T.’s Theme from the Ambassadors of Death (Dudley Simpson – Music from The Ambassadors of Death) – Does Not Exist Independent of the Episode
U.N.I.T.’s Theme from the Mind of Evil (Dudley Simpson – Music from The Mind of Evil) – Does Not Exist Independent of the Episode
Music from Robot (Dudley Simpson – Robot) – Does Not Exist Independent of the Episode
http://www.amazon.com/dp/B000QGE8II/ref=cm_sw_r_tw_dp_vVw8ob0HG57DS (DVD – US) http://www.amazon.co.uk/dp/B000NVI2C4/ref=cm_sw_r_tw_dp_tXw8ob0SHNGM3 (DVD – UK)
Music from Logopolis & Castrovalva (Paddy Kingsland – Logopolis & Castrovalva) – Only Available on the 2|Entertain DVD Isolated Scores
http://www.amazon.com/dp/B000NJXG8G/ref=cm_sw_r_tw_dp_nYw8ob0FGR2R9 (DVD – US) http://www.amazon.co.uk/dp/B000LE1HLQ/ref=cm_sw_r_tw_dp_WYw8ob0970ZPK (DVD – UK)
Music from The Caves of Androzani (Roger Limb – The Caves of Androzani) – Partially Available on Doctor Who: The Music II (and Silva Screen 1992 Re-Release Doctor Who: The Five Doctors) & Complete on the 2|Entertain DVD Isolated Scores
http://www.amazon.com/dp/B000004BP6/ref=cm_sw_r_tw_dp_3Zw8ob074ERDP (CD – US) http://www.amazon.co.uk/dp/B00004TVV6/ref=cm_sw_r_tw_dp_L2w8ob1Y5Q7AH (CD – UK)
http://www.amazon.com/dp/B005SH62X4/ref=cm_sw_r_tw_dp_p4w8ob0VBSAPY (DVD – US) http://www.amazon.co.uk/dp/B003ZUXZAE/ref=cm_sw_r_tw_dp_14w8ob1H0G67Z (DVD – UK)
Music from Time and the Rani (Keff McColluch – Time and the Rani) – Only Available on the 2|Entertain DVD Isolated Scores
http://www.amazon.com/dp/B004MA1JZY/ref=cm_sw_r_tw_dp_bFw8ob1ADBTPX (DVD – US) http://www.amazon.co.uk/dp/B002SZQCDO/ref=cm_sw_r_tw_dp_vGw8ob1MSPC31 (DVD – UK)
Music from Doctor Who: The Movie (John Debney, Louis Febre & John Sponsler – Doctor Who: The Movie) – Available as a Rare CD Release by the Composers or on the 2|Entertain DVD Isolated Score
http://www.amazon.com/dp/B000FCI9F6/ref=cm_sw_r_tw_dp_9gs8ob06RGCPD (CD – US)
http://www.amazon.com/dp/B0049S1NYG/ref=cm_sw_r_tw_dp_S6w8ob0MBCHAZ (DVD – US) http://www.amazon.co.uk/dp/B003ZUXZAE/ref=cm_sw_r_tw_dp_14w8ob1H0G67Z (DVD – UK)
The Doctor’s Theme (Murray Gold – Rose) – Doctor Who – Original Television Soundtrack – Series 1 & 2
http://www.amazon.com/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_29w8ob1T255BD (CD – US) http://www.amazon.co.uk/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_t.w8ob0HJHGCM (CD – UK)
Rose Defeats the Daleks (Murray Gold – The Parting of the Ways) – Doctor Who – Original Television Soundtrack – Series 1 & 2
http://www.amazon.com/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_29w8ob1T255BD (CD – US) http://www.amazon.co.uk/dp/B000KC8O3S/ref=cm_sw_r_tw_dp_t.w8ob0HJHGCM (CD – UK)
Deep Space & Vogon March (Carey Blyton – Revenge of the Cybermen) – Carey Blyton – In Camera
http://www.amazon.com/dp/B002WIGQRE/ref=cm_sw_r_tw_dp_F6r8ob1T0C0MV (CD – US) http://www.amazon.co.uk/dp/B002WIGQRE/ref=cm_sw_r_tw_dp_Hww8ob0YDYS3E (CD – UK)
The Master Vainglorious (Murray Gold – Utopia) – Doctor Who – Original Television Soundtrack – Series 3
http://www.amazon.com/dp/B000WGAQIS/ref=cm_sw_r_tw_dp_Oax8ob1J56R1G (CD – US) http://www.amazon.co.uk/dp/B000WGAQIS/ref=cm_sw_r_tw_dp_gbx8ob13VKVVK (CD – UK)
The Duel (Malcolm Clarke – The Sea Devils) - - Doctor Who at the BBC Radiophonic Workshop – Volume 2: New Beginnings (1970-1980)
http://www.amazon.com/dp/B00004TFML/ref=cm_sw_r_tw_dp_4cx8ob0KZ41SH (CD – US) http://www.amazon.co.uk/dp/B0009JOPI0/ref=cm_sw_r_tw_dp_Udx8ob0VEDPDK (CD – UK)
ABOUT THE PANELISTS: NICK SEIDLER – Nick Seidler regular job is as a staff member at the Milwaukee School of Engineering, and Engineering university in the state of Wisconsin. In Doctor Who circles he is the founder of the Earthbound TimeLords Doctor Who academic website and also a staff member of the Chicago TARDIS convention. With Rob Warnock, and John Curtis, he has helped write the Doctor Who theme and inspired music for the past Chicago TARDIS conventions, and in currently involved in the music group UNIT (which takes its name from a Doctor Who reference).
ABOUT THE PANELISTS: DAVID WARNOCK – I started out as a music major in college for the first two years until I changed majors ( I started out playing French Horn). I originally started writing scores for DW fanvids back in the mid-80′s with the Federation. A lot of the people who were involved in the group now work as staff for Chicago TARDIS. Later on I started contributing music to various projects for BTR, who are a group from Australia who produce audio dramas, and some video projects also. I also composed the score for “Unknown” which was an independent film shot in the Chicago area. I’m currently working on “Thriller Theater” which is another independent film involving a number of people who worked on “Unknown”.
http://www.imdb.com/title/tt1733304/
http://www.facebook.com/home.php#!/pages/Thriller-Theater/134015306612543
EARTHBOUND TIMELORDS - http://homepages.bw.edu/~jcurtis/?UNIT/discography.html
THE CHICAGO TARDIS:
The Chicago TARDIS - http://www.chicagotardis.com/
The Chicago TARDIS on Facebook - http://www.facebook.com/chicagotardis
The Chicago TARDIS on Twitter - http://www.twitter.com/chicagotardis
DALEK VOICES BY TONY GALLICHAN OF THE FLASHING BLADE PODCAST:http://www.flashingblade.org.uk/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Merry Christmas 2011 – The Adventures in Time, Space and Music Holiday Special
Thanks to our friends from sending us some lovely holiday messages which we’d like to share with you. May you all have a lovely holiday, whichever you may celebrate. Many warm wishes from the entire Adventures in Time, Space and Music team to all of you our listeners, guests, colleagues, and friends at home. May your holidays be filled with the warmth of friends, family and fellowship.
PODCASTS FEATURED
The 20MB Doctor Who Podcast – http://the20mbdoctorwhopodcast.podbean.com/
The 2nd Doctor’s Podcast & Professor How! – http://www.jokerfilemedia.de/
Doctor Who Podshock – http://www.podshock.net/
The Flashing Blade Podcast – http://www.flashingblade.org.uk/
Hoo on Who – http://www.hooonwho.com/
The IndyCast – http://www.theindycast.com/
The Krynoid Podcast – http://krynoid.blog.co.uk/
The Minute Doctor Who Podcast – http://www.tmdwp.co.uk/
The Mostly Harmless Cutaway – http://guidetothewhoverse.libsyn.com/
The Omega Podcast – http://www.theomegapodcast.org/
The Ood Cast – http://www.theoodcast.com/
The Pratchett Podcast – http://thepratchettpodcast.wordpress.com/
Professor Dave’s Ark in Space – http://profdave.libsyn.com/
Radio Free Skaro – http://www.radiofreeskaro.com/ Radio Rassilon – http://radiorassilon.podbean.com/
The TARDIS Tavern – http://tardistavern.libsyn.com/
The Tin Dog Podcast – http://tin-dog.co.uk/
Traveling the Vortex – http://travelingthevortex.com/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
K9, CYBERMEN, SUPREME DALEK, ICE WARRIOR AND 10THE DOCTOR GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
ALL VIOL MUSIC PERFORMED BY PHILLIP W. SERNA FROM THE GAMBACAST & THE RADIO RASSILON CHRISTMAS SONG APPEARS COURTESY OF LEESON FISCHER AND HARRY MEDIUM OF THE RADIO RASSILON PODCAST.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 36 – Series 14, Part I – The Many Masques [of Mandragora] of Dudley Simpson
In this episode we’ll be looking at the music of Doctor’s composer Dudley Simpson, as well as the use of period stock music in Doctor Who. Here we will examine Serial 4M – Story 86 – The Masque of Mandragora, a 4-part serial originally broadcast between the 4th and 25th of September 1976 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday 3, October, 2011 – http://hooonwho.libsyn.com/episode-45-enhanced-the-masque-of-mandragora
DEDICATION – Dr. Phill – I would like to dedicate this episode to my brother Fred “Count Federico” Serna, in honour of his birthday, to whom I really owe a great deal for introducing me to Doctor Who as a youth in the late 1980s. Being a great influence on my career in Early Music, this particular story always had a special place in our household as one that was equally enjoyed by myself and both of my brothers. This is why I found this particular episode was a labour of love, and a joy to research. Cheers to you on your birthday, and may you always enjoy this unorthodox love-letter to our youths each and every year on your birthday.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST:
Dudley Simpson – http://en.wikipedia.org/wiki/Dudley_Simpson
The Masque of Mandragora – Wikipedia – http://en.wikipedia.org/wiki/The_Masque_of_Mandragora
The Masque of Mandragora – The BBC Episode Guide – http://www.bbc.co.uk/doctorwho/classic/episodeguide/masquemandragora/
The Masque of Mandragora – The Doctor Who Restoration Team – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/MasqueOfMandragoraDVD.htm
Purchase Doctor Who – The Masque of Mandragora – http://www.amazon.com/dp/B001Q9ECNK/ref=cm_sw_r_tw_dp_z.5cpb048N5JH (US) http://www.amazon.co.uk/dp/B002SZQCB6/ref=cm_sw_r_tw_dp_D-5cpb15NJVYS (UK)
Purchase Musical Resources Mentioned – Terpsichore: Renaissance and Early Baroque Dance Music, Deutsche Grammophon Archiv Records 415 294-2 – http://www.amazon.com/Terpsichore-Renaissance-Early-Baroque-Dance/dp/B0018OZ13S/ref=sr_1_1?ie=UTF8&qid=1323056281&sr=8-1 (US) & http://www.amazon.co.uk/Terpsichore-Renaissance-Early-Baroque-Tanzmusik/dp/B0000057CM/ref=sr_1_1?ie=UTF8&qid=1323056292&sr=8-1 (UK)
Purchase Musical Resources Mentioned – Dances of the Renaissance, Deutsche Grammophon Panorama Records 469244 – http://www.amazon.com/Panorama-Dances-Renaissance-Michael-Praetorius/dp/B00004YMTN/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056400&sr=1-1-catcorr (US) & http://www.amazon.co.uk/Panorama-Dances-Renaissance-Michael-Praetorius/dp/B00004YMTN/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056400&sr=1-1-catcorr (UK)
Written Resources Mentioned – Doctor Who – The Discontinuity Guide – http://en.wikipedia.org/wiki/The_Discontinuity_Guide
Purchase Written Resources Mentioned – Doctor Who – The Discontinuity Guide – http://www.amazon.com/Discontinuity-Guide-Doctor-Who/dp/0426204425/ref=sr_1_cc_3?s=dmusic&ie=UTF8&qid=1323056590&sr=1-3-catcorr (US) & http://www.amazon.co.uk/Discontinuity-Guide-Doctor-Who/dp/0426204425/ref=sr_1_cc_2?s=dmusic&ie=UTF8&qid=1323056562&sr=1-2-catcorr (UK)
Purchase Written Resources Mentioned – Classic Who – The Hinchcliffe Years – http://www.amazon.com/Classic-Who-Hinchcliffe-Years-Rigelsford/dp/0752207490/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056515&sr=1-1-catcorr (US) & http://www.amazon.co.uk/Classic-Who-Hinchcliffe-Years-Philip/dp/0752207490/ref=sr_1_cc_1?s=dmusic&ie=UTF8&qid=1323056542&sr=1-1-catcorr (UK)
Programs Mentioned – The Prisoner – http://en.wikipedia.org/wiki/The_Prisoner
Historical Periods Mentioned – The Middle Ages – http://en.wikipedia.org/wiki/Middle_Ages
Historical Periods Mentioned – The Renaissance – http://en.wikipedia.org/wiki/Renaissance
Historical Events – Catherine de’ Medici’s Court Festivals – http://en.wikipedia.org/wiki/Catherine_de%27_Medici%27s_court_festivals
Historical Figures Mentioned – Pope Gregory I – http://en.wikipedia.org/wiki/Pope_Gregory_I
Historical Figures Mentioned – Leonardo da Vinci – http://en.wikipedia.org/wiki/Leonardo_da_Vinci
Historical Figures Mentioned – Niccolò Machiavelli – http://en.wikipedia.org/wiki/Niccolò_Machiavelli
Historical Figures Mentioned – Catherine de’ Medici – http://en.wikipedia.org/wiki/Catherine_de’_Medici
Historical Figures Mentioned – Girolamo Hironymous de Savonarola – http://en.wikipedia.org/wiki/Girolamo_Savonarola
Historical Figures Mentioned – William Shakespeare – http://en.wikipedia.org/wiki/Shakespeare
Locations Mentioned – Burgundy – http://en.wikipedia.org/wiki/Burgundy_(region)
Locations Mentioned – Florence – http://en.wikipedia.org/wiki/Florence
Locations Mentioned – Portmeiron – http://en.wikipedia.org/wiki/Portmeiron
Locations Mentioned – Stratford-upon-Avon – http://en.wikipedia.org/wiki/Stratford-upon-Avon
Locations Mentioned – Wales – http://en.wikipedia.org/wiki/Wales
Locations Mentioned – Würzburg Conservatory, Germany – http://en.wikipedia.org/wiki/W%C3%BCrzburg#Conservatory
People Mentioned – Gareth Armstrong – http://en.wikipedia.org/wiki/Gareth_Armstrong
People Mentioned – Tom Baker – http://en.wikipedia.org/wiki/Tom_Baker
People Mentioned – Christopher H. Bidmead – http://en.wikipedia.org/wiki/Christopher_H._Bidmead
People Mentioned – Clayton Hickman – http://en.wikipedia.org/wiki/Clayton_Hickman
People Mentioned – Philip Hinchcliffe – http://en.wikipedia.org/wiki/Philip_Hinchcliffe
People Mentioned – Jon Laurimore – http://en.wikipedia.org/wiki/Jon_Laurimore
People Mentioned – Norman Jones – http://en.wikipedia.org/wiki/Norman_Jones_(actor)
People Mentioned – Louis Marks – http://en.wikipedia.org/wiki/Louis_Marks
People Mentioned – John Nathan-Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
People Mentioned – Tim Pigott-Smith – http://en.wikipedia.org/wiki/Tim_Pigott-Smith
People Mentioned – Adrian Rigelsford – http://en.wikipedia.org/wiki/Adrian_Rigelsford
People Mentioned – Konrad Ragossnig – http://en.wikipedia.org/wiki/Konrad_Ragossnig
People Mentioned – Gareth Roberts – http://en.wikipedia.org/wiki/Gareth_Roberts_(writer)
People Mentioned – Robert Shearman – http://en.wikipedia.org/wiki/Robert_Shearman
People Mentioned – Elisabeth Sladen – http://en.wikipedia.org/wiki/Elisabeth_Sladen
Musical Periods Mentioned – The Middle Ages - http://en.wikipedia.org/wiki/Medieval_Music
Musical Periods Mentioned – The Renaissance -http://en.wikipedia.org/wiki/Renaissance_music
Concepts Mentioned – Brass Instruments – http://en.wikipedia.org/wiki/Brass_Instruments
Concepts Mentioned – Cantus Firmus – http://en.wikipedia.org/wiki/Cantus_firmusConcepts Mentioned – Chant – http://en.wikipedia.org/wiki/Chant
Concepts Mentioned – Chords – http://en.wikipedia.org/wiki/Chord_(music)
Concepts Mentioned – Consort – http://en.wikipedia.org/wiki/Consort_of_instruments
Concepts Mentioned – Consonance & Dissoance – http://en.wikipedia.org/wiki/Consonance_and_dissonance
Concepts Mentioned – Gregorian Chant – http://en.wikipedia.org/wiki/Gregorian_Chant
Concepts Mentioned – History of Music Publishing – http://en.wikipedia.org/wiki/History_of_music_publishing
Concepts Mentioned – The Historically Informed Performance (HIP) Movement – http://en.wikipedia.org/wiki/Historically_informed_performance
Concepts Mentioned – Homophony – http://en.wikipedia.org/wiki/Homophony
Concepts Mentioned – Keyboard Instruments – http://en.wikipedia.org/wiki/Keyboard_instruments
Concepts Mentioned – Leitmotif – http://en.wikipedia.org/wiki/Leitmotif
Concepts Mentioned – Luthiers – http://en.wikipedia.org/wiki/Luthier
Concepts Mentioned – Mallet Percussion – http://en.wikipedia.org/wiki/Mallet_percussion
Concepts Mentioned – Meter – http://en.wikipedia.org/wiki/Meter_(music)
Concepts Mentioned – Monphony – http://en.wikipedia.org/wiki/Monophony
Concepts Mentioned – Musical Treatise – http://en.wikipedia.org/wiki/Treatise_(music)
Concepts Mentioned – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Concepts Mentioned – Percussion Instruments – http://en.wikipedia.org/wiki/Percussion_instruments
Concepts Mentioned – Polyphony – http://en.wikipedia.org/wiki/Polyphony
Concepts Mentioned – Rhythm – http://en.wikipedia.org/wiki/Rhythm
Concepts Mentioned – Stringed Instruments – http://en.wikipedia.org/wiki/Stringed_instruments
Concepts Mentioned – Texture – http://en.wikipedia.org/wiki/Texture_(music)
Concepts Mentioned – Timbre (pronounced ‘tæmbər’) – http://en.wikipedia.org/wiki/Timbre
Concepts Mentioned – Woodwind Instruments – http://en.wikipedia.org/wiki/Woodwind_instruments
Instruments Mentioned – Bagpipe – http://en.wikipedia.org/wiki/Bagpipe
Instruments Mentioned – Bassoon – http://en.wikipedia.org/wiki/Bassoon
Instruments Mentioned – Bass Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instruments Mentioned – Bass Drum – http://en.wikipedia.org/wiki/Bass_Drum
Instruments Mentioned – Clarinet – http://en.wikipedia.org/wiki/Clarinet
Instruments Mentioned – Crumhorn – http://en.wikipedia.org/wiki/Crumhorn
Instruments Mentioned – Cymbal – http://en.wikipedia.org/wiki/Cymbal
Instruments Mentioned – Dulcian – http://en.wikipedia.org/wiki/Dulcian
Instruments Mentioned – Drum – http://en.wikipedia.org/wiki/Drum
Instruments Mentioned – Electronic Music Studio’s VCS3 Synthesizer – http://en.wikipedia.org/wiki/EMS_VCS_3
Instruments Mentioned – Fiddle – http://en.wikipedia.org/wiki/Fiddle
Instruments Mentioned – Harpsichord – http://en.wikipedia.org/wiki/Harpsichord
Instruments Mentioned – Horn – http://en.wikipedia.org/wiki/French_horn
Instruments Mentioned – Hurdy-Gurdy – http://en.wikipedia.org/wiki/Hurdy-Gurdy
Instruments Mentioned – Lute – http://en.wikipedia.org/wiki/Lute
Instruments Mentioned – Marimba – http://en.wikipedia.org/wiki/Marimba
Instruments Mentioned – Oboe – http://en.wikipedia.org/wiki/Oboe
Instruments Mentioned – Orchestral Bells – http://en.wikipedia.org/wiki/Glockenspiel
Instruments Mentioned – Percussion – http://en.wikipedia.org/wiki/Percussion
Instruments Mentioned – Rackett – http://en.wikipedia.org/wiki/Rackett
Instruments Mentioned – Rauschpfeife – http://en.wikipedia.org/wiki/Rauschpfeife
Instruments Mentioned – Sackbut – http://en.wikipedia.org/wiki/Sackbut
Instruments Mentioned – Shawm – http://en.wikipedia.org/wiki/Shawm
Instruments Mentioned – Snare – http://en.wikipedia.org/wiki/Snare_Drum
Instruments Mentioned – Spinet – http://en.wikipedia.org/wiki/Spinet
Instruments Mentioned – Trumpet – http://en.wikipedia.org/wiki/Trumpet
Instruments Mentioned – Timpani – http://en.wikipedia.org/wiki/Timpani
Instruments Mentioned – Vibraphone – http://en.wikipedia.org/wiki/Vibraphone
Instruments Mentioned – Vielle – http://en.wikipedia.org/wiki/Vielle
Instruments Mentioned – Violin – http://en.wikipedia.org/wiki/Violin
Instruments Mentioned – Viol (Viola da Gamba) – http://en.wikipedia.org/wiki/Viol
Instruments Mentioned – Violoncello – http://en.wikipedia.org/wiki/Cello
Instruments Mentioned – Virginals – http://en.wikipedia.org/wiki/Virginals
Composers Mentioned – Pierre Attaingnant – http://en.wikipedia.org/wiki/Pierre_Attaingnant
Composers Mentioned – Claude Gervaise – http://en.wikipedia.org/wiki/Claude_Gervaise
Compositional Genres Mentioned – Basse Danse – http://en.wikipedia.org/wiki/Basse_danse
Compositional Genres Mentioned – Branle – http://en.wikipedia.org/wiki/Branle
Compositional Genres Mentioned – Estampie – http://en.wikipedia.org/wiki/Estampie
Compositional Genres Mentioned – Galliard – http://en.wikipedia.org/wiki/Galliard
Compositional Genres Mentioned – Intermedio – http://en.wikipedia.org/wiki/Intermedio
Compositional Genres Mentioned – Masque – http://en.wikipedia.org/wiki/Masque
Compositional Genres Mentioned – Medieval Pageant – http://en.wikipedia.org/wiki/Medieval_pageant
Compositional Genres Mentioned – Pavan – http://en.wikipedia.org/wiki/Pavan_(dance)
Compositional Genres Mentioned – Tourdion – http://en.wikipedia.org/wiki/Tourdion
Musical Collections Mentioned – Harmonice Musices Odhecaton – http://en.wikipedia.org/wiki/Odhecaton
Musical Collections Mentioned – Musica enchiriadis – http://en.wikipedia.org/wiki/Musica_enchiriadis
Musical Collections Mentioned – Schola enchiriadis – http://en.wikipedia.org/w/index.php?title=Schola_enchiriadis&action=edit&redlink=1
Musical Collections Mentioned – Terpsichore – http://en.wikipedia.org/wiki/Michael_Praetorius
Musical Collections Mentioned – Winchester Troper – http://en.wikipedia.org/wiki/Winchester_Troper
Musical Figures Mentioned – Ottaviano Petrucci – http://en.wikipedia.org/wiki/Ottaviano_Petrucci
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If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
No Touch Pod – Let’s Save Confidential
No Touch Pod – Let’s Save Confidential
Let’s Save Confidential (Full Version)
Let’s Save Confidential (Full Version) – Shy Cut
Let’s Save Confidential (Radio Edit)
Let’s Save Confidential (Extended)
No, we can’t go without. We want it back. We want to keep learning. We’ve been addicted since 2005. That’s 7 years addicted to the drug we call Doctor Who Confidential. We want our fix. We want our show. We want, we want, we want!!!
No Touch Pod are: The Minute Doctor Who Podcast, Adventures In Time, Space And Music, The Omega Podcast (With Zander – a Child Of Time), Who’s He? Podcast, Bridging The Rift, The Flashing Blade, Tim’s Take On, the DWO WhoCast, BlogTor Who, & Professor Dave’s Ark In Space – ( who can all be found at www.doctorwhopodcastalliance.org )
Viol Solo by Dr. Phillip Serna
Written by Tony Gallichan & Karen Dunn
Produced & mixed by Chris Adams
Special thanks Nev Fountain, & Bernard Holley as The Voice Of Axos!
From A Nice Cup Of Tea by Dave Keep
Don’t forget to please sign the petition below (thanks to @SaveDWC)
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Let’s Save Confidential – No Touch Pod – http://netconjurer.co.uk/confidential/
ABOUT PRODUCER CHRIS ADAMS: Chris Adams is an aspiring composer and musician, originally from Kent, UK and has been writing music of many different genres since leaving school. In the 90′s he performed several gigs around London as Q-States, a two man dance music act, and later alone as One Man Tribe. He is probably best known throughout the Doctor Who music community as HardWire, when in 2005 he produced ‘Good as Gold’, a re-created version of Murray Gold’s theme which included more prominently the Delia Derbyshire elements of the original theme. More remixes and original mixed versions of the theme followed, many of which were collaborations with Danny Stewart, himself a Doctor Who theme expert.
In 2010 HardWire produced and edited the video for a song called FABIO for a popular football website which took the World Cup Song charts by storm. Later that same year he released several dance tracks under the name of ‘Global Domination’. In 2011, also under the different name of ‘Terrestrial Afterglow’ Chris released and album of entirely orchestral compositions entitled ‘Twilight of the Gods’ and soon after once again collaborated with Danny Stewart for a project to re-score the New Who episode ‘The God Complex’ which he completed in 6 days.
Chris now solely resides under the name of HardWire and recently released his latest album, consisting of dance music music written over the last 2 years called ‘Dimensions in Music’, and continues to write music for varying different projects on a freelance basis across the Internet.
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‘Let’s Save Confidential’ is not endorsed by the BBC in any way and is intended for entertainment purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
For the DWPA – 2011 Chicago TARDIS Big Finish Companion Interview with Richard Dinnick
A Doctor Who Podcast Alliance interview with Doctor Who writer Richard Dinnick from the 2011 Chicago TARDIS having taken place Thanksgiving weekend in the United States, November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, Illinois.
PRESENTED BY:
Dr. Phillip W. Serna (Adventures in Time Space and Music)
http://atsm.phillipwserna.com/
CHICAGO TARDIS 2011 – November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, Illinois.
DISCLAIMER: Richard Dinnick is a freelance writer who is expressing his personal opinions and that they do not necessarily reflect the opinions of Big Finish Productions or the BBC.
LINKS OF INTEREST:
Richard Dinnick – http://www.richarddinnick.com/
Richard Dinnick on Twitter – http://www.twitter.com/richarddinnick
The Big Finish Companion – http://www.bigfinish.com/The-Big-Finish-Companion-Volume-1
Big Finish Productions – http://www.bigfinish.com/
Doctor Who Podcast Alliance – http://www.doctorwhopodcastalliance.org/
The Chicago TARDIS – http://www.chicagotardis.com/
The Chicago TARDIS on Facebook – http://www.facebook.com/chicagotardis
The Chicago TARDIS on Twitter – http://www.twitter.com/chicagotardis
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ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
DALEK VOICES BY TONY GALLICHAN OF THE FLASHING BLADE PODCAST:http://www.flashingblade.org.uk/
ABOUT YOUR HOST – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR SERIES GUEST – RICHARD DINNICK: Richard Dinnick is a British writer, who has written for many media including novels, audio dramas, short stories and comic strips. He works in the science-fiction, fantasy and thriller genres. He has written for several science-fiction franchises including Doctor Who, Stargate, Sapphire & Steel and Space 1889. He is also currently developing several TV ideas – one in conjunction with BBC Writers’ Room.
Richard Dinnick started his writing career on the local newspaper, Esher News and Mail in 1986. He then specialised in business journalism, working on publications such as Director (the magazine published by the Institute of Directors) and Real Business as part of their editorial teams. In the late 90s, he moved onto Internet Magazine. During this time he appeared on numerous TV and radio programmes as well as newspapers and industry web sites talking about internet-related matters. He was also shortlisted for the PPA’s PTC New Journalist of the Year Award in 1999. Later, he would go onto work on the City Desk of the Sunday Express and chair the Government Committee on Web Design Best Practice in 2002/3.
Richard’s first fiction was a short story for the production company and publisher, Big Finish Productions – aa Doctor Who anthology called Short Trips: Solar System, for which he contribute the story “Neptune.” In addition to working for Big Finish as a writer, researcher, editor and producer, Richard has just finished his first original, fantasy novel about the world of dreams and nightmares, Dreamstorm, which is with his agents, Blake Friedmann.
For more information on Richard Dinnick and his work, visit http://www.richarddinnick.com/.
Adventures in Time, Space and Music Podcast site is located at http://atsm.phillipwserna.com/
Adventures in Time, Space and Music Podcast on Facebook -http://www.facebook.com/AdventuresinTimeSpaceandMusic
Adventures in Time, Space and Music Podcast on Google+ – http://plus.google.com/106877584462894407680
Adventures in Time, Space and Music Podcast on Twitter - http://twitter.com/ATSMPodcast
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The Doctor Who Podcast Alliance
What it is (from the The Doctor Who Podcast Alliance website):http://www.doctorwhopodcastalliance.org/
The DWPA does exist to provide a place where listeners can get an overview of the various Doctor Who podcasts they might be interested in.
The DWPA is intended to be a place where the podcasters can virtually get together, hang out and plan any multi-lateral podcast events.
The DWPA does provide a forum if you want a convenient way to talk with all the podcasts at once but feel free to use alternative means.
The DWPA does exist to help new podcasters – if you are thinking of starting up a new podcast seek out our forum and we’ll be happy to help.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All content of this podcast, is free for the use of any podcasters with due credit given, but not expected. © Copyright 2011
Minisode 4 – Series 21, Part II – The Twin Dilemmas of Malcolm Clarke
In this minisode we’ll be looking at the music of Malcolm Clarke. In this segment we will look at his work on Serial 6S – Story 136 – The Twin Dilemma – which originally aired between the 22nd and the 30th of March, 1984 on BBC One.
NOTE: This minisode aired as a segment on the THE FLASHING BLADE Podcast Episode 1-105 on Saturday, 13 August, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-105-doctor-who-podcast
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Minisode 3 – Series 24, Part I – Keff McCulloch and the Rani
In this minisode we’ll be looking at the music of Keff McColluch. In this segment we will look at his work on Serial 7D – Story 144 – Time and the Rani which originally aired between the 7th and the 28th of September, 1987 on BBC One.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Tuesday, 14 June, 2011 – http://krynoid.blog.co.uk/2011/06/14/021-time-and-the-rani-11316562/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
LINKS OF INTEREST:
Purchase Doctor Who – Time and the Rani – http://www.amazon.com/dp/B004MA1JZY/ref=cm_sw_r_tw_dp_yfddpb1ZK0XJ3 (US) http://www.amazon.co.uk/dp/B002SZQCDO/ref=cm_sw_r_tw_dp_pfddpb0P2TZ9E (UK)
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Minisode 2 – Nicholas Courtney Remembered – 5-Rounds Rapid Salute for Brigadier Sir Alistair Gordon Lethbridge-Stewart
Nicholas Courtney, most known for playing the now retired Brigadier of the United Nations Intelligence Taskforce – Sir Alistair Gordon Lethbridge-Stewart, passed away on the 22nd of February 2011 after a prolonged battle with cancer. Beloved by fans for both his warmth and his advocacy of the show, both during it’s initial run and after the classic series ended in 1989, Courtney appeared in 102 televised episodes of Doctor Who, the 1990s special Dimensions in Time, many Big Finish audio productions, as well as the Brigadier’s final on screen appearance in the 2008 Sarah Jane Adventures story the Enemy of the Bane. As part of the UNIT family in the 1970s,and although he never had the opportunity to travel in the TARDIS onscreen, the legacy that Courtney’s brigadier has on the show can still be felt in the current revival, since Doctor Who returned to our screens in 2005. It had been intended that he would appear alongside David Tennant’s Doctor in the Sarah Jane Adventures 2009 story The Wedding of Sarah Jane Smith, but alas, his ailing health had begun to make future appearances impossible. It is with great sadness we say farewell to Brigadier Alistair Gordon Lethbridge-Stewart and the actor who brought him to life – as the Brigadier has gone to Geneva for the last time.
NOTE: This minisode remembrance of actor Nicholas Courtney originally aired as a segment on the THE KRYNOID PODCAST on Tuesday, 1 March, 2011 – http://krynoid.blog.co.uk/2011/03/01/017-the-three-doctors-10733840/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
Purchase Doctor Who – The Three Doctors – http://www.amazon.com/dp/B005SH664E/ref=cm_sw_r_tw_dp_AEddpb1JQEQGK (US) http://www.amazon.co.uk/dp/B006H4RB6O/ref=cm_sw_r_tw_dp_LEddpb1VPDXR9 (UK)
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Minisode 1 – Series 12, Part I – Dudley Simpson and the Giant Robot
In this minisode we will look at his work on Serial 4A – Story 75 – Robot which originally aired between the 7th and the 28th of December, 1974 and 18th of January, 1975 on BBC One.
NOTE: This minisode aired as a segment on the THE FLASHING BLADE Podcast Episode 1-98 on Saturday, 18 June, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-98
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
Purchase Doctor Who – Robot – http://www.amazon.com/dp/B000QGE8II/ref=cm_sw_r_tw_dp_iqddpb0HVED50 (US) http://www.amazon.co.uk/dp/B000NVI2C4/ref=cm_sw_r_tw_dp_dqddpb0Q6J0X8 (UK)
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 29 – Death Comes to Time and the Minister of Chance – Dan Freeman Interview
In this episode we’ll be looking at the music in the BBCi production of Doctor Who – Death Comes to Time and the Minister of Chance with Director Dan Freeman. In this episode we’ll be exploring the use of stock and production music in Death Comes to Time as well as a preview of the new production The Minister of Chance. This interview was recorded the 20th of June, 2011.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
GERMAN TEXTS READ BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
RUSSIAN TEXTS READ BY GERIK FON-REVUTZKY AND IAN BISSET OF THE CULTDOM COLLECTIVE PODCAST: Available on iTunes and on Talkshoe ID 54821 for The Cultdom Collective Podcast
SPECIAL THANKS TO DEVON MALOY FOR HIS ASSISTANCE WITH THE CZECH TEXTS
PUBLIC DOMAIN/ CREATIVE COMMONS RECORDINGS USED:
Wagner – Siegfried Trauermarsch from Act 3 of Götterdämmerung from his Der Ring des Nibelungen (The Ring of the Nibelung) – http://commons.wikimedia.org/wiki/File:Siegfrieds_funeral_march_and_finale.ogg
The United States Marine Corps Band, recorded December 8–11, 1981 at Lisner Auditorium, George Washington University, Washington, DC, funeral march transcribed by Howard Bowlin and finale transcribed by John Bourgeois, who was the Band Director.
Antonín Dvořák – Symphony No.9 – IV. Allegro con fuoco -
http://commons.wikimedia.org/wiki/File:Antonin_Dvorak_-_symphony_no._9_in_e_minor_%27from_the_new_world%27,_op._95_-_iv._allegro_con_fuoco.ogg
Non-Commercial Recording – Performance by Columbia University Orchestra (http://www.columbia.edu/cu/cuo/)
Mussorgsky – Night on Bald Mountain Вечер накануне Ивана Купала, Vecher nakanune Ivana Kupala, St. John’s Eve
http://commons.wikimedia.org/wiki/File:Modest_Mussorgsky_-_night_on_bald_mountain.ogg
Performed by the Skidmore College Orchestra. Courtesy of Musopen
Wagner – Vorspiel to Act I of Tristan und Isolde – http://upload.wikimedia.org/wikipedia/commons/7/73/Richard_Wagner_-_Tristan_und_Isolde_-_Vorspiel.ogg
Simon Schindler Conducting the Fulda Symphonic Orchestra, Recorded March 9, 2004 at Grosser Saal der Orangerie Fulda.
Mahler – Symphony No.1 – I. Langsam, Schleppend Immer sehr gemächlich -
http://upload.wikimedia.org/wikipedia/commons/5/51/Mahler_Symphony1_Movement1_VPO.ogg
This rendition of Mahler Symphony No.1 was created by the Wikimedia user Reinholdbehringer on June 15, 2010
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
NOTE: The analysis portion of this episode aired on THE FLASHING BLADE PODCAST on Saturday, 16 July, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-101 The interview portion of this episode aired as the 13th podcast forTHE DOCTOR WHO PODCAST ALLIANCE on the following shows: THE STAGGERNG STORIES PODCAST on Friday, 26 August, 2011 – http://blog.staggeringstories.net/?p=1339 THE FLASHING BLADE PODCAST on Saturday, 27 August, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-107 & THE DWO WHOCAST FOR DOCTOR WHO ONLINE on Wednesday, 1 September 2011 – http://dwowhocast.libsyn.com/dwpa-interview-with-dan-freeman-doctor-who-podcast
LINKS OF INTEREST:
Death Comes to Time – http://en.wikipedia.org/wiki/Death_comes_to_time
Films Mentioned – Excalibur (1981) – http://en.wikipedia.org/wiki/Excalibur_(film)
Films Mentioned – Fantasia (1941) – http://en.wikipedia.org/wiki/Fantasia_(film)
Historical Events Mentioned – Revolutions of 1848 – http://en.wikipedia.org/wiki/1848_Revolutions
Historical Literature Mentioned – Nibelungenlied – http://en.wikipedia.org/wiki/Nibelungenlied
Historical Literature Mentioned – Norse Mythology – http://en.wikipedia.org/wiki/Norse_Mythology
People Mentioned – Sophie Aldred – http://en.wikipedia.org/wiki/Sophie_Aldred
People Mentioned – Stephen Fry – http://en.wikipedia.org/wiki/Stephen_Fry
People Mentioned – Sylvester McCoy – http://en.wikipedia.org/wiki/Sylvester_McCoy
People Mentioned – John Sessions – http://en.wikipedia.org/wiki/John_Sessions
Composers Mentioned – Antonín Dvořák – http://en.wikipedia.org/wiki/Anton%C3%ADn_Dvo%C5%99%C3%A1k
Composers Mentioned – Modest Mussorgsky – http://en.wikipedia.org/wiki/Modest_Mussorgsky
Bedřich Smetana – http://en.wikipedia.org/wiki/Bed%C5%99ich_Smetana
Composers Mentioned – Nikolai Rimsky-Korsakov – http://en.wikipedia.org/wiki/Nikolai_Rimsky-Korsakov
Composers Mentioned – Leopold Stokowski – http://en.wikipedia.org/wiki/Leopold_Stokowski
Composers Mentioned – Richard Wagner – http://en.wikipedia.org/wiki/Richard_Wagner
Pieces Mentioned – Antonín Dvořák – Symphony No.9 – http://en.wikipedia.org/wiki/Symphony_No._9_(Dvo%C5%99%C3%A1k)
Pieces Mentioned – Bedřich Smetana – Z českých luhů a hájů (IV. From Bohemian fields and groves) from Má vlast – http://en.wikipedia.org/wiki/Ma_Vlast
Pieces Mentioned – Modest Mussorgsky – The Fair at Sorochyntsi – http://en.wikipedia.org/wiki/The_Fair_at_Sorochyntsi
Pieces Mentioned – Modest Mussorgsky – Night on Bald Mountain Вечер накануне Ивана Купала, Vecher nakanune Ivana Kupala, St. John’s Eve – http://en.wikipedia.org/wiki/Night_on_Bald_Mountain
Pieces Mentioned – Nikolai Rimsky-Korsakov – Sadko – http://en.wikipedia.org/wiki/Sadko
Pieces Mentioned – Richard Wagner – Das Rheingold (The Rhine Gold) – http://en.wikipedia.org/wiki/Das_Rheingold
Pieces Mentioned – Richard Wagner – Die Walküre (The Valkyrie) – http://en.wikipedia.org/wiki/Die_Walk%C3%BCre
Pieces Mentioned – Richard Wagner – Siegfried – http://en.wikipedia.org/wiki/Siegfried_(opera)
Pieces Mentioned – Richard Wagner – Götterdämmerung (Twilight of the Gods) – http://en.wikipedia.org/wiki/G%C3%B6tterd%C3%A4mmerung
Pieces Mentioned – Richard Wagner – Siegfried Trauermarsch from Act 3 of Götterdämmerung – http://en.wikipedia.org/wiki/G%C3%B6tterd%C3%A4mmerung
Pieces Mentioned – Richard Wagner – Ring of the Nibelung – http://en.wikipedia.org/wiki/Der_Ring_des_Nibelungen
Concepts Mentioned – Consonance & Dissonance – http://en.wikipedia.org/wiki/Consonance_and_dissonance
Concepts Mentioned – The Five or The Mighty Handful – http://en.wikipedia.org/wiki/The_Five
Concepts Mentioned – Leitmotif – http://en.wikipedia.org/wiki/Leitmotif
Concepts Mentioned – Musical Nationalism – http://en.wikipedia.org/wiki/Musical_nationalism
Concepts Mentioned – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Death Comes to Time was released on triple CD (ISBN: 0 563 52823 0) and MP3-CD (ISBN: 0 563 52367 0) as part of the BBC Radio Collection.
AMAZON.COM
Download – http://www.amazon.com/Doctor-Who-Death-Comes-Time/dp/B0007OB5ZI/ref=pd_sim_sbs_b_3
AMAZON.CO.UK
ITUNES
Download – http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewAudiobook?id=42655528&s=143441
The Minister of Chance is available for Download through iTunes:
The Minister of Chance – Trailer and Prelude – http://itunes.apple.com/us/podcast/the-minister-of-chance/id421741567
The Minister of Chance – Episode 1 – The Broken World – http://itunes.apple.com/us/album/the-minister-chance-episode/id433137681
The Minister of Chance – Episode 2 – The Forest Shakes – http://itunes.apple.com/us/album/the-minister-chance-episode/id437385455
OTHER OUTLETS
The Minister of Chance – Trailer – http://www.ministerofchance.com/downloads/www.ministerofchance.com%20Trailer.mp3
The Minister of Chance – Prelude – http://www.ministerofchance.com/downloads/www.ministerofchance.com%20Prologue.mp3
The Minister of Chance – Episode 1 – The Broken World – https://www.e-junkie.com/ecom/gb.php?i=S01E01Vn1&c=cart&cl=157070
The Minister of Chance – Episode 2 – The Forest Shakes – https://www.e-junkie.com/ecom/gb.php?c=cart&i=936753&cl=157070
“Ambitious and innovative…excellent production that creates vivid, evocative soundscapes that drive forward the mood and suspense….gripping.”
Elisabeth Mahoney The Guardian
“…terrific…put me in mind somehow of Iain M Banks’ science fiction. The acting was great… a wonderful cast…the production values were inventive and pin-sharp.”
Warren Ellis Writer, The Authority / Planetary / Red
“…is there even a way to begin describing the quality of the soundtrack? Every review of The Minister of Chance works out the same: it’s fantastic… the actors are brilliant…the story is gripping…this pioneering radiophonic drama has us spellbound.”
10th Planet, Life the Universe and…
You can find out more about the Minister of Chance at http://www.ministerofchance.com/.
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 28 – Series 21, Part I – Revelations of Roger Limb’s Androzani – Part II – Roger Limb Interview
In this episode we’ll be looking at the music of BBC Radiophonic Workshop composer Roger Limb focusing on his work on Doctor Who. This interview with Roger Limb was recorded on the 9th of May, 2011.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
ABOUT OUR SERIES GUEST: Roger Limb is a British composer, specialising in electronic music. He is best known for his work on the television series Doctor Who whilst at the BBC Radiophonic Workshop. He joined the BBC as a studio manager, before going on to become a television announcer. In 1972 he left this position to join the Radiophonic Workshop, where he remained until 1995. Although he had received formal music training, he also spent much time in pop and jazz bands, the influence of which can be heard in much of his music. Limb is best known for his work on Doctor Who, for which, between 1981 and 1985, he composed the music for the serials The Keeper of Traken, Four to Doomsday, Black Orchid, Time-Flight, Arc of Infinity, Terminus, The Caves of Androzani and Revelation of the Daleks.
Limb also contributed music to the television series The Justice Game, Aliens in the Family, The December Rose, Thinkabout, The Box of Delights, Kevin and Co, Martin Luther: Heretic, Storytime and the Look and Read serials “Fair Ground!”, “Dark Towers”, “Sky Hunter”, “The King’s Dragon”, “Cloud Burst”, “Geordie Racer”, “Through The Dragon’s Eye” and “Earth Warp”. For the latter programme he also composed the cult favourite “Magic E” song as well as the popular education songs “Bill the Brickie”, “Dog Detective” and “The Punctuation Song”.
He also composed and played “Swirley”, a cheerful piece of electronic music that was used as the theme to the BBC’s Service Information news bulletins in the late 70s/early 80s, and arranged the songs for several series of the BBC Schools programme You and Me, featuring Cosmo and Dibs. His recording “Passing Clouds” was included on the 1976 LP Out of This World, a compilation of sound effects. This track was used by Prince (musician) at the beginning of “Eye No”, the opening track of 1988′s “Lovesexy”. Out of This World was reissued in 1991 on CD as the “Essential Science Fiction Sound Effects, Volume 2″
Since leaving the BBC during the purges of the 1990s, he has been regularly in demand as a jazz musician and accompanist playing at Ronnie Scott’s, the Jazz Café and the Isle of Wight Jazz Festival. He recently performed at a concert featuring the Radiophonic repertoire at a sell-out concert at London’s Roundhouse. And he continues to write; a musical ‘The Bonnie Prince’ was written and performed in 1999 and he has written several songs for his regular ensemble ‘Jazz Culture’. Working with Aydenne Simone for some 14 years both as a permanent member and Musical Director of Jazz Culture, Roger Limb is one half of the perfect Jazz Duo for many delighted audiences including Queen Elizabeth II.
NOTE: Portions of this interview aired on THE FLASHING BLADE PODCAST on Saturday, 30 July, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-103-doctor-who-podcast
LINKS OF INTEREST
Roger Limb – http://en.wikipedia.org/wiki/Roger_Limb
Roger Limb – Roger Limb with the Radiophonic Workshop at the Roundhouse – http://www.youtube.com/watch?v=ytYmQxT60H8&feature=related
Roger Limb – Voices in Performance – http://www.voicesinperformance.com/members.htm
Roger Limb – Jazz Performances with Aydenne Simone – http://www.aydennesimone.co.uk/
Roger Limb – Jazz Performances with Aydenne Simone – http://www.youtube.com/watch?v=1DlE-ctNfUE
Stories Mentioned – Arc of Infinity – http://en.wikipedia.org/wiki/Arc_of_Infinity
Stories Mentioned – Arc of Infinity – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Time-FlightArcOfInfinity.htm
Stories Mentioned – Black Orchid – http://en.wikipedia.org/wiki/Black_Orchid_(Doctor_Who)
Stories Mentioned – Black Orchid – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Black%20Orchid.htm
Stories Mentioned – The Caves of Androzani – http://en.wikipedia.org/wiki/Caves_of_androzani
Stories Mentioned – The Caves of Androzani – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/androzanidvd.htm
Stories Mentioned – Four to Doomsday – http://en.wikipedia.org/wiki/Four_to_Doomsday
Stories Mentioned – Four to Doomsday – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/FourToDoomsday.htm
Stories Mentioned – The Keeper of Traken – http://en.wikipedia.org/wiki/Keeper_of_traken
Stories Mentioned – The Keeper of Traken – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/NewBeginnings.htm
Stories Mentioned – Revelation of the Daleks – http://en.wikipedia.org/wiki/Revelation_of_the_Daleks
Stories Mentioned – Revelation of the Daleks – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/revelation.htm
Stories Mentioned – Terminus – http://en.wikipedia.org/wiki/Terminus_(Doctor_Who)
Stories Mentioned – Terminus – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/BlackGuardianDVD.htm
Stories Mentioned – Time-Flight – http://en.wikipedia.org/wiki/Time-Flight
Stories Mentioned – Time-Flight – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Time-FlightArcOfInfinity.htm
LIMITED DISCOGRAPHY
Recordings – Roger Limb – Doctor Who – The Music (1983, Reissued by Silva Screen Records in 1992) – http://en.wikipedia.org/wiki/Doctor_Who_-_The_Music
Purchase Doctor Who – The Music (Silva Screen Records 1992 Reissue) – http://www.amazon.co.uk/Dr-Who-Best-Doctor-Doctors/dp/B000004BP6/ref=sr_1_3?s=music&ie=UTF8&qid=1299556281&sr=1-3 (UK) & http://www.amazon.com/Dr-Who-Best-Doctor-Doctors/dp/B000004BP6/ref=sr_1_3?s=music&ie=UTF8&qid=1299556281&sr=1-3 (US)
Recordings – Roger Limb – Doctor Who – The Music II (1983, Reissued by Silva Screen Records in 1992) – http://en.wikipedia.org/wiki/Doctor_Who_-_The_Music_II
Purchase Doctor Who – The Music II (Silva Screen Records 1992 Reissue) – http://www.amazon.co.uk/Doctor-Who-Classics-Vol-2-Doctors/dp/B00004TVV6/ref=sr_1_3?ie=UTF8&qid=1299556544&sr=1-3 (UK)
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org orviolsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 27 – Series 21, Part I – Revelations of Roger Limb’s Androzani – Part I – The UNIT Files
In this episode we’ll be looking at the music of Roger Limb focusing on his work on Serial 6R- Story 135 – The Caves of Androzani. This discussion with the Doctor Who Podcast co-host Trevor Gensch, the Minute Doctor Who Podcast host Luke Harrison and Radio Free Skaro co-host Steven Schapansky was recorded on the 21st of June, 2011.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR GUEST CO-HOSTS – TREVOR GENSCH: Trevor has been a fan of Doctor Who since the guy with the scarf and the tin dog was about. As a youngster, he fashioned a replica K9 out of boxes and cardboard tubing. An attempt to fashion a K9 Mk II went disastrously wrong so Trevor retired from the world of Doctor Who modelling. Trevor’s late teens and early twenties were involved in setting up a local Doctor Who Fan Club in Brisbane, writing for fanzines, trying to organize a convention and spending far too much money on Star Trek VHS tapes. Fast forward to 2005 and a morbid fear of public speaking led him to start up MMM Commentaries and Fantragic podcasts. In 2008 he added the DWO WhoCast to his roster of speaking engagements. Trevor cites his favorite Doctor as Peter Davison, more as a reaction to the norm than out of any valid reason for favoritism. His favorite companion is Sarah Jane Smith. For more information on Trevor’s work on the widely popular The Doctor Who Podcast, visit http://www.thedoctorwhopodcast.com/.
ABOUT YOUR GUEST CO-HOSTS – LUKE HARRISON: Born and raised in Sheffield, Luke went to uni in Sunderland before joining Agapé UK. Luke spent 3 years in Russia working for them before returning to England in the summer of 2008. He continued with his job for a couple more years, this time in Bristol. He’s now studying film making in Oxford. Luke started reading the Target books from our local library as a kid and then my brother and I started getting the videos for presents. Luke began the podcast in 2008 and episodes have appeared sporadically since then as and when he has had the time and inspiration for the next one. For more information on Luke’s work on the Minute Doctor Who Podcast, visit http://www.tmdwp.co.uk/.
ABOUT YOUR GUEST CO-HOSTS – STEVEN SCHAPANSKY: Steven Schapansky is one of the hosts of Radio Free Skaro, one of the most popular and longest running Doctor Who podcasts around. As co-host, he has interviewed many luminaries from Doctor Who’s past an present, including Murray Gold, Graeme Harper, Phil Ford, Tracie Simpson, Gary Russell, and many others. He has also memorized every Doctor Who production code from the classic series and can point out on a map and name all 195 countries of the world. And he does it all without eating meat. For more information on Steven’s work on the widely popular Radio Free Skaro, released every Sunday, visit http://www.radiofreeskaro.com/.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
ABOUT OUR SERIES GUEST: Roger Limb is a British composer, specialising in electronic music. He is best known for his work on the television series Doctor Who whilst at the BBC Radiophonic Workshop. He joined the BBC as a studio manager, before going on to become a television announcer. In 1972 he left this position to join the Radiophonic Workshop, where he remained until 1995. Although he had received formal music training, he also spent much time in pop and jazz bands, the influence of which can be heard in much of his music. Limb is best known for his work on Doctor Who, for which, between 1981 and 1985, he composed the music for the serials The Keeper of Traken, Four to Doomsday, Black Orchid, Time-Flight, Arc of Infinity, Terminus, The Caves of Androzani and Revelation of the Daleks.
Limb also contributed music to the television series The Justice Game, Aliens in the Family, The December Rose, Thinkabout, The Box of Delights, Kevin and Co, Martin Luther: Heretic, Storytime and the Look and Read serials “Fair Ground!”, “Dark Towers”, “Sky Hunter”, “The King’s Dragon”, “Cloud Burst”, “Geordie Racer”, “Through The Dragon’s Eye” and “Earth Warp”. For the latter programme he also composed the cult favourite “Magic E” song as well as the popular education songs “Bill the Brickie”, “Dog Detective” and “The Punctuation Song”.
He also composed and played “Swirley”, a cheerful piece of electronic music that was used as the theme to the BBC’s Service Information news bulletins in the late 70s/early 80s, and arranged the songs for several series of the BBC Schools programme You and Me, featuring Cosmo and Dibs. His recording “Passing Clouds” was included on the 1976 LP Out of This World, a compilation of sound effects. This track was used by Prince (musician) at the beginning of “Eye No”, the opening track of 1988′s “Lovesexy”. Out of This World was reissued in 1991 on CD as the “Essential Science Fiction Sound Effects, Volume 2″
Since leaving the BBC during the purges of the 1990s, he has been regularly in demand as a jazz musician and accompanist playing at Ronnie Scott’s, the Jazz Café and the Isle of Wight Jazz Festival. He recently performed at a concert featuring the Radiophonic repertoire at a sell-out concert at London’s Roundhouse. And he continues to write; a musical ‘The Bonnie Prince’ was written and performed in 1999 and he has written several songs for his regular ensemble ‘Jazz Culture’. Working with Aydenne Simone for some 14 years both as a permanent member and Musical Director of Jazz Culture, Roger Limb is one half of the perfect Jazz Duo for many delighted audiences including Queen Elizabeth II.
LINKS OF INTEREST
Roger Limb – http://en.wikipedia.org/wiki/Roger_Limb
The Doctor Who Podcast – http://www.thedoctorwhopodcast.com/
The Minute Doctor Who Podcast – http://www.tmdwp.co.uk/
Radio Free Skaro – http://www.radiofreeskaro.com/
Roger Limb – Roger Limb with the Radiophonic Workshop at the Roundhouse – http://www.youtube.com/watch?v=ytYmQxT60H8&feature=related
Roger Limb – Voices in Performance – http://www.voicesinperformance.com/members.htm
Roger Limb – Jazz Performances with Aydenne Simone – http://www.aydennesimone.co.uk/
Roger Limb – Jazz Performances with Aydenne Simone – http://www.youtube.com/watch?v=1DlE-ctNfUE
Stories Mentioned – Arc of Infinity – http://en.wikipedia.org/wiki/Arc_of_Infinity
Stories Mentioned – Arc of Infinity – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Time-FlightArcOfInfinity.htm
Stories Mentioned – Black Orchid – http://en.wikipedia.org/wiki/Black_Orchid_(Doctor_Who)
Stories Mentioned – Black Orchid – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Black%20Orchid.htm
Stories Mentioned – The Caves of Androzani – http://en.wikipedia.org/wiki/Caves_of_androzani
Stories Mentioned – The Caves of Androzani – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/androzanidvd.htm
Stories Mentioned – Four to Doomsday – http://en.wikipedia.org/wiki/Four_to_Doomsday
Stories Mentioned – Four to Doomsday – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/FourToDoomsday.htm
Stories Mentioned – The Keeper of Traken – http://en.wikipedia.org/wiki/Keeper_of_traken
Stories Mentioned – The Keeper of Traken – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/NewBeginnings.htm
Stories Mentioned – Revelation of the Daleks – http://en.wikipedia.org/wiki/Revelation_of_the_Daleks
Stories Mentioned – Revelation of the Daleks – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/revelation.htm
Stories Mentioned – Terminus – http://en.wikipedia.org/wiki/Terminus_(Doctor_Who)
Stories Mentioned – Terminus – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/BlackGuardianDVD.htm
Stories Mentioned – Time-Flight – http://en.wikipedia.org/wiki/Time-Flight
Stories Mentioned – Time-Flight – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Time-FlightArcOfInfinity.htm
LIMITED DISCOGRAPHY
Recordings – Roger Limb – Doctor Who – The Music (1983, Reissued by Silva Screen Records in 1992) – http://en.wikipedia.org/wiki/Doctor_Who_-_The_Music
Purchase Doctor Who – The Music (Silva Screen Records 1992 Reissue) – http://www.amazon.co.uk/Dr-Who-Best-Doctor-Doctors/dp/B000004BP6/ref=sr_1_3?s=music&ie=UTF8&qid=1299556281&sr=1-3 (UK) & http://www.amazon.com/Dr-Who-Best-Doctor-Doctors/dp/B000004BP6/ref=sr_1_3?s=music&ie=UTF8&qid=1299556281&sr=1-3 (US)
Recordings – Roger Limb – Doctor Who – The Music II (1983, Reissued by Silva Screen Records in 1992) – http://en.wikipedia.org/wiki/Doctor_Who_-_The_Music_II
Purchase Doctor Who – The Music II (Silva Screen Records 1992 Reissue) – http://www.amazon.co.uk/Doctor-Who-Classics-Vol-2-Doctors/dp/B00004TVV6/ref=sr_1_3?ie=UTF8&qid=1299556544&sr=1-3 (UK)
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org orviolsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 26 – The UNIT Files – The Doctor Who Restoration Team – Restoration of a Classic – Mark Ayres Interview
In this episode we’ll be focusing our attention on the work of the Doctor Who Restoration Team. With guest co-host David Hooie of the Hoo on Who Podcast. This episode will feature an interview with Doctor Who Restoration Team member Mark Ayres, recorded the 11th of June, 2011.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT YOUR GUEST CO-HOST – DAVID HOOIE: David Hooie is one of the hosts of Hoo On Who, the Doctor Who podcast dedicated to the review of classic series DVDs in no particular order. David began podcasting in 2009 after listening to other shows that seemed to focus more on the new series of Doctor Who and his interest in the classic series, especially the ever growing collection of DVDs on his shelves that he hadn’t watched yet! As someone who has had a mic in front of him most of his life, David loves to talk as many of his listeners can attest! After a little over a year on his own, David brought his eldest son, Martin (Marty) on as his permanent companion and together they continue to work their way through the classic series library. In his spare time, David considers himself first and foremost a husband and father to his 3 children: Marty, Alicia and Ian, he enjoys running and playing video games on his PS3 and Xbox 360. For information about Hoo On Who, visit http://www.hooonwho.com/.
ABOUT OUR SERIES GUEST – MARK AYRES: Mark Ayres was born in London and educated in Tunbridge Wells (where he spent most of his childhood) and at the University of Keele (studying Film Music, Composition, and Electronic Music with Peter Dickinson, Roger Marsh, and the late Tim Souster), from where he graduated with a BSc (Hons.) in Music and Electronics.
While at school, Mark composed music for stage productions and amateur movies, formed a band with class-mates (“The Electric Ferrits” – sic!), and was an occasional flute player with the West Kent Youth Orchestra. At University he continued writing for theatrical productions and amateur film, and formed rock band Random Access.
In 1982, Mark joined Britain’s fledgling independent Breakfast Television station TVam as a sound engineer. Over the subsequent 5 years he worked on a variety of programmes from Good Morning Britain to Roland Rat, as well as on secondment to companies such as Anglia Television, working as sound assistant on shows including Cover Her Face. He used the opportunity to make contacts and started writing jingles and idents for video productions and television programmes before finally going freelance as a composer and sound designer in 1987.
Since then he has provided incidental music for some of the UK’s top drama shows including Rockcliffe’s Babies, Casualty, and three full scores for Doctor Who. His work has been heard on documentaries and magazine series, and provides the signature for Japanese Satellite Television. An ongoing collaboration with Computer Artist William Latham has produced a number of acclaimed short films and CD-ROM’s, and he has also contributed to the De Wolfe music library.
In 1995 Mark was hired as composer on director Scott Michell’s first feature film, The Innocent Sleep (starring Michael Gambon, Rupert Graves, Annabella Sciorra, and Franco Nero), for which he provided a full orchestral score with solo voice performances by popular soprano Lesley Garrett. The soundtrack recording was recommended in the 1997 & 1998 editions of the Gramophone Film Music Good CD Guide.
As a composer, arranger, producer, or performer, Mark’s name appears on over 100 Compact Disc releases, including many of Silva Screen Records’ “Digital Film Scores” series.
Mark’s versatility lies in his being able to switch from full orchestral scoring through arrangement and production to innovative electronic music realisation, sound design, and multimedia programming. He has recently scored a short children’s film for Carlton Television and a satirical Current Affairs pilot for Channel Four. He is currently working on further albums for Silva Screen, various solo projects, and developing feature film and television ideas with Scott Michell.
He is married with two sons.
Mark Ayres is a member of the British Academy of Composers and Songwriters, serving on the Media Music Executive and New Technologies Committees.
For more information on Mark Ayres and hiswork, visit http://www.markayres.co.uk/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST:
The Doctor Who Restoration Team – http://en.wikipedia.org/wiki/Doctor_Who_Restoration_Team
The Doctor Who Restoration Team - http://www.restoration-team.co.uk/
Mark Ayres - http://www.markayres.co.uk/
Hoo on Who – http://www.hooonwho.com/
Stories Mentioned – An Unearthly Child – http://en.wikipedia.org/wiki/An_Unearthly_Child
Stories Mentioned – An Unearthly Child – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/beginningdvd.htm
Stories Mentioned – The Crusade – Richard the Lionheart – http://en.wikipedia.org/wiki/The_Crusade_(Doctor_Who)
Stories Mentioned – The Crusade – Richard the Lionheart – Lost in Time – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/lostintime.htm
Stories Mentioned – Day of the Daleks – http://en.wikipedia.org/wiki/Day_of_the_Daleks
Stories Mentioned – Ghost Light – http://en.wikipedia.org/wiki/Ghost_Light_(Doctor_Who)
Stories Mentioned – Ghost Light – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/ghost_light.htm
Stories Mentioned – The Leisure Hive – http://en.wikipedia.org/wiki/Leisure_Hive
Stories Mentioned – The Leisure Hive – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/leisure_hive.htm
Stories Mentioned – Planet of the Daleks – http://en.wikipedia.org/wiki/Planet_of_the_Daleks
Stories Mentioned – Robots of Death – http://en.wikipedia.org/wiki/Robots_of_Death
Stories Mentioned – Robots of Death – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/robotsdvd.htm
Stories Mentioned – Terror of the Zygons – http://en.wikipedia.org/wiki/Terror_of_the_Zygons
Stories Mentioned – Tomb of the Cybermen – http://en.wikipedia.org/wiki/Tomb_of_the_Cybermen
Stories Mentioned – Tomb of the Cybermen – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/tomb.htm
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org orviolsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found athttp://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 25 – Series 7, Part II – The Two Doctors – The Two Doctors Discuss Dudley Simpson’s Spearhead from Space and the Ambassadors of Death
In this episode we’ll be looking at the music of Dudley Simpson focusing on his music from Series 7 of Doctor Who. In this episode we will look at his work on Serial AAA – Story 51 – Spearhead from Space and Serial CCC – Story 53 – The Ambassadors of Death. This discussion was recorded on the 16th of May, 2011.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 24 – Series 7, Part I – The UNIT Files – Dudley Simpson’s Arrival at the Ambassadors’ Ball [of Death]
In this episode we’ll be looking at the music of Dudley Simpson focusing on his music from Series 7 of Doctor Who. In this episode we will look at his work on Serial CCC – Story 53 – The Ambassadors of Death. This discussion with Radio Free Skaro co-host Steven Schapansky and writer, actor and commedian Toby Hadoke was recorded on the 16th of May, 2011.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR GUEST CO-HOSTS – STEVEN SCHAPANSKY: Steven Schapansky is one of the hosts of Radio Free Skaro, one of the most popular and longest running Doctor Who podcasts around. As co-host, he has interviewed many luminaries from Doctor Who’s past an present, including Murray Gold, Graeme Harper, Phil Ford, Tracie Simpson, Gary Russell, and many others. He has also memorized every Doctor Who production code from the classic series and can point out on a map and name all 195 countries of the world. And he does it all without eating meat. For more information on Steven’s work on the widely popular Radio Free Skaro, released every Sunday, visit http://www.radiofreeskaro.com/.
ABOUT YOUR GUEST CO-HOSTS – TOBY HADOKE: Toby Hadoke is an award winning stand up comedian who has compere residencies at XS MALARKEY (serial winner of Best Comedy Club at the Chortle and North West Comedy Awards) and The Comedy Store. He is also an accomplished serious actor with experience on television (Coronation Street, A&E, Casualty 1907, Holby City, The Forsyte Saga, Phoenix Nights, Shameless), the stage, radio and even in an opera! He won the inaugural Les Dawson Award in 2003, a Chortle award in 2008, is a frequent broadcaster on BBC radio, and has written for The Guardian, The Independent, SFX and DWM. His Edinburgh Fringe one man show, Moths Ate My Dr Who Scarf, was a critical and box office success in 2006, ran in the West End in 2008, continues to tour internationally, and spawned a Sony nominated radio series. 2010 saw the premiere of a successful new show Now I Know My BBC and the publication of volume one of Running Through Corridors (a series of books written with Robert Shearman). He is an in demand voice over artist and has moderated a number of commentaries for the classic range of Doctor Who DVDs. For more information on Toby’s work for the written word, television, stage and beyond, visit http://www.tobyhadoke.com/.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 23 – The Two Doctors – The Two Doctors Discuss Louis Niebur’s Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop
In this episode we’ll be featuring an interview with musicologist and musician Dr. Louis Niebur, discussing his work Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, recorded the 13th of May, 2011. Please welcome Dr. Lou as our new co-host on Adventures in Time, Space and Music.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 15 – Series 23, Part I – The Mysterious Planets of Dominic Glynn – Part II – Dominic Glynn Interview
In this episode we’ll be looking at the music of Doctor Who composer Dominic Glynn focusing on his work on Series 23, the Trial of a Time Lord. In this episode we’ll be featuring the second part in a series focusing on the work of Doctor Who composer Dominic Glynn, with an interview recorded the 6th of December, 2010.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOST: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
ABOUT OUR SERIES GUEST: Dominic Glynn is one of the world’s most prolific composers of production music. His work has featured worldwide in hit TV shows including ‘The Simpsons’, ‘Red Dwarf’ and ‘Dead Like Me’ and in movies like ‘Kevin & Perry Go Large’ and Eddie Murphy/Jeff Goldblum comedy ‘Holy Man’.
Dominic began his career writing incidental music for BBC TV’s “Doctor Who” in the late 1980s, and is one of a select number of composers to have re-arranged the show’s iconic theme tune. In the 90s he continued to compose for a number of BBC shows, and after a series of leftfield underground dance record releases, he formed his own independent record label. Today he can often be seen DJing for ‘The Big Chill’. Live work has included performing at London’s Festival Hall with pedal-steel guitar legend BJ Cole, and the electronica/jazz hybrid project ‘Cybajaz’.
Dominic has composed the score for a series of short supernatural film dramas, screened at London’s Frightfest horror film festival, as well as music for two contemporary dance films. More recently, he has composed the score to upcoming British feature film ‘Bad Day’ starring Claire Goose and Donna Air, as well as a new radio revival of sci-fi classic ‘Blake’s 7′.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
DEDICATION: This series of episodes are dedicated to all of the composers who have worked on Doctor Who for nearly 50 years – we thank you for the terror, the magic, and the joy you have brought generations of young people around the world. Cheers to all of you: Mark Ayres, Richard Rodney Bennett, Carey Blyton, Geoffrey Burgon, Tristram Cary, Malcolm Clarke, John Debney, Delia Derbyshire, Marcus Dods, Louis Febre, Jonathan Gibbs, Dominic Glynn, Murray Gold, Ron Grainer, Don Harper, Richard Hartley, Brian Hodgson, Peter Howell, Raymond Jones, Norman Kay, Paddy Kingsland, John Lewis, Roger Limb, Malcolm Lockyer, Keff McCulloch, Bill McGuffie, Stanley Myers, Elizabeth Parker, Humphrey Searle, Dudley Simpson & John Sponsler.
LINKS OF INTEREST:
Dominic Glynn – http://en.wikipedia.org/wiki/Dominic_Glynn
Dominic Glynn’s Website – http://www.dominic-glynn.com/
People Mentioned – Colin Baker – http://en.wikipedia.org/wiki/Colin_Baker
People Mentioned – Adam Blackwood – http://en.wikipedia.org/wiki/Adam_Blackwood_(actor)
People Mentioned – Nicola Bryant – http://en.wikipedia.org/wiki/Nicola_Bryant
People Mentioned – Chris Clough – http://en.wikipedia.org/wiki/Chris_Clough
People Mentioned – Michael Grade – http://en.wikipedia.org/wiki/Michael_Grade
People Mentioned – Ron Grainer – http://en.wikipedia.org/wiki/Ron_Grainer
People Mentioned – Peter Howell – http://en.wikipedia.org/wiki/Peter_Howell
People Mentioned – Michael Jayston – http://en.wikipedia.org/wiki/Michael_Jayston
People Mentioned – Bonnie Langford – http://en.wikipedia.org/wiki/Bonnie_Langford
People Mentioned – Dick Mills – http://en.wikipedia.org/wiki/Dick_Mills
People Mentioned – Tony Selby – http://en.wikipedia.org/wiki/Tony_Selby
People Mentioned – John Nathan Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
Restoration Team – Trial of a Timelord – The Mysterious Planet – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/TrialOfATimeLord.htm
Restoration Team – Trial of a Timelord – The Ultimate Foe – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/TrialOfATimeLord.htm
Stories Mentioned – Restoration Team – Revelation of the Daleks – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Revelation.htm
Stories Mentioned – Restoration Team – Survival – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Survival.htm
Recording Mentioned – Dominic Glynn – Black Light – Cassette Release, July 1988, Domintemporal Services RDMP2 , Flexidisc Release, 1990, Doctor Who Magazine – http://www.millenniumeffect.co.uk/audio/composed-dwas.php
Concepts Discussed – Consonance & Dissonance – http://en.wikipedia.org/wiki/Consonance_and_dissonance
Concepts Discussed – Leitmotif – http://en.wikipedia.org/wiki/Leitmotif
Concepts Discussed – Musical Intervals – Half Step – http://en.wikipedia.org/wiki/Half_step
Concepts Discussed – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Concepts Discussed – Rhythm – http://en.wikipedia.org/wiki/Rhythm
Concepts Discussed – Timbre (pronounced ‘tæmbər’) – http://en.wikipedia.org/wiki/Timbre
Concepts Discussed – Tone Cluster – http://en.wikipedia.org/wiki/Tone_cluster
Instruments Discussed – Calliope – http://en.wikipedia.org/wiki/Calliope_(music)
Instruments Discussed – Celelste – http://en.wikipedia.org/wiki/Celesta
Instruments Discussed – Pipe Organ – http://en.wikipedia.org/wiki/Pipe_organ
Instruments Discussed – Roland Juno-106 Synthesizer – http://en.wikipedia.org/wiki/Roland_Juno-106
Instruments Discussed – Korg 770 Synthesizer – http://www.vintagesynth.com/korg/770.php
Instruments Discussed – Yamaha DX-21 Synthesizer – http://www.vintagesynth.com/yamaha/dx21.php
Instruments Discussed- Sampler – http://en.wikipedia.org/wiki/Sampler_(musical_instrument)
Instruments Discussed- Sequential Circuits Prophet-5 Synthesizer – http://en.wikipedia.org/wiki/Sequential_Circuits_Prophet-5
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‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
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