Delia Derbyshire Day, Saturday, January 12, 2013 – Tim’s Take On, Episode 156

Doctor Who Podcaster Tim Drury of ‘Tim’s take On…’ was in attendance at Delia Derbyshire Day on Saturday, January 12th, 2013 in Manchester, UK. This is a shortened and revised version of his coverage, with the panel segment shortened to a segment featuring Doctor Who composer and BBC Radiophonic Workshop archivist Mark Ayres.
Tim Drury’s coverage of Delia Derbyshire Day appears on Adventures in Time, Space and Music by kind permission. To follow Tim Drury’s ‘Tim’s Take On…’, please visit http://tto.libsyn.com/.
TIM’S TAKE ON… IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
To view a video of Mark Ayres at Delia Derbyshire Day, please visit http://www.youtube.com/watch?v=CJWjoQtzWCk
You can listen to the original post of this story at http://tto.libsyn.com/tim-s-take-on-episode-156-delia-derbyshire-day-revised-version
If you want to send me comments or feedback to Tim Drury, you can email Tim at tdrury2003 AT yahoo DOT co DOT uk or contact Tim on Twitter where he’s @tdrury or send a friend request and your comments to Facebook.
_____________________________
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Tim’s Take On…’ and Adventures in Time Space and Music are not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of Tim Drury – unless otherwise indicated. © Copyright 2013
Episode 46 – Revival Series 5, Part II – Murray’s Planets of Gold – The Two Doctors Discuss the Regeneration of Murray Gold

In this episode, the Two Doctors, Dr. Lou and Dr. Phill, will take a look at Murray Gold’s scores for Revival Series 5 which originally aired between the 3rd of April, 2010 and the 26th of June, 2010 on BBC One.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST
Composer – Murray Gold - http://en.wikipedia.org/wiki/Murray _Gold
Orchestrator and Conductor – Benjamin Foster - http://en.wikipedia.org/wiki/Ben_Foster_(orchestrator)
Head Writer and Show-Runner – Steven Moffat - http://en.wikipedia.org/wiki/Steven_Moffat
Producer – Piers Wenger - http://en.wikipedia.org/wiki/Piers_Wenger
Doctor Who – Series 5 – http://en.wikipedia.org/wiki/Doctor_Who_(series_5)
Doctor Who – Series 5 – The Eleventh Hour – http://en.wikipedia.org/wiki/The_Eleventh_Hour_(Doctor_Who)
Doctor Who – Series 5 – The Beast Below – http://en.wikipedia.org/wiki/The_Beast_Below
Doctor Who – Series 5 – Victory of the Daleks – http://en.wikipedia.org/wiki/Victory_of_the_Daleks
Doctor Who – Series 5 – The Time of Angels – http://en.wikipedia.org/wiki/The_Time_of_Angels
Doctor Who – Series 5 – Flesh and Stone – http://en.wikipedia.org/wiki/Flesh_and_Stone
Doctor Who – Series 5 – Vampires of Venice – http://en.wikipedia.org/wiki/The_Vampires_of_Venice
Doctor Who – Series 5 – Amy’s Choice – http://en.wikipedia.org/wiki/Amy%27s_Choice_(Doctor_Who)
Doctor Who – Series 5 – The Hungry Earth – http://en.wikipedia.org/wiki/The_Hungry_Earth
Doctor Who – Series 5 – Cold Blood – http://en.wikipedia.org/wiki/Cold_Blood_(Doctor_Who)
Doctor Who – Series 5 – Vincent and the Doctor – http://en.wikipedia.org/wiki/Vincent_and_the_Doctor
Doctor Who – Series 5 – The Lodger – http://en.wikipedia.org/wiki/The_Lodger_(Doctor_Who)
Doctor Who – Series 5 – The Pandorica Opens – http://en.wikipedia.org/wiki/The_Pandorica_Opens
Doctor Who – Series 5 – The Big Bang – http://en.wikipedia.org/wiki/The_Big_Bang_(Doctor_Who)
Podcast Interviews with Murray Gold – Radio Free Skaro (RFS 223 – Murray the Planet of Gold, 5 November, 2010) - http://www.radiofreeskaro.com/2010/11/05/radio-free-skaro-223-murray-the-planet-of-gold
Podcast Interviews with Murray Gold – Doctor Who Podshock (DWP 48, 28 July, 2006) - http://bit.ly/al2Dzw
Articles on Murray Gold – Music from the Movies (May 2008) -
http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=%27%20.%20%282725%29%20.%20%27
Articles on Murray Gold – Music from the Movies – http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=’ . (2822) . ‘Murray gold
Articles on Murray Gold – Sound on Sound (June 2007) - http://www.soundonsound.com/sos/jun07/articles/drwho.htm
Articles on Murray Gold – The Daily Athenaeum - http://www.thedaonline.com/a-e/doctor-who-composer-discusses-sound-of-the-series-1.1493897
LIMITED DISCOGRAPHY
2 CD release of Doctor Who Series 5 on CD by Silva Screen Records
EAN: 0738572134525 Released 8 November 2010 in the UK & 8 February 2011 in North America
Silva Screen Records & Silva Screen America - http://www.silvacreen.com/ & http://www.silvacreenusa.com/
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 45 – Revival Series 5, Part I – Murray’s Planets of Gold – The Time of Angels and Flesh and Stone with Special Guests Radio Rassilon

In this episode, guest hosts Harry Medium & Leeson Fischer will look at the music of new series composer Murray Gold focusing particular attention to the series 5 stories The Time of Angels and Flesh and Stone. The Time of Angels and Flesh and Stone (Stories 206a & 206b – Production 1.4 & 1.5) originally aired between the 24th of April and the 1st of May, 2010 on BBC One.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
CYBERMAN VOICE BY GRAEME SHERIDAN OF THE 2ND DOCTOR’S PODCAST AND THE PROFESSOR HOW! DOCTOR WHO PARODY PODCAST: Available on iTunes and on Talkshoe ID’s 57949 for The2ndDoctors Podcast and 59601 for Professor How
ABOUT YOUR GUEST CO-HOSTS – HARRY MEDIUM & LEESON FISCHER:
Radio Rassilon is a British based Doctor Who podcast presented by Leeson Fischer and Harry Medium.
Sardonic and irreverent, Radio Rassilon takes a light hearted and sideways look at all things Who related, and some more besides.
Leeson is a frustrated nerd who wants to share his thoughts with the world, while Harry is a hardline geek who finds imperfection wherever he looks. Not least in his frustrated co-host.
Join the boys as they tumble through the vortex, desperately trying to find something to cling onto.
For more information on Harry & Leeson’s work on the widely popular Radio Rassilon Podcast, visit http://radiorassilon.podbean.com/.
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
LINKS OF INTEREST
The Radio Rassilon Podcast - http://radiorassilon.podbean.com/
The Doctor Who Podcast – http://www.thedoctorwhopodcast.com/
Composer – Murray Gold – http://en.wikipedia.org/wiki/Murray _Gold
Orchestrator and Conductor – Benjamin Foster – http://en.wikipedia.org/wiki/Ben_Foster_(orchestrator)
Head Writer and Show-Runner – Steven Moffat – http://en.wikipedia.org/wiki/Steven_Moffat
Producer – Piers Wenger – http://en.wikipedia.org/wiki/Piers_Wenger
Doctor Who – Series 5 – http://en.wikipedia.org/wiki/Doctor_Who_(series_5)
Doctor Who – Series 5 – The Time of Angels – http://en.wikipedia.org/wiki/The_Time_of_Angels
Doctor Who – Series 5 – Flesh and Stone – http://en.wikipedia.org/wiki/Flesh_and_Stone
Podcast Interviews with Murray Gold – Radio Free Skaro (RFS 223 – Murray the Planet of Gold, 5 November, 2010) – http://www.radiofreeskaro.com/2010/11/05/radio-free-skaro-223-murray-the-planet-of-gold
Podcast Interviews with Murray Gold – Doctor Who Podshock (DWP 48, 28 July, 2006) – http://bit.ly/al2Dzw
Articles on Murray Gold – Music from the Movies (May 2008) -
http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=%27%20.%20%282725%29%20.%20%27
Articles on Murray Gold – Music from the Movies – http://www.musicfromthemovies.com/index5.php?option=com_content&view=article&id=’ . (2822) . ‘Murray gold
Articles on Murray Gold – Sound on Sound (June 2007) – http://www.soundonsound.com/sos/jun07/articles/drwho.htm
Articles on Murray Gold – The Daily Athenaeum – http://www.thedaonline.com/a-e/doctor-who-composer-discusses-sound-of-the-series-1.1493897
LIMITED DISCOGRAPHY
2 CD release of Doctor Who Series 5 on CD by Silva Screen Records
EAN: 0738572134525 Released 8 November 2010 in the UK & 8 February 2011 in North America
Silva Screen Records & Silva Screen America – http://www.silvacreen.com/ & http://www.silvacreenusa.com/
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 44 – Series 2, Part I – Francis Chagrin and the Dalek Invasion of Earth

In this episode we’ll be looking at the singular musical contribution to Doctor Who by composer Francis Chagrin focusing on his work on Serial K – Story 10 – The Dalek Invasion of Earth, a 6-part story comprising of World’s End, The Daleks, Day Of Reckoning, The End Of Tomorrow, The Waking Ally & Flashpoint. The Dalek Invasion of Earth originally aired between the 21st of November and the 26th of December 1964 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Thursday, 13 July 2012 – http://hooonwho.libsyn.com/webpage/episode-53-enhanced-the-dalek-invasion-of-earth
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 8 – Series 20, Part I – Jonathan Gibbs, Peter Howell & Jakob Lindberg Meet Kamelion

In this minisode we’ll be looking at the music of BBC Radiophonic Workshop composers Jonathan Gibbs and Peter Howell and the lutanist Jakob Lindberg. Here we will examine Serial 6J – Story 128 – The Kings Demons, a 2-part serial originally broadcast between the 15th and 16th of March 1983 on BBC One.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Wednesday, 17 January 2012 – http://krynoid.blog.co.uk/2012/01/17/klokleda-partha-menin-klatch-haroon-haroon-haroon-klokleda-sheenah-tierra-12473076/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 43 – Series 8, Part I – Dudley Simpson and Brian Hodgson Join Forces Against the Claws of Axos

In this episode we’ll be looking at the music of Doctor’s composer Dudley Simpson focusing on his work on Serial GGG – Story 57 – The Claws of Axos, a 4-part story which originally aired between the 13th of March and the 3rd of April 1971 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 11 June, 2012 – http://hooonwho.libsyn.com/webpage/episode-52-enhanced-the-claws-of-axos
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 42 – Series 3, Part II – Tristram Cary and the Gunfight at the O.K. Corral

In this episode we’ll be looking at the music of the Doctor’s composer Tristram Cary focusing on his work on Serial Z – Story 25 – The Gunfighters. The Gunfighters was a 4-part story comprising of A Holiday for the Doctor, Don’t Shoot the Pianist, Johnny Ringo and The OK Corral which originally aired between the 30th of October and the 20th of November 1976 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Wednesday, 21 March, 2012 – http://hooonwho.libsyn.com/webpage/episode-51-enhanced-the-gunfighters
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Episode 41 – Series 1, Part III – Richard Rodney Bennett and Marcus Dods Meet the Aztecs

In this episode we’ll be looking at the music of composer Sir Richard Rodney Bennett and ensemble conductor Marcus Dods. Here, we will look at their work on Serial F – Story 6 – The Aztecs, a 4-part serial which originally aired between the 23rd of May and the 13th of June 1964 on BBC One.
NOTE: This episode aired as a segment on the HOO ON WHO PODCAST on Monday, 4 July, 2011 – http://hooonwho.libsyn.com/episode-42-the-aztecs-enhanced-
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visitthegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 7 – Series 1, Part III – Stock Music and John Smith and the Common Men

In this minisode we’ll be looking at a piece of stock music used in the Pilot and Serial A – Story 1 – The Unearthly Child, the first of a four-part story comprising of An Unearthly Child, The Cave of Skulls, The Forest of Fear and the Firemaker which originally aired between the 23rd of November and the 14th of December 1963. The music in question is ‘Three Guitars Mood 2’ by Nelson & Raymond & performed The Arthur Nelson Group – released by Conroy Library Music catalogue BM 303B.
NOTE: This minisode aired as a segment on the THE 20MB DOCTOR WHO PODCAST on ?day, ? February, February 2012 – http://INSERTLINKHERE?
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 6 – Series 3, Part I – Tristram Cary and his Missing Master Plan

In this minisode we’ll be looking at the musically groundbreaking work of Doctor Who composer Tristram Cary focusing on his work on Serial V – Story 21 – The Daleks’ Master Plan, Terry Nation and Dennis Spooner‘s epic 12-part serial which originally aired between the 13th of November 1965 and the 29th of January 1966 on BBC One.
NOTE: This minisode aired as a segment on the THE RADIO RASSILON PODCAST on Wednesday, 21 March 2012 – http://radiorassilon.podbean.com/2012/03/21/rr-28-the-lost-episodes-special/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
Minisode 5 – Series 21, Part III – The Resurrection of Malcolm Clarke

In this minisode we’ll be looking at the controversial music of Malcolm Clarke. In this episode we will look at his work on Doctor Who Serial 6P – Story 133 – Resurrection of the Daleks. Ressurection was originally aired between the 8th and 15th of February 1984 on BBC One as two 45-minute episodes although it had been filmed as a 4-part story.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Wednesday, 28 September, 2011 – http://krynoid.blog.co.uk/2011/09/28/024-resurrection-of-the-daleks-11933411/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2012
No Touch Pod – Let’s Save Confidential
No Touch Pod – Let’s Save Confidential
Let’s Save Confidential (Full Version)
Let’s Save Confidential (Full Version) – Shy Cut
Let’s Save Confidential (Radio Edit)
Let’s Save Confidential (Extended)
No, we can’t go without. We want it back. We want to keep learning. We’ve been addicted since 2005. That’s 7 years addicted to the drug we call Doctor Who Confidential. We want our fix. We want our show. We want, we want, we want!!!
No Touch Pod are: The Minute Doctor Who Podcast, Adventures In Time, Space And Music, The Omega Podcast (With Zander – a Child Of Time), Who’s He? Podcast, Bridging The Rift, The Flashing Blade, Tim’s Take On, the DWO WhoCast, BlogTor Who, & Professor Dave’s Ark In Space – ( who can all be found at www.doctorwhopodcastalliance.org )
Viol Solo by Dr. Phillip Serna
Written by Tony Gallichan & Karen Dunn
Produced & mixed by Chris Adams
Special thanks Nev Fountain, & Bernard Holley as The Voice Of Axos!
From A Nice Cup Of Tea by Dave Keep
Don’t forget to please sign the petition below (thanks to @SaveDWC)
_____________________________
Let’s Save Confidential – No Touch Pod – http://netconjurer.co.uk/confidential/
ABOUT PRODUCER CHRIS ADAMS: Chris Adams is an aspiring composer and musician, originally from Kent, UK and has been writing music of many different genres since leaving school. In the 90′s he performed several gigs around London as Q-States, a two man dance music act, and later alone as One Man Tribe. He is probably best known throughout the Doctor Who music community as HardWire, when in 2005 he produced ‘Good as Gold’, a re-created version of Murray Gold’s theme which included more prominently the Delia Derbyshire elements of the original theme. More remixes and original mixed versions of the theme followed, many of which were collaborations with Danny Stewart, himself a Doctor Who theme expert.
In 2010 HardWire produced and edited the video for a song called FABIO for a popular football website which took the World Cup Song charts by storm. Later that same year he released several dance tracks under the name of ‘Global Domination’. In 2011, also under the different name of ‘Terrestrial Afterglow’ Chris released and album of entirely orchestral compositions entitled ‘Twilight of the Gods’ and soon after once again collaborated with Danny Stewart for a project to re-score the New Who episode ‘The God Complex’ which he completed in 6 days.
Chris now solely resides under the name of HardWire and recently released his latest album, consisting of dance music music written over the last 2 years called ‘Dimensions in Music’, and continues to write music for varying different projects on a freelance basis across the Internet.
_____________________________
‘Let’s Save Confidential’ is not endorsed by the BBC in any way and is intended for entertainment purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
For the DWPA – 2011 Chicago TARDIS Big Finish Companion Interview with Richard Dinnick
A Doctor Who Podcast Alliance interview with Doctor Who writer Richard Dinnick from the 2011 Chicago TARDIS having taken place Thanksgiving weekend in the United States, November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, Illinois.
PRESENTED BY:
Dr. Phillip W. Serna (Adventures in Time Space and Music)
http://atsm.phillipwserna.com/
CHICAGO TARDIS 2011 – November 25-27, 2011 at the Westin Lombard Hotel at Yorktown Center in Lombard, Illinois.
DISCLAIMER: Richard Dinnick is a freelance writer who is expressing his personal opinions and that they do not necessarily reflect the opinions of Big Finish Productions or the BBC.
LINKS OF INTEREST:
Richard Dinnick – http://www.richarddinnick.com/
Richard Dinnick on Twitter – http://www.twitter.com/richarddinnick
The Big Finish Companion – http://www.bigfinish.com/The-Big-Finish-Companion-Volume-1
Big Finish Productions – http://www.bigfinish.com/
Doctor Who Podcast Alliance – http://www.doctorwhopodcastalliance.org/
The Chicago TARDIS – http://www.chicagotardis.com/
The Chicago TARDIS on Facebook – http://www.facebook.com/chicagotardis
The Chicago TARDIS on Twitter – http://www.twitter.com/chicagotardis
_____________________________
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
DALEK VOICES BY TONY GALLICHAN OF THE FLASHING BLADE PODCAST:http://www.flashingblade.org.uk/
ABOUT YOUR HOST – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html or http://www.phillipwserna.com/.
ABOUT OUR SERIES GUEST – RICHARD DINNICK: Richard Dinnick is a British writer, who has written for many media including novels, audio dramas, short stories and comic strips. He works in the science-fiction, fantasy and thriller genres. He has written for several science-fiction franchises including Doctor Who, Stargate, Sapphire & Steel and Space 1889. He is also currently developing several TV ideas – one in conjunction with BBC Writers’ Room.
Richard Dinnick started his writing career on the local newspaper, Esher News and Mail in 1986. He then specialised in business journalism, working on publications such as Director (the magazine published by the Institute of Directors) and Real Business as part of their editorial teams. In the late 90s, he moved onto Internet Magazine. During this time he appeared on numerous TV and radio programmes as well as newspapers and industry web sites talking about internet-related matters. He was also shortlisted for the PPA’s PTC New Journalist of the Year Award in 1999. Later, he would go onto work on the City Desk of the Sunday Express and chair the Government Committee on Web Design Best Practice in 2002/3.
Richard’s first fiction was a short story for the production company and publisher, Big Finish Productions – aa Doctor Who anthology called Short Trips: Solar System, for which he contribute the story “Neptune.” In addition to working for Big Finish as a writer, researcher, editor and producer, Richard has just finished his first original, fantasy novel about the world of dreams and nightmares, Dreamstorm, which is with his agents, Blake Friedmann.
For more information on Richard Dinnick and his work, visit http://www.richarddinnick.com/.
Adventures in Time, Space and Music Podcast site is located at http://atsm.phillipwserna.com/
Adventures in Time, Space and Music Podcast on Facebook -http://www.facebook.com/AdventuresinTimeSpaceandMusic
Adventures in Time, Space and Music Podcast on Google+ – http://plus.google.com/106877584462894407680
Adventures in Time, Space and Music Podcast on Twitter - http://twitter.com/ATSMPodcast
_____________________________
The Doctor Who Podcast Alliance
What it is (from the The Doctor Who Podcast Alliance website):http://www.doctorwhopodcastalliance.org/
The DWPA does exist to provide a place where listeners can get an overview of the various Doctor Who podcasts they might be interested in.
The DWPA is intended to be a place where the podcasters can virtually get together, hang out and plan any multi-lateral podcast events.
The DWPA does provide a forum if you want a convenient way to talk with all the podcasts at once but feel free to use alternative means.
The DWPA does exist to help new podcasters – if you are thinking of starting up a new podcast seek out our forum and we’ll be happy to help.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All content of this podcast, is free for the use of any podcasters with due credit given, but not expected. © Copyright 2011
Minisode 4 – Series 21, Part II – The Twin Dilemmas of Malcolm Clarke

In this minisode we’ll be looking at the music of Malcolm Clarke. In this segment we will look at his work on Serial 6S – Story 136 – The Twin Dilemma – which originally aired between the 22nd and the 30th of March, 1984 on BBC One.
NOTE: This minisode aired as a segment on the THE FLASHING BLADE Podcast Episode 1-105 on Saturday, 13 August, 2011 – http://flashingblade.libsyn.com/the-flashing-blade-podcast-1-105-doctor-who-podcast
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visithttp://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Minisode 3 – Series 24, Part I – Keff McCulloch and the Rani

In this minisode we’ll be looking at the music of Keff McColluch. In this segment we will look at his work on Serial 7D – Story 144 – Time and the Rani which originally aired between the 7th and the 28th of September, 1987 on BBC One.
NOTE: This minisode aired as a segment on the THE KRYNOID PODCAST on Tuesday, 14 June, 2011 – http://krynoid.blog.co.uk/2011/06/14/021-time-and-the-rani-11316562/
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOSTS – DR. LOU: I am an Associate Professor of Musicology at the University of Nevada, Reno, where I write about and teach classes on avant-garde and popular music of the post-war era, focusing on musics that bridge the categories of high and low culture in society through media technology. In other words, I write about pretty music made on complicated equipment used in television and radio. Most of my stuff tends to be about music in the UK, although I have also written about American science fiction. My most recent publication is a history of the BBC’s electronic music studio, the Radiophonic Workshop, for Oxford University Press. Before becoming chair of the music department in Reno, I taught classes about television music, film music, music and gender, and popular music, as well as the more standard classical music history courses. After getting my undergraduate degree in singing from the University of Iowa, I spent a few hazy years bartending in nightclubs, listening to lots of dance music, and traveling as much as possible to England. Eventually, I decided I needed a career and did a Masters degree in musicology at the University of Texas at Austin, writing a thesis on music in Doctor Who. After that I moved to Los Angeles and did a PhD at UCLA in musicology, studying with Susan McClary and Philip Brett, among other amazing scholars. At UCLA I wrote what would become the first half of my Radiophonic history as my dissertation.
I also, like Dr. Phil, am a performer of early music. But unlike him, for me it is purely a dilettante pursuit. I have sung early music since 1989, and at UCLA was the director of their early music ensemble, Musica Humana. Upon moving to Reno, I founded REM (Reno Early Music), Reno’s premiere early music group. Actually, we are Reno’s only early music group. But it’s fun. I also run the Reno Time Team, a local group making our way through all of classic Doctor Who. For more information on Louis Niebur, visit http://www.unr.edu/cla/music/pages/bios/niebur.htm, and for information on Reno Early Music, visit http://wolfweb.unr.edu/homepage/boardman/music_REM.htm. For more information on Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop, visit http://www.unr.edu/cla/music/publications/special_sound.htm.
ABOUT YOUR HOSTS – DR. PHILL: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
On double bass, I perform with many ensembles including the Southwest Michigan Symphony Orchestra, Illinois Philharmonic Orchestra, Illinois Symphony Orchestra, New Philharmonic Orchestra, Northbrook Symphony Orchestra, the Northshore Camerata, Wisconsin Chamber Orchestra, Memphis Symphony Orchestra, and many others. In Early Music, I regularly perform on violas da gamba (treble viol, tenor viol and bass viol), period double bass/ violone and vielle with modern orchestras such as the Concord Chamber Orchestra and the Fort Wayne Philharmonic, as well as with period instrument ensembles such as Ars Antigua, the Bach Collegium of Fort Wayne, the Callipygian Players, the Chicago Early Music Consort, Duo fantaisie en Echo, the Madison Bach Musicians, the Newberry Consort, the Oriana Singers, the Second City Musick, the Spirit of Gambo – a Chicago Consort of Viols, the Third Coast Viols and many others. In performance, I’ve appeared on Chicago’s 98.7FM WFMT, Wisconsin Public Radio and Milwaukee Public Radio. My Early Music Outreach program ‘Viols in Our Schools’ was the recipient of the 2010 Early Music America Outreach Award, which honors ensembles or individual artists for excellence in early music outreach and/or educational projects for children or adults. For more information, visit http://www.violsinourschools.org/About.html orhttp://www.phillipwserna.com/.
LINKS OF INTEREST:
Purchase Doctor Who – Time and the Rani – http://www.amazon.com/dp/B004MA1JZY/ref=cm_sw_r_tw_dp_yfddpb1ZK0XJ3 (US) http://www.amazon.co.uk/dp/B002SZQCDO/ref=cm_sw_r_tw_dp_pfddpb0P2TZ9E (UK)
_____________________________
If you would like to find out more about our other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 15 – Series 23, Part I – The Mysterious Planets of Dominic Glynn – Part II – Dominic Glynn Interview
In this episode we’ll be looking at the music of Doctor Who composer Dominic Glynn focusing on his work on Series 23, the Trial of a Time Lord. In this episode we’ll be featuring the second part in a series focusing on the work of Doctor Who composer Dominic Glynn, with an interview recorded the 6th of December, 2010.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOST: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
ABOUT OUR SERIES GUEST: Dominic Glynn is one of the world’s most prolific composers of production music. His work has featured worldwide in hit TV shows including ‘The Simpsons’, ‘Red Dwarf’ and ‘Dead Like Me’ and in movies like ‘Kevin & Perry Go Large’ and Eddie Murphy/Jeff Goldblum comedy ‘Holy Man’.
Dominic began his career writing incidental music for BBC TV’s “Doctor Who” in the late 1980s, and is one of a select number of composers to have re-arranged the show’s iconic theme tune. In the 90s he continued to compose for a number of BBC shows, and after a series of leftfield underground dance record releases, he formed his own independent record label. Today he can often be seen DJing for ‘The Big Chill’. Live work has included performing at London’s Festival Hall with pedal-steel guitar legend BJ Cole, and the electronica/jazz hybrid project ‘Cybajaz’.
Dominic has composed the score for a series of short supernatural film dramas, screened at London’s Frightfest horror film festival, as well as music for two contemporary dance films. More recently, he has composed the score to upcoming British feature film ‘Bad Day’ starring Claire Goose and Donna Air, as well as a new radio revival of sci-fi classic ‘Blake’s 7′.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
DEDICATION: This series of episodes are dedicated to all of the composers who have worked on Doctor Who for nearly 50 years – we thank you for the terror, the magic, and the joy you have brought generations of young people around the world. Cheers to all of you: Mark Ayres, Richard Rodney Bennett, Carey Blyton, Geoffrey Burgon, Tristram Cary, Malcolm Clarke, John Debney, Delia Derbyshire, Marcus Dods, Louis Febre, Jonathan Gibbs, Dominic Glynn, Murray Gold, Ron Grainer, Don Harper, Richard Hartley, Brian Hodgson, Peter Howell, Raymond Jones, Norman Kay, Paddy Kingsland, John Lewis, Roger Limb, Malcolm Lockyer, Keff McCulloch, Bill McGuffie, Stanley Myers, Elizabeth Parker, Humphrey Searle, Dudley Simpson & John Sponsler.
LINKS OF INTEREST:
Dominic Glynn – http://en.wikipedia.org/wiki/Dominic_Glynn
Dominic Glynn’s Website – http://www.dominic-glynn.com/
People Mentioned – Colin Baker – http://en.wikipedia.org/wiki/Colin_Baker
People Mentioned – Adam Blackwood – http://en.wikipedia.org/wiki/Adam_Blackwood_(actor)
People Mentioned – Nicola Bryant – http://en.wikipedia.org/wiki/Nicola_Bryant
People Mentioned – Chris Clough – http://en.wikipedia.org/wiki/Chris_Clough
People Mentioned – Michael Grade – http://en.wikipedia.org/wiki/Michael_Grade
People Mentioned – Ron Grainer – http://en.wikipedia.org/wiki/Ron_Grainer
People Mentioned – Peter Howell – http://en.wikipedia.org/wiki/Peter_Howell
People Mentioned – Michael Jayston – http://en.wikipedia.org/wiki/Michael_Jayston
People Mentioned – Bonnie Langford – http://en.wikipedia.org/wiki/Bonnie_Langford
People Mentioned – Dick Mills – http://en.wikipedia.org/wiki/Dick_Mills
People Mentioned – Tony Selby – http://en.wikipedia.org/wiki/Tony_Selby
People Mentioned – John Nathan Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
Restoration Team – Trial of a Timelord – The Mysterious Planet – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/TrialOfATimeLord.htm
Restoration Team – Trial of a Timelord – The Ultimate Foe – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/TrialOfATimeLord.htm
Stories Mentioned – Restoration Team – Revelation of the Daleks – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Revelation.htm
Stories Mentioned – Restoration Team – Survival – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Survival.htm
Recording Mentioned – Dominic Glynn – Black Light – Cassette Release, July 1988, Domintemporal Services RDMP2 , Flexidisc Release, 1990, Doctor Who Magazine – http://www.millenniumeffect.co.uk/audio/composed-dwas.php
Concepts Discussed – Consonance & Dissonance – http://en.wikipedia.org/wiki/Consonance_and_dissonance
Concepts Discussed – Leitmotif – http://en.wikipedia.org/wiki/Leitmotif
Concepts Discussed – Musical Intervals – Half Step – http://en.wikipedia.org/wiki/Half_step
Concepts Discussed – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Concepts Discussed – Rhythm – http://en.wikipedia.org/wiki/Rhythm
Concepts Discussed – Timbre (pronounced ‘tæmbər’) – http://en.wikipedia.org/wiki/Timbre
Concepts Discussed – Tone Cluster – http://en.wikipedia.org/wiki/Tone_cluster
Instruments Discussed – Calliope – http://en.wikipedia.org/wiki/Calliope_(music)
Instruments Discussed – Celelste – http://en.wikipedia.org/wiki/Celesta
Instruments Discussed – Pipe Organ – http://en.wikipedia.org/wiki/Pipe_organ
Instruments Discussed – Roland Juno-106 Synthesizer – http://en.wikipedia.org/wiki/Roland_Juno-106
Instruments Discussed – Korg 770 Synthesizer – http://www.vintagesynth.com/korg/770.php
Instruments Discussed – Yamaha DX-21 Synthesizer – http://www.vintagesynth.com/yamaha/dx21.php
Instruments Discussed- Sampler – http://en.wikipedia.org/wiki/Sampler_(musical_instrument)
Instruments Discussed- Sequential Circuits Prophet-5 Synthesizer – http://en.wikipedia.org/wiki/Sequential_Circuits_Prophet-5
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011
Episode 14 – Series 23, Part I – The Mysterious Planets of Dominic Glynn – Part I – The Mysterious Planet and the Ultimate Foe
In this episode we’ll be looking at the music of Doctor Who composer Dominic Glynn focusing on his work on Series 23, the Trial of a Time Lord. In this episode we will look at his work on Story 143, Serial 7A – The Mysterious Planet & serial 7C The Ultimate Foe.
The Mysterious Planet, penned by Doctor Who veteran writer Robert Holmes, was a 4-part story which originally aired between the 6th of September and the 27the of September 1986 on BBC One. This was the first of 4 stories in a 14 episode, series long arc culminating in the Ultimate Foe, a 2-part story which originally aired between the 29th of November and the 6th of December 1986 on BBC One.
ADVENTURES IN TIME, SPACE AND MUSIC IS A PROUD MEMBER OF THE DOCTOR WHO PODCAST ALLIANCE: http://www.doctorwhopodcastalliance.org/
ABOUT YOUR HOST: My name is Dr. Phillip Serna – you can call me Dr. Phill as many of my colleagues, friends and students do. I’m a performer and teacher here in the Chicago area where I received my Master & Doctoral degrees in Music at Northwestern University. On double bass I perform solo, chamber, orchestral and contemporary literature. I am also a performer of Early Music on viols – or violas da gamba – a family of bowed guitars that were popular in Europe from the 15th through the late 18th centuries.
ABOUT OUR SERIES GUEST: Dominic Glynn is one of the world’s most prolific composers of production music. His work has featured worldwide in hit TV shows including ‘The Simpsons’, ‘Red Dwarf’ and ‘Dead Like Me’ and in movies like ‘Kevin & Perry Go Large’ and Eddie Murphy/Jeff Goldblum comedy ‘Holy Man’.
Dominic began his career writing incidental music for BBC TV’s “Doctor Who” in the late 1980s, and is one of a select number of composers to have re-arranged the show’s iconic theme tune. In the 90s he continued to compose for a number of BBC shows, and after a series of leftfield underground dance record releases, he formed his own independent record label. Today he can often be seen DJing for ‘The Big Chill’. Live work has included performing at London’s Festival Hall with pedal-steel guitar legend BJ Cole, and the electronica/jazz hybrid project ‘Cybajaz’.
Dominic has composed the score for a series of short supernatural film dramas, screened at London’s Frightfest horror film festival, as well as music for two contemporary dance films. More recently, he has composed the score to upcoming British feature film ‘Bad Day’ starring Claire Goose and Donna Air, as well as a new radio revival of sci-fi classic ‘Blake’s 7′.
ABOUT OUR THEME: The theme to ADVENTURES IN TIME, SPACE AND MUSIC is a remix by Isaac Arsenault. Isaac started mashingup music in the winter of ’09, After reading Jordan Roseman’s “Audio Mashup Construction Kit.” Working with sound Equipment and being technical leader for two bands he opened his taste for music by studying it mathematically and learning the science behind it. To find out more about Isaac’s work, visit http://www.twitter.com/drautobob.
DEDICATION: This series of episodes are dedicated to all of the composers who have worked on Doctor Who for nearly 50 years – we thank you for the terror, the magic, and the joy you have brought generations of young people around the world. Cheers to all of you: Mark Ayres, Richard Rodney Bennett, Carey Blyton, Geoffrey Burgon, Tristram Cary, Malcolm Clarke, John Debney, Delia Derbyshire, Marcus Dods, Louis Febre, Jonathan Gibbs, Dominic Glynn, Murray Gold, Ron Grainer, Don Harper, Richard Hartley, Brian Hodgson, Peter Howell, Raymond Jones, Norman Kay, Paddy Kingsland, John Lewis, Roger Limb, Malcolm Lockyer, Keff McCulloch, Bill McGuffie, Stanley Myers, Elizabeth Parker, Humphrey Searle, Dudley Simpson & John Sponsler.
LINKS OF INTEREST:
Dominic Glynn – http://en.wikipedia.org/wiki/Dominic_Glynn
Dominic Glynn’s Website – http://www.dominic-glynn.com/
People Mentioned – Colin Baker – http://en.wikipedia.org/wiki/Colin_Baker
People Mentioned – Adam Blackwood – http://en.wikipedia.org/wiki/Adam_Blackwood_(actor)
People Mentioned – Nicola Bryant – http://en.wikipedia.org/wiki/Nicola_Bryant
People Mentioned – Chris Clough – http://en.wikipedia.org/wiki/Chris_Clough
People Mentioned – Michael Grade – http://en.wikipedia.org/wiki/Michael_Grade
People Mentioned – Ron Grainer – http://en.wikipedia.org/wiki/Ron_Grainer
People Mentioned – Peter Howell – http://en.wikipedia.org/wiki/Peter_Howell
People Mentioned – Michael Jayston – http://en.wikipedia.org/wiki/Michael_Jayston
People Mentioned – Bonnie Langford – http://en.wikipedia.org/wiki/Bonnie_Langford
People Mentioned – Dick Mills – http://en.wikipedia.org/wiki/Dick_Mills
People Mentioned – Tony Selby – http://en.wikipedia.org/wiki/Tony_Selby
People Mentioned – John Nathan Turner – http://en.wikipedia.org/wiki/John_Nathan-Turner
Restoration Team – Trial of a Timelord – The Mysterious Planet – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/TrialOfATimeLord.htm
Restoration Team – Trial of a Timelord – The Ultimate Foe – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/TrialOfATimeLord.htm
Stories Mentioned – Restoration Team – Revelation of the Daleks – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Revelation.htm
Stories Mentioned – Restoration Team – Survival – http://www.purpleville.pwp.blueyonder.co.uk/rtwebsite/Survival.htm
Recording Mentioned – Dominic Glynn – Black Light – Cassette Release, July 1988, Domintemporal Services RDMP2 , Flexidisc Release, 1990, Doctor Who Magazine – http://www.millenniumeffect.co.uk/audio/composed-dwas.php
Concepts Discussed – Consonance & Dissonance – http://en.wikipedia.org/wiki/Consonance_and_dissonance
Concepts Discussed – Leitmotif – http://en.wikipedia.org/wiki/Leitmotif
Concepts Discussed – Musical Intervals – Half Step – http://en.wikipedia.org/wiki/Half_step
Concepts Discussed – Orchestration – http://en.wikipedia.org/wiki/Orchestration
Concepts Discussed – Rhythm – http://en.wikipedia.org/wiki/Rhythm
Concepts Discussed – Timbre (pronounced ‘tæmbər’) – http://en.wikipedia.org/wiki/Timbre
Concepts Discussed – Tone Cluster – http://en.wikipedia.org/wiki/Tone_cluster
Instruments Discussed – Calliope – http://en.wikipedia.org/wiki/Calliope_(music)
Instruments Discussed – Celelste – http://en.wikipedia.org/wiki/Celesta
Instruments Discussed – Pipe Organ – http://en.wikipedia.org/wiki/Pipe_organ
Instruments Discussed – Roland Juno-106 Synthesizer – http://en.wikipedia.org/wiki/Roland_Juno-106
Instruments Discussed – Korg 770 Synthesizer – http://www.vintagesynth.com/korg/770.php
Instruments Discussed – Yamaha DX-21 Synthesizer – http://www.vintagesynth.com/yamaha/dx21.php
Instruments Discussed- Sampler – http://en.wikipedia.org/wiki/Sampler_(musical_instrument)
Instruments Discussed- Sequential Circuits Prophet-5 Synthesizer – http://en.wikipedia.org/wiki/Sequential_Circuits_Prophet-5
_____________________________
If you would like to find out more about my other projects, specifically on viols, please visit thegambacast.org or violsinourschools.org.
Podcast site is located at http://atsm.phillipwserna.com/
Email us at http://adventuresintimespaceandmusic.phillipwserna.com/contact
To follow us on Twitter, visit http://www.twitter.com/ATSMPodcast
To friend us on Facebook, visit http://www.facebook.com/AdventuresinTimeSpaceandMusic
To friend us on Google+, visit http://plus.google.com/106877584462894407680
Support the show by donating or by visiting http://zazzle.com/ATSMPodcast
_____________________________
‘Adventures in Time Space and Music’ is not endorsed by the BBC in any way and is intended for entertainment and educational purposes only. No copyright infringement is intended.
The Official Doctor Who site can be found at http://bbc.co.uk/doctorwho.
Doctor Who, all associated logos, names and references to characters, vehicles and any other Doctor Who related items are registered trademarks and/or copyrights of the BBC, or their respective trademark and copyright holders.
All original content of this podcast, both musical and textual, is the intellectual property of the podcast – unless otherwise indicated. © Copyright 2011















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